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McPherson 4.0XP Redwood/Brazilian Acoustic Guitar #2016-Used, from McPherson

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McPherson 4.0XP Redwood/Brazilian Acoustic Guitar #2016-Used McPherson 4.0XP Redwood/Brazilian Acoustic Guitar #2016-Used McPherson 4.0XP Redwood/Brazilian Acoustic Guitar #2016-Used McPherson 4.0XP Redwood/Brazilian Acoustic Guitar #2016-Used McPherson 4.0XP Redwood/Brazilian Acoustic Guitar #2016-Used McPherson 4.0XP Redwood/Brazilian Acoustic Guitar #2016-Used McPherson 4.0XP Redwood/Brazilian Acoustic Guitar #2016-Used McPherson 4.0XP Redwood/Brazilian Acoustic Guitar #2016-Used McPherson 4.0XP Redwood/Brazilian Acoustic Guitar #2016-Used McPherson 4.0XP Redwood/Brazilian Acoustic Guitar #2016-Used McPherson 4.0XP Redwood/Brazilian Acoustic Guitar #2016-Used McPherson 4.0XP Redwood/Brazilian Acoustic Guitar #2016-Used McPherson 4.0XP Redwood/Brazilian Acoustic Guitar #2016-Used McPherson 4.0XP Redwood/Brazilian Acoustic Guitar #2016-Used McPherson 4.0XP Redwood/Brazilian Acoustic Guitar #2016-Used
McPherson 4.0XP Redwood/Brazilian Acoustic Guitar #2016-Used
McPherson 4.0XP Redwood/Brazilian Acoustic Guitar #2016-Used McPherson 4.0XP Redwood/Brazilian Acoustic Guitar #2016-Used McPherson 4.0XP Redwood/Brazilian Acoustic Guitar #2016-Used

RARE and EXOTIC Brazilian Rosewood on this museum-grade Mcpherson!

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Where do they find this wood? 

It's unreal 

That sapwood. . .

In Spain, they call this kind of pattern "Puerta de Inglesia" (Church Door") 

Which is a truly fitting description given the tone of this guitar

It sounds like a CATHEDRAL in there 

It's warm and inviting, yet drenched in overtones and sustain 

This isn't just a guitar, it's sonic architecture

robinson@soundpure.com

 

 

Condition: Exellent.

Redwood is similar to Cedar, warm, rich, and complex. It exhibits a slightly darker tone with less pronounced bass and more headroom than Cedar.

Generally considered the best tonewood for steel stringed instruments; Brazilian Rosewood is a highly prized choice for back and sides. Endangered and becoming very rare, Brazilian Rosewood has everything other rosewoods have to offer and more. A rich powerful sound full of overtones and depth.

  • Depth: 4" at block and 4" at tail block

    Scale Length: 25.5"

    Upper Bout: 11 1/8"

    Waist: 10 1/8"

    Lower Bout: 16"

    Body Length: 20 1/8"

    Overall Length: 41 1/2"

    Neck Width: Standard 1 3/4" at nut, 2 5/32" at 12th

    String Spacing: E to E 2 3/16"

    Offset Sound Hole

    Cantilevered Neck

    Truss Rod: Non-Adjustable, unidirectional high-modulus carbon fiber

    Ebony Bridge

    Ebony bridge pins: unslotted with mother of pearl dot

    Fingerboard: Ebony with 14" radius

    Frets: All frets dressed by Plek Pro

    Nut: Natural Bone

    The Buzz Feiten intonation system: Three custom bone saddles set up for low, med, and tall action

    Binding: Flamed Koa

    Electronics: L.R. Baggs RTS2 system. Ribbon transducer pick-up, pre-amp and volume control

    Tuners: Schaller M6G Gold Tuning Machines

    Gold Strap Button

    Case: Custom fit Ameritage case with built in humidification system

    Inlay: McPherson mother of pearl inlay on head cap and mirror image on bridge plate

    Finish: UV finish. An extremely durable clear finish which retains tonal integrity of the wood while protecting the guitar from harmful elements

    Strings: Elixir Nanoweb medium gauge strings

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