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The KH 310 three-way monitors perfectly represent the mind-blowing detail a properly designed closed cabinet speaker can provide! Hear transient detail and punch hidden within your mix like never before - like they say, you can't mix what you can't hear!
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In a world mostly full of ported cabinet designs, the Neumann kh310's dramatically stand out from the crowd. These are a sealed cabinet design and you can tell the first moment you hear them push air. There is a tightness and a focus to these monitors that was so clear and forward that it was a bit shocking initially. There's a lot more to a studio monitor design than just whether it's ported or sealed, but these stand far out from the crowds and I attribute a significant portion of that to their cabinet design. there's a crispness and punch all the way to the very bottom end of their range - you will have no question as to how hard your kick drum hits, and how well it's blending with the bass guitar. That same focus is just as apparent through the midrange, where you'll hear exactly how the vocal sits against the guitars, or whether it's struggling for room in the crowd, and the top end of these monitors is revealing without feeling abrasive or fatiguing. These monitors are not forgiving and friendly, but they WILL tell you exactly what's going on within your mix and they translate remarkably well to other systems.
The KH 310 three-way active tri-amplified monitor features a Mathematically Modeled Dispersion™ Waveguide (MMD™), flexible acoustical controls, various input options and an extensive range of mounting hardware. This allows the loudspeaker to be used in diverse acoustical conditions, with any source equipment and in a wide variety of physical locations. The KH 310 represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible.
The KH 310 is designed for use as a near-field monitor, as a front loudspeaker in mid-sized multi-channel systems, or as a rear loudspeaker in a larger multi-channel system. It can be used in project, music, broadcast centers, OB vans, and post production studios for tracking, mixing, and mastering.
8 1/4" composite-sandwich membrane woofer, 3" soft dome midrange, 1" alloy fabric dome tweeter with Mathematically Modeled Dispersion™ (MMD™) Waveguide and protective grille
Specializing in some of the finest microphones in the world, Neumann has develpoed a top name in the industry for consistency, reliability, and sonic excellence. With microphones suited for the entire range of studio recording (and more recently live application), Neumann microphones are often a first choice for uncompromised acoustic reproduction.
Acoustics | |||
−3 dB free field frequency response | 34 Hz - 21 kHz, ± 3 dB | ||
Pass band free field frequency response | 36 Hz - 20 kHz, ± 2 dB | ||
Self-generated noise (with input gain set to 100 dB for 0 dBu) |
< 20 dB(A) at 10 cm | ||
Total harmonic distortion < 0.5 % at 95 dB SPLat 1 m | > 85 Hz | ||
Max. SPL in full space / calc. in half space at 3% THD at 1m |
110.3 / 116.3 dB SPL (averaged between 100 Hz and 6 kHz) |
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Bass capability: Max. SPL in half space at 3% THD at 1m |
104.5 dB SPL (averaged between 50 Hz and 100 Hz) |
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Max. short term SPL with IEC-weighted noise (IEC 60286-5) at 1 m, in typical listening conditions | 113 dB(C) SPL | ||
Max. short term SPL with music material at 2.3 m, in typical listening conditions (pair) |
100 dB(C) SPL (full range) 107 dB(C) SPL (with subwoofer) |
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Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single/pair) | 93 / 99 dB(C) SPL (full range) 94 / 100 dB(C) SPL (with subwoofer) |
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Electronics |
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Bass / Midrange / Treble Class AB amplifiers, cont. (peak) output power* | 150 W (210 W) / 70 W (90 W) / 70 W (90 W) | ||
Controller design | Analog, active | ||
Crossover frequencies | 650 Hz / 2 kHz | ||
Crossover slope | 24 dB/oct, 4th order | ||
Equalization - Bass | 0, −2.5, −5, −7.5 dB | ||
Equalization - Low Mid | 0, −1.5, −3, −4.5 dB | ||
Equalization - Treble | +1, 0, −1, −2 dB | ||
Protection circuitry | Independent thermo limiters for woofer, midrange dome and tweeter. Woofer soft clip and excursion limiters | ||
Infrasonic filter - frequency; slope | 15 Hz; 6 dB/oct | ||
Input | XLR, analog electronically balanced | ||
Impedance, electrically balanced | > 13k Ohms | ||
Input gain control (sensitivity) | 0 dBu to −15 dBu | ||
Output level control | 94, 100, 108, 114 dB SPL | ||
CMRR | > 56 dB @ 100 - 15 kHz | ||
Max. input level | +24 dBu | ||
Displays and indicators - power on | Neumann logo “White” | ||
Displays and indicators - limit / clip | Neumann logo “Red” | ||
Mains Power Supply, voltage; frequency | 100-240 V~; 50/60 Hz | ||
Power consumption - idle | 24 W | ||
Power consumption - full output | 300 W | ||
Mechanics |
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Cabinet surface finish, colour | Painted wood and polyurethane, Anthracite (RAL 7021). Aluminum electronics panel, Black. |
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Baffle cover | Optional removable metal grille | ||
Operating conditions | +10° C to +40° C (+50° F to +104° F), <90% RH, non-condensing |
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Transport/storage condition | −25° C to +70° C (−13° F to 158° F), <90% RH, non-condensing |
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Drivers | Magnetically shielded | ||
Woofer | 210 mm (8 1/4") | ||
Midrange | 75 mm (3") | ||
Tweeter | 25 mm (1") | ||
Mounting points | 2 x M8 on side panels, depth from outside of cabinet 25 mm (1”). Rear panel screws for attaching LH 41 base plate. Rear panel bracket. |
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Product dimensions (height x width x depth), mm (inches) |
253 x 383 x 292 mm (10" x 15 1/8" x 11 1/2") |
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Net volume, internal / external | 16.2 liters / 28.3 liters | ||
Product weight | 13.0 kg (28 lbs 11 oz) | ||
Packed dimensions (height x width x depth), mm (inches) |
590 x 380 x 360 mm (23 1/4" x 15" x 14 1/8") |
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Packed weight and cube | 16.8 kg (37 lbs 1 oz), 0.081 m³ |