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Shure KSM141 Stereo Pair Dual Pattern Instrument Mics - Used From Shure
Dual-pattern end-addressed condenser microphone. In Used, Excellent condition
$600.00
No Sales Tax in 45 States.
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Rating: 4.9
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What We Think
The Shure KSM141 Stereo Pair is one of those microphone sets that quietly earns a permanent place in a studio once you’ve used it a few times.
What really makes the KSM141 special is the flexibility. The ability to switch between true omnidirectional and cardioid patterns with a simple mechanical collar means these mics can adapt to an incredible range of recording situations without ever feeling compromised.
Whether you’re capturing a detailed stereo acoustic guitar, drum overheads, piano, strings, room ambience, or ensemble recordings, they consistently feel controlled, natural, and musical.
Sonically, the KSM141s strike a really nice balance between precision and warmth. They have the transient detail and speed you expect from a high-quality small diaphragm condenser, but they avoid the overly bright or brittle top end that some modern SDCs can lean toward. The result is clarity without harshness, which makes them easy to trust on sources where realism matters.
The omni mode is especially impressive. There’s an openness and depth to the image that feels very natural and spacious, particularly in good rooms. Switch to cardioid, and the focus tightens up immediately without losing that smooth overall character. That kind of versatility makes these microphones incredibly useful in real-world sessions where setups and environments change constantly.
We also appreciate how practical they are. The built-in pads and high-pass filters make them comfortable around loud sources, and the stereo pair package with the A27M stereo bar makes setup quick and straightforward.
What stands out most, though, is how dependable they feel. They’re not hyped or trendy—they just consistently deliver clean, balanced, professional recordings across a huge variety of applications.
For engineers looking for a versatile stereo pair with excellent imaging, smooth detail, and the flexibility to handle everything from close-miking to ambient capture, the KSM141s remain one of the most underrated small diaphragm condenser pairs out there.
Manufacturer's Description from Shure
The KSM141 is a dual-pattern end-addressed condenser microphone with a rotating collar, allowing easy switching between a consistent cardioid or true omnidirectional polar pattern for smooth and extremely focused sound reproduction.
Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
- A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar® diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
- Extended frequency response
- Low self-noise
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- High output level
- No crossover distortion
- Uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
Applications
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
About Manufacturer
Since 1925, musicians and music enthusiasts around the world have chosen Shure with confidence in the unparalleled sound and performance of our products. For forty years and counting, the Shure SM58 has been the most popular vocal microphone in the world, revered for its natural sound and famed durability. Our wireless microphones are synonymous with innovative technology and bulletproof reliability. And our award-winning earphones are redefining the audio experience for the most discerning listeners. But Shure stands for more than quality products. We are passionate about enabling performances that engage, energize and inspire audiences -- performances that help shape the course of history. Shure was there when Elvis stepped into Sun Studios and when JFK vowed to put a man on the moon. We've been on the world's biggest stages, from Live Earth to the Oval Office, ever since. Shure is also passionate about getting it right. We work tirelessly to develop flawless products and support them with the best customer service in the industry. In fact, in everything we do, we are committed to delivering a great audio experience -- because that's the true measure of legendary performance.
Specifications
- Cartridge Type
- Permanently Biased Condenser
- Frequency Response
- 20 to 20,000 Hz
- Directional Polar Pattern
- Cardioid/Omnidirectional
- Output Impedance
- 150 ohms (actual)
- Attenuation Switch
- 0 dB, 15 dB, or 25 dB attenuation
- Low Frequency Response Switch
- Flat; -6 db/octave below 115 Hz
- -18 dB/octave below 80 Hz
- Phantom Power
- 48 Vdc +/- 4 Vdc (IEC26815/DIN 45 596), positive pins 2 and 3
- Current Drain
- 4.65 mA typical at 48 Vdc
- Common Mode Rejection
- >50 dB, 20 Hz to 20 kHz
- Polarity
- Positive pressure on diaphragm produces positive voltage on output pin 2 relative to pin 3
- Dimensions and Weight
- 20 mm (0.8 in.) diameter, 146 mm (5.75 in.) long
- 156 grams (5.5 oz.)
- Sensitivity (typical, at 1000 Hz; 1 Pa = 94 dB SPL)
- -37 dBV/Pa
- Selfnoise (typical, equivalent SPL; A-weighted, IEC 651)
- 14 dB
- Maximum SPL
- 5000 ohm load (Attenuator on): 145 (160, 170) dB
- 2500 ohm load (Attenuator on): 139 (154, 164) dB
- 1000 ohm load (Attenuator on): 134 (149, 159) dB
- Output Clipping Level*
- 5000 ohm load: 15 dBV
- 2500 ohm load: 9 dBV
- 1000 ohm load: 3 dBV
- *20 Hz to 20 kHz; THD < 1%. THD of the microphone preamplifier when applied input signal is equivalent to the cartridge output at specified SPL.
- Dynamic Range
- 5000 ohm load: 131 dB
- 2500 ohm load: 125 dB
- 1000 ohm load: 120 dB
- Signal to Noise Ratio**
- 80 dB
- **S/N ratio is difference between 94 dB SPL and equivalent SPL of self-noise A-weighted.
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