From RME
The Fireface 802 FS is a highly integrated pro audio solution for live and studio use, all within a 19” enclosure. An interface designed for users who don’t want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best and even a bit more. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features.
Inputs and Outputs
The Fireface 802 FS provides 60 channels of audio: 30 input and 30 output channels.
All inputs and outputs can be used at the same time. Up to 12 analog and 18 digital channels can be recorded onto 30 tracks separately.
Analog I/O
The Fireface 802 FS has 12 analog I/Os.
12 Inputs - 8 balanced TRS on the back and 4 XLR inputs with Mic/Instrument preamps on the front.
12 Outputs - On the rear: 8 balanced TRS. On the front: Two hi-power TRS stereo phones outputs provide high volumes even with hi-impedance headphones (playback channels 9/10 and 11/12).
Sound Quality - Like other RME products before the Fireface 802 FS combines excellent analog circuit design with latest digital conversion technology. All balanced TRS & XLR I/Os as well as the two phones outputs offer outstanding low noise and distortion values. In best RME tradition and product philosophy converters and preamps don’t produce “sound”, they do not add or remove anything from the source signal, just capture it as it is.
Equipped with the latest A/D and D/A converter chips, all I/Os operate at up to 192 kHz and reach 118 dBA dynamic range on playback - even both headphone outputs. Their high power technology delivers high volume no matter if high or low impedance phones are used.
Due to its efficient jitter reduction, RME’s superior SteadyClock guarantees state-of-the-art AD/DA conversion, even when clocking to an external clock source.
Every input and output is individually switchable to these common professional studio levels: -10 dBV, +4 dBu, HiGain (equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale).
All outputs can be used for ASIO Direct Monitoring (ADM) purposes.
Preamps for Microphones and Instruments with Low Latency Conversion.
The 802 FS has four high-transparency preamps with four low latency converters.
Microphone and instrument preamps of the 802 FS use the classic technology of the OctaMic II, a high-end preamp for supreme sonic demands and critical applications, like the professional recording of classical concerts. The symmetrical preamp design impresses with extremely low distortion, excellent signal to noise ratio and a perfect linear frequency response. A premium solution for transmitting and amplifying any audio input truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.
The pot-controlled gain of up to 60 dB, adjustable over a range of 54 dB, is individually set for every preamp on the front of the 802.
The four inputs on the front use balanced XLR/TS combo sockets and operate alternatively as Hi-Z inputs. Directly plug in up to four guitars or other instruments - no other hardware required.
Each channel can be individually switched to 48V phantom power or instrument mode. LEDs for signal, clip, TS operation and activated phantom power provide overview on the unit's status.
The Fireface 802 FS follows RME's tradition of providing flexible and expandable audio systems. Adding additional preamplifiers or more analog inputs is easily done via the dual ADAT optical I/Os on the rear.
Digital I/O
AES/EBU: The Fireface 802 FS has one professional AES/EBU I/O operating at up to 192 kHz.
ADAT: Two 8-channel ADAT I/Os allow for a connection of two additional AD/DA converters or the insertion of effects devices and mixing consoles. Both I/Os support sample rates at up to 192 kHz (S/MUX4). Like AES/EBU, these 16 ADAT channels are available simultaneously with the analog channels. Using two external converters like the ADI-8 QS, the 802 will provide 28 analog inputs and outputs, 20 with a sample rate of 96 kHz, and still 16 at 192 kHz.
SPDIF: The second ADAT I/O can be used as optical SPDIF I/O, making the UFX connections even more flexible.
Word Clock & MIDI: A word clock input and output (BNC) with switchable termination and a MIDI I/O complete the list of connections, turning the Fireface 802 FS into a professional audio system with universal usability.
More Features
SteadyClock - RME's unique jitter suppression technology guarantees perfect sound quality throughout, making the device completely independent from the quality of external clock signals. Due to the highly efficient jitter reduction, the UFX converters operate independently from the quality of the external clock signal, as if they are working with internal clock all the time - guaranteeing a pristine sound quality! SteadyClock allows the Fireface 802 FS to control the sample rate freely on its own. The settings dialog includes a direct choice of the video and audio world's most often used sample rates.
ICC - Intelligent Clock Control not only displays every clock status, but will also retain the last valid input sample rate in case of failure of the external source. Other renowned RME technologies like SyncCheck offer a quick detection of clock problems.
DIGICheck - The 802 FS comes with RME's unique software tool box for metering, testing, measuring and analyzing digital audio streams. It provides a multi-track recorder, calculates the level meters peak and RMS in hardware, and analyzes and displays audio in multiple ways, like stereo, multichannel, all channels, surround, spectral, and many more.
Power supply - The specially developed, internal hi-performance switch mode power supply lets the UFX operate in the range of 100V to 240V AC, thus can be operated all over the world. It is short-circuit proof, has an integrated line-filter, is fully regulated against voltage fluctuations, and suppresses mains interference.
Stand Alone Operation with Setup Recall - The Fireface 802 FS can be set up and configured directly via iPad, MIDI remote and ARC. Additionally 6 memory slots are present where the current configuration can be stored permanently. This way the 802 FS operates independently from a computer. In stand-alone operation it can turn itself into different devices by the simple push on a button.
- Analog
- AD, Line In 1-8, rear
- Resolution AD
- 24 bit
- Signal to Noise ratio (SNR)
- 113 dB RMS unweighted, 116 dBA
- Frequency response @ 44.1 kHz, -0.1 dB
- 5 Hz - 20.8 kHz
- Frequency response @ 96 kHz, -0.5 dB
- 5 Hz - 45.8 kHz
- Frequency response @ 192 kHz, -1 dB
- 5 Hz - 92 kHz
- THD
- < -110 dB, < 0.00032 %
- THD+N
- < -104 dB, < 0.00063 %
- Channel separation
- > 110 dB
- Input
- 6.3 mm TRS jack, electronically balanced
- Input sensitivity
- 8 kOhm unbalanced, 12 kOhm balanced
Input sensitivity switchable to Lo Gain, +4 dBu, -10 dBV
- Input level for 0 dBFS @ Lo Gain
- +19 dBu
- Input level for 0 dBFS @ +4 dBu
- +13 dBu
- Variable digital gain
- 0 to +12 dB
- Minimum level for 0 dBFS
- +1 dBu, -1.2 dBV
Microphone In 9-12, front
- Input
- XLR, electronically balanced
- Input impedance
- 3.4 kOhm
- Signal to Noise ratio (SNR)
- 113 dB RMS unweighted, 116 dBA
- Gain range
- 54 dB
- Maximum input level, Gain +6 dB
- +10 dBu
- Maximum input level, Gain +60 dB
- -44 dBu
- CLIP LED
- 0 dBFS
- SIG LED
- -42 dBFS
Instrument In 9-12, front
- Input
- 6.3 mm TS jack, unbalanced
- Input impedance
- 1 MOhm
- Signal to Noise ratio (SNR)
- 113 dB RMS unweighted, 116 dBA
- Maximum input level, Gain +6 dB
- +21 dBu
- Maximum input level, Gain +60 dB
- -33 dBu
- Frequency response @ 44.1 kHz, -0.5 dB
- 2.5 Hz – 20.8 kHz
- Frequency response @ 96 kHz, -0.5 dB
- 2.5 Hz – 25 kHz
- Frequency response @ 192 kHz, -1 dB
- 1.7 Hz – 36 kHz
DA - Stereo Monitor Output Phones (9-12)
- Output
- 2 x 6.3 mm TRS stereo jack, unbalanced
- Maximum output level at 0 dBFS
- +17 dBu
- Max power per channel @ 32 Ohm load, 0.02% THD
- 200 mW (2.5 Vrms, +10 dBu)
- Signal to Noise ratio (SNR)
- 116 dB (AES17), 118 dBA
- Output impedance
- 2 Ohm
DA, Line Out 1-8, rear
- Output
- 6.3 mm TRS jack, servo-balanced
- Signal to Noise ratio (SNR) @ HiGain
- 116.5 dB (AES17), 118.5 dBA
- Signal to Noise ratio (SNR) @ +4 dBu
- 116 dB (AES17), 118 dBA
- Signal to Noise ratio (SNR) @ -10 dBV
- 107 dB (AES17), 109 dBA
- Frequency response @ 44.1 kHz, -0.1 dB
- 0 Hz – 20.2 kHz
- Frequency response @ 96 kHz, -0.5 dB
- 0 Hz – 44.6 kHz
- Frequency response @ 192 kHz, -1 dB
- 0 Hz – 77.5 kHz
- THD+N
- < -110 dB, < 0.00032 %
- Channel separation
- > 110 dB
Output level switchable Hi Gain, +4 dBu, -10 dBV
- Output level at 0 dBFS @ Hi Gain
- +19 dBu
- Output level at 0 dBFS @ +4 dBu
- +13 dBu
- Output level at 0 dBFS @ -10 dBV
- +2 dBV (+4.2 dBu)
- Output impedance
- 75 Ohm
MIDI
1 x MIDI I/O via 5-pin DIN jacks
Galvanically isolated by optocoupled input
- Hi-speed mode
- Jitter and response time typically below 1 ms
Separate 128 byte FIFOs for input and output
Digital
- Clocks
- Internal, ADAT In, AES In, SPDIF In, Word Clock In
- Jitter suppression of external clocks
- > 50 dB (> 1 Hz)
- Effective clock jitter influence on AD and DA conversion
- near zero
PLL ensures zero dropout, even at more than 100 ns jitter
Digital Bitclock PLL for trouble-free varispeed ADAT operation
- Supported sample rates
- 28 kHz up to 200 kHz
Digital Inputs
AES/EBU
1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
High-sensitivity input stage (< 0.3 Vpp)
SPDIF compatible (IEC 60958)
Accepts Consumer and Professional format
- Lock range
- 27 kHz – 200 kHz
- Jitter suppression
- > 50 dB (> 1 Hz)
ADAT Optical
2 x TOSLINK, format according to Alesis specification
- Standard
- 2 x 8 channels 24 bit, up to 48 kHz
- Double Speed (S/MUX)
- 2 x 4 channels 24 bit 96 kHz
- Quad Speed (S/MUX4)
- 2 x 2 channels 24 bit 192 kHz
Bitclock PLL ensures perfect synchronisation even in varispeed operation
- Lock range
- 31.5 kHz – 50 kHz
- Jitter suppression
- > 50 dB (> 1 Hz)
SPDIF optical (ADAT 1/2)
1 x optical, according to IEC 60958
Accepts Consumer and Professional format
- Lock range
- 27 kHz – 200 kHz
- Jitter suppression
- > 50 dB (> 1 Hz)
Word Clock
BNC, not terminated (10 kOhm)
Switch for internal termination 75 Ohm
Automatic Double/Quad Speed detection and internal conversion to Single Speed
SteadyClock guarantees super low jitter synchronization even in varispeed operation
Not affected by DC-offsets within the network
- Signal Adaptation Circuit
- signal refresh through auto-center and hysteresis
Overvoltage protection
- Level range
- 1.0 Vpp – 5.6 Vpp
- Lock Range
- 27 kHz – 200 kHz
- Jitter suppression
- > 50 dB (> 1 Hz)
Digital Outputs
AES/EBU
1x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
Output level Professional 4.2 Vpp, Consumer 2.4 Vpp
Format Professional according to AES3-1992 Amendment 4
Format Consumer (SPDIF) according to IEC 60958
Single Wire mode, sample rate 28 kHz up to 200 kHz
ADAT
2 x TOSLINK, format according to Alesis specification
- Standard
- 2 x 8 channels 24 bit, up to 48 kHz
- Double Speed (S/MUX)
- 2 x 4 channels 24 bit 96 kHz
- Quad Speed (S/MUX4)
- 2 x 2 channels 24 bit 192 kHz
SPDIF optical (ADAT 1/2)
Format Consumer (SPDIF) according to IEC 60958
Sample rate 28 kHz up to 200 kHz
Word Clock
BNC
- Max. output voltage
- 5 Vpp
- Output voltage @ 75 Ohm termination
- 4.0 Vpp
- Output impedance
- 10 Ohm
- Frequency range
- 27 kHz – 200 kHz
General
- Power supply
- Internal switching PSU, 100 - 240 V AC, 30 Watt
- Idle power consumption
- 15 Watt
- Typical power consumption
- 22 Watt
- Dimensions including rack ears (WxHxD)
- 483 x 44 x 242 mm (19" x 1.73" x 9.5")
- Dimensions without rack ears/handles (WxHxD)
- 436 x 44 x 235 mm (17.2" x 1.73" x 9.3")
- Weight
- 2.8 kg ( 6.2 lbs)
- Temperature range
- +5° up to +50° Celsius (41° F up to 122°F)
- Relative humidity
- < 75%, non condensing
Free 3-Year Warranty
Sound Pure stands behind our products. Free three-year warranty on this item. Coverage exclusions live in Terms & Conditions, Section 27.
Level of support and expertise that simply isn't available at big-box megastores. Read the warranty →
Returns
Not eligible for Try Before You Buy or the 48-hour approval period. Standard return policy applies — see Terms & Conditions, Section 18 for details.
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