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Schoeps CCM 8 Lg Figure-8 Compact Microphone  From Schoeps

Figure-eight [Bi-directional], side-address, polar pattern nearly identical at all frequencies

Schoeps Microphones

$2,195.00

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Manufacturer's Description from Schoeps

Overview

  • pure pressure-gradient transducer
  • figure-8 pattern with near-ideal consistency across the frequency range
  • side-addressed (pickup perpendicular to the microphone body)
  • optimal for use in M/S and Blumlein stereo recording
  • often preferred for use in music and speech recording, as a spot microphone and also as a main microphone, especially when using the OCT recording method
 
This capsule type is a true dipole (bidirectional) transducer, operating with a single diaphragm. Its main axis is at a right angle to the capsule, and is marked at 0° and 180° with a red and a black dot respectively.
 
The inherent qualities of a pure pressure-gradient transducer are readily observed in this capsule type:
 
Its sensitivity decreases at low frequencies.
The directional characteristic is extraordinarily independent of frequency.
 
Proximity effect is present.
 
The directivity index of a figure-8 pattern is the same as that of a cardioid; if microphones with these two patterns are placed at the same distance from a sound source, a quantitatively similar balance of direct and reverberant sound would be picked up. In practice such a comparison would be deceptive, however, since a figure-8 does not respond to sound coming from the sides, from above or from beneath its main axis as does a cardioid. The figure-8 has a rear lobe equal in sensitivity to its front lobe, and this exactly makes up the quantitative difference – but in normally reverberant settings, the sound reaching a figure-8's rear lobe will be delayed and dispersed to a considerably greater extent than the reverberant sound energy which a cardioid picks up from its front and sides; the reflected sound will typically be subject to far more high frequency absorption as well. Thus the reverberant sound energy picked up by a figure-8, though theoretically equal in amount, is quite different in character from that which would be picked up by a cardioid in the same position.
 
The sound quality of the MK 8 is clear and neutral. The frequency response rolls off above 16 kHz.

Applications

When an MK 8 is used as a spot microphone, care must be taken to avoid picking up early reflections or unwanted direct sound from its rear, since sound arriving from the back is picked up with full level but reversed in polarity. This could result in partial cancellation of the intended sound, which can lead to comb-filter effects at higher frequencies.
 
When M/S stereo recordings are made, the 0° axis normally faces to the left as viewed from behind the microphone setup. The “8“ engraved on the top of the housing should be aligned on its side so as to appear horizontal, at a precise right angle to the Mid capsule. The microphone should be placed directly above or beneath the “M“ channel microphone, and as close to it as possible.
Schoeps Microphones

About Manufacturer

The focus on high quality, reliability and neutral accurate sound has been the production philosophy of Schoeps Microphones since 1948. The simple elegance and clever engineering of their products boast a true passion for the art of microphone making and a tireless attention to detail. The Colette System is the largest modular mic system available offering twenty different capsules and various active accessories. The newest addition to the acclaimed Colette System is the CMC 6 xt which offers extended frequency response beyond 40 kHz. The CCM Series mics are the smallest phantom powered non-electret microphones in the world. Other notables from Schoeps include the M222 Tube microphone, the VMS 5U portable two channel mic preamp and M/S matrix, three extremely unique stereo mics, the KFM-360 Surround microphone and the Polarflex Microphone System that allows the user to emulate the characteristics of any microphone. Schoeps is unquestionably among the most innovative microphone manufacturers in the world, leading the way in many developments. Central to its design philosophy over the years is the company's insistence on absolute sound neutrality of the microphones. It is really no wonder that Schoeps has so many supporters, not only in the area of classical music recording and reinforcement, but also in film and television. No doubt part of its success is due to the fact that, in a space of only 1500 square meters, a total of 35 employees develop, manufacture and distribute the whole range of Schoeps products. Staff turnover is very small, which says much about the family atmosphere in the company. Many an employee has celebrated his or her 25th anniversary with Schoeps. Continuity is and will remain very important at Schoeps. Despite many outside offers, Ulrich Schoeps intends to continue the life's work of his father.

Specifications

Current consumption with 12 V 8 mA
Current consumption with 48 V 4 mA
Impedance 90 Ω
Minimum recommended load impedance 600 Ω
Low-cut frequency 20 Hz
Length (L version) without connector: 46 – 58 mm
Length (U version) 46 – 58 mm
Diameter 20 mm
Weight (U-version) 33 g
Weight (L-version) 43 g
Surface finish matte gray