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Twin Topology Class A Recording Channel. This is a demo unit from our studio.
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Multiple Paths, One Goal: Total Sonic Realism |
· Four distinct inputs can be optimized for any source · Instruments – Twin Topology® DI channel; dual-triode 12AT7 vacuum tube or discrete FET solid state · Microphones – discrete solid state HV-3 microphone preamplifier · DAW or tape outputs – Discrete solid state line level amplifier · Guitar power amp inputs – Speaker Soak™ technology · Powerful yet musical tonal shading · Two bands of mastering-grade NSEQ-2 parametric Eq; 20 Hz to 20 kHz center frequency, 0.4 to 4.0 Q · Optimized DI input for any instrument with variable 470 k / 2 M / 10 M impedance · Nine outputs for unlimited functionality · Patented Re-Amp outputs with custom-designed magnetics emulate Les Paul® and Strat® pickups · Audiophile headphone output · Balanced and unbalanced monolithic outputs · Balanced and unbalanced discrete FET outputs · Microphone level output with large-geometry DIT-01 transformer: -3 dB 3 Hz – 300 kHz · Effortlessly musical performance at all dynamic levels · Input headroom >100 V, output headroom > 30 V · 100% effective hum removal with numerous ground lifts & isolations · Built for critical professional applications · Ultra-clean toroid power supply: internal sub-chassis · Gold connectors, OFC audio wiring, silver Teflon power wiring |
Established as a classical music recording company in the 1980s, Millennia Media has grown to become one of the world's respected manufacturers of critical audio recording products. Now with more than 40,000 microphone preamplifier channels shipped, Millennia continues to set sonic precedent in solid-state and vacuum tube mic amps, equalizers, compressors, mixers, and recording channels. With numerous industry awards, fourteen TEC nominations, ten PAR Excellence and Reviewer's Pick awards, an E.Q. Blue Ribbon Award, three Stereophile Class A awarded products, an extensive owner's register of leading audio professionals, and a reputation for musical realism second to none, we believe you won't find a more transparent range of professional audio products on the planet.
Preamplifiers and General: |
|
Instrument / DI Input Amplifier |
TUBE: Selected twin triode vacuum tube amplifier (200 V) |
THD + Noise |
|
20 Hz - 30 kHz (35 dB Gain) |
0.0005% typical mic / line, 0.03% typical vacuum tube |
Intermodulation Distortion |
0.0009% typical mic / line, 0.03% typical vacuum tube |
Frequency Response at -3 dB points |
3 Hz to 300 kHz, typical. Varies with routing & topology |
Maximum Balanced Line Input Level |
+23 dBu (+43 dBu with Pad engaged or >110 Volts rms) |
Maximum DI Input Level (Both Tube & SS) |
+18 dBu (+26 dBu with Pad engaged or >15 Volts rms) |
Maximum Output Level |
+32 dBu active balanced outputs, +26 dBu unbal outputs |
Maximum System Gain |
45 dB standard (65 dB with optional HV-3 mic preamp) |
Input Impedance (DI) |
Switchable: 470 kilohms / 2 megohms / 10 megohms |
Noise (Mic) (60 dB gain) |
-128 dB EIN, 150 ohm source, -130 dB EIN common |
Noise (Line) (10 dB gain) |
-105 dBu |
Noise (DI) (10 dB gain) |
-90 dBu (solid state) |
Phase Error (EQ out) |
Less than +/- 5 degrees 50 Hz to 20 kHz |
Parametric Equalizer: |
|
Maximum Boost and Cut |
+/– 15 dB (21 step detent |
“Q” Range |
Q+ 0.4 to 4.0 sweepable |
Low Freq sweep |
Switch In: Pure Class-A Discrete J-FETs |
Hi Freq sweep |
Switch Out: Pure Class-A Triode Tubes |
Power Consumption |
35 watts maximum |
Power Requirements |
Selectable: 100-120, 200-240 V ac, 50/60 Hz |
Dimensions/Shipping Weight |
8.5” W x 3.5” H x 13.0” D, 20 lbs. |