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Strymon Dig Digital Delay V2 Guitar Effects Pedal  From Strymon

The New and Improved Dig from Strymon! Incredibly Expressive Digital Delay!

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This specific item was photographed by us here in Durham, North Carolina. We are a very small team dedicated to providing you the most accurate photos possible, through our obsessive focus - individually photographing nearly everything that comes through the door. Questions about what you see? Want more information, photos, or just a friendly conversation with someone that cares and who has actually had their hands on this exact item? Contact us now!
Strymon Pedals

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New DIG Audio Examples | Strymon

Check out all of the great new sounds possible from the new version of DIG! Join Strymon's Sean Halley as he plays a variety of different guitars and textures to show off just how versatile the new version is, and remember that it gets even more powerful when you sync the delays to MIDI. 

  • Signal Chain
    • Strymon Dig Digital Delay V2 Guitar Effects Pedal

Manufacturer's Description from Strymon

Delay Doppelgänger.

DIG unearths the true soul of digital delay and doubles it — two simultaneous, integrated delays with captivating rack delay voicings from the 1980s and today, for incredible expressive potential.

Effortlessly create your own world of intricate and synchronized echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails, all in a compact, pedalboard-friendly format.

Rack To The Future.

Rack-mount digital delays of the ’80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays that had yet been heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever.

Our thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG’s three digital delay voicings: the early ’80s adaptive delta modulation mode, the mid-’80s 12 bit pulse code modulation mode, and the modern high-resolution 24/96 mode.

Multiply these distinct voicings by two and get DIG — your perfect dual delay ally.

MIDI

Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via DIG’s EXP/MIDI jack or USB-C connection. 

Delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 

300 MIDI preset locations are available for loading and saving your favorite settings.

Hardware Improvements

A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch.

All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

Tone Knob

This powerful control sets the feedback filter response for tailoring the sound of your echoes. Fast and intuitive to use, it is actually two filters on one control: Turn left for high cut and right for low cut, or set at 12 o’clock for a flat response.

Strymon Pedals

About Manufacturer

The Philosophy:
We want to build products with no compromises. We want to push the limits of technology in music. We want to redefine what is possible with music gear. We want to use exceptionally great components and ridiculously powerful processors. We want to make gear that sounds better than anything you've ever heard. We want to make our customers happy. We want you to be inspired to create amazing music.

The People:
We're a small company and we'd like to stay that way. We do this because we want to create gear that is fun to design and fun to play. We want to experiment and try new things. We don't want to work for the man. We don't like authority. We don't want to grow up. We want to work hard and have fun doing it.

The History:
Damage Control was founded in 2004 with the release of our line of tube-driven effects pedals, which earned critical acclaim and became favorites among guitarists across the globe. In 2009 we teamed up with Strymon to begin co-developing products, and the rest is history.

Specifications

High impedance ultra low-noise discrete Class A JFET TRS stereo input.

Low impedance independent TS stereo outputs.

Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.

USB jack for controlling via MIDI from a computer or for performing firmware updates.

Dedicated Tap Tempo & On/Off footswitches

Premium JFET analog front end

Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality

520MHz ARM Superscalar processor

32-bit floating point processing

20Hz to 20kHz frequency response

Audio Input Impedance: 1M Ohm

Audio Output Impedance: 100 Ohm

Strong and lightweight pink aluminum chassis

9V DC power supply included

Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current

Dimensions:

4.5” deep x 4” wide x 1.75” tall

11.4 cm deep x 10.2 cm wide x 4.4 cm tall

Designed and built in the USA