From Millennia Media

The Millennia Media M-2b is a premium two-channel, high-voltage vacuum tube microphone preamplifier engineered to deliver absolute acoustic transparency, extreme headroom, and unprecedented signal fidelity. Unlike traditional tube preamplifiers that rely on high-distortion topologies and iron-core transformers to deliberately color audio signals, the M-2b utilizes a transformerless, high-voltage Class-A vacuum tube architecture designed for ultra-linear frequency response and minimal phase distortion.

At the core of the M-2b is Millennia’s proprietary HV-3 design philosophy, executed entirely with vacuum tubes running at high plate voltages (over 300V DC). By eliminating input and output audio transformers from the signal path, the M-2b avoids low-frequency phase shift, transient smearing, and unwanted harmonic saturation. The result is a tube preamplifier that captures subtle micro-dynamics, delicate high-frequency detail, and deep, uncolored bass response with pristine clarity and an open, three-dimensional soundstage.

Built without compromises for classical tracking, acoustic music, audiophile vocals, and critical scoring sessions, the M-2b combines high-grade military-spec components, gold-plated rotary switches, and heavy-duty mechanical construction to set the reference benchmark for transparent tube amplification.

The World’s Most Elegant Tube Mic Preamplifier

  • Musical, involving, euphonic
  • High speed transformerless, pure Class A, 350 volt
  • triode design
  • Differential topology: no attenuator “pads” required
  • Effortless dynamics, vividly realistic ambience
  • >35 dBu output headroom
  • High resolution gain control
  • Precision potentiometers, ultra-premium components
  • Built for critical professional applications
  • Gold audio connectors, tube sockets, and relays
  • 3/8“ thick radius extruded aluminum face plate
  • Durable mirror-gloss anodized finish
  • Mil spec 16 gauge cold-rolled steel chassis
  • Ultra-clean toroid power supply: internal sub-chassis
  • Hand machined aluminum knobs,
  • illuminated IT&T push buttons
  • Richly musical vintage vacuum tubes available
  • Mogami Neglex OFC audio wiring
  • Silver Teflon power wiring
Minimum Gain
14 dB
Maximum Gain (3 ranges with continuous trim)
50 dB
Frequency Response (+0 / -3 dB)
4 Hz to 130 kHz
Noise (50 dBu Gain, 10 Hz - 30 kHz, 150 ohm Source)
-116 dB EIN

Total Harmonic Distortion + Noise (30 dB Gain, 10 Hz - 20 kHz Bandwidth, 0 dBu Out): < .02%

Intermodulation Distortion (50 Hz & 7 kHz)
35 dB Gain, +27 dBu Out< .0009%
Phase Response (35 dB Gain, 20 Hz - 20 kHz, +26 dBu Out)
< 10 degrees deviation

Phase Response, Stereo Deviation (35 dB Gain, 20 Hz - 40 kHz, +27 dBu Out): < 1 degree

Common Mode Rejection Ratio (30 dB Gain, 1 kHz, 100 mV C.M.)
> 60 dB
Slew Rate (35 dB Gain, +27 dBu Out)
> 20 Volts per microsecond
Maximum Input Level (20 Hz - 40 kHz, 14 dB Gain)
+20 dBu (no attenuator pads required)
Maximum Output Level (20 Hz - 40 kHz, 10 kilohm Min. Load)
> +35 dBu

Interchannel Crosstalk (30 dB Gain, 1 kHz, 0 dBu Both Outputs): < 70 dB

30 dB Gain, 1 kHz, 0 dBu Both Outputs
< 70 dB
Phantom Input Impedance
3.800 ohms
Output Impedance
120 ohms
DPA (B&K) Mic Powering
+130 V dc max, (non-phantom)
Phantom Powering
+48 V dc, +/- 2 V dc
Power Consumption
50 watts maximum
Power Requirements
Selectable: 100-120, 200-240 V ac, 50/60 Hz
Dimensions/Shipping Weight
19” W x 3.5” H x 12” D, 26 lbs..
Sound Pure Studios Control Room A — Durham, NC

Sound Pure Studios · Durham, NC

Come hear it in our control rooms.

Sound Pure is a working studio in Durham, NC — a 1,000 sq ft live room and two pro control rooms. Book a session to audition gear in a world-class acoustic space before you buy.

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