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Martin's Timeless Dreadnought Acoustic D-18 with Mahogany and Spruce construction!
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Condition: Used, Excellent
SP Luthier Notes: The neck joint had naturally shifted over time leaving much to be desired of the guitar's action. Our luthier removed the neck then reset the neck joint to perfect factory condition. A small portion of frets showed evidence of play wear. As such, the frets were leveled, recrowned, and polished back to a near mint state. Our luthier also polished the fret ends to ensure they were not sticking out, resulting in a buttery smooth playing experience. No further work was required.
Understated looks, timeless tone. The warm tone of mahogany and spruce couple with resonant scalloped bracing under the hood for a sound that's honest, authoritative, and clear. Vintage details include open-geared tuners and classic 18-style appointments pair with a modern, low profile neck for an old-soul sound.
For well over a century and a half, The Martin Guitar Company has been continuously producing acoustic instruments that are acknowledged to be the finest in the world. The Martin Guitar Company has, through the years, managed to survive with each succeeding generation from C. F. Martin, Sr.?s Stauffer influenced creations of the 1830s to recent developments introduced by C. F. Martin IV. Continuous operation under family management is a feat bordering on the remarkable, reflecting six generations of dedication to the guitarmaker?s craft. In or out of the music industry, C. F. Martin has few rivals for sheer staying power. Throughout its colorful history, the company has adapted successfully to continual changes in product design, distribution systems, and manufacturing methods. In spite of the many changes, C. F. Martin has never veered away from its initial commitment to quality. The concern for producing the finest instruments possible in 1833 is especially evident today at Martin?s expanded facility in Nazareth, Pennsylvania. The story behind one of America?s most famous guitars began on January 31, 1796, in Markneukirchen, Germany, with the birth of Christian Frederick Martin, Sr. Born into a long line of cabinet makers, Christian Frederick took up the family craft at the early age of 15, when he left his hometown and traveled to Vienna to apprentice with Johann Stauffer, a renowned guitar maker.
Body
Body Size: D-14 Fret
Finish Top: Gloss
Construction: Dovetail Neck Joint
Back and Side Finish: Gloss
Bracing Pattern: Forward-Shifted X-Brace
Scale Length: 25.4"
Brace Shape: Scalloped
Fingerboard Width at Nut: 1 3/4''
Top Material: Spruce
Neck Shape: Modified Low Oval
Back Material: Genuine Mahogany
Neck Taper: High-Performance Taper
Side Material: Genuine Mahogany
Electronics: Optional
Top
Top Color: Aging Toner
Bridge Style: Modern Belly - Drop in Saddle
Binding: Black
Bridge String Spacing: 2 5/32"
Top Inlay Material: Multi-Stripe
Bridge Material: Ebony
Top Detail: None
Bridge Pin Material: Black Plastic
Pickguard: Tortoise Pattern
Bridge Pin Dots: None
Pickguard Inlay: None
Saddle: Compensated Bone
Rosette: Old Style 18 Multi-Stripe
Saddle Radius: 16"
Body
Brace Material: Spruce
Back and Sides Color: Dark Mahogany
Brace Size: 5/16"
Back Detail: None
Back Purfling/Strip: Style 18
Back Inlay Material: None
Heelcap: Faux Tortoise
Side Detail: None
Endpiece: Faux Tortoise
Side Inlay Material: None
Endpiece Inlay: None
Neck
Neck Material: Select Hardwood
Fingerboard Material: Ebony
Finish Neck: Satin
Fingerboard Width at 12th Fret: 2 1/8''
Neck Color: Dark Mahogany
Fingerboard Inlay Style: Old Style 18
Number of Frets Total: 20
Fingerboard Inlay Material: Abalone
Neck Joins Body At: 14th Fret
Fingerboard Binding Material: None
Side Dots: White
Headstock
Headstock Shape: Solid with Square Taper
Tuning Machines: Nickel Open Gear
Headplate Material: East Indian Rosewood
Knob: Butterbean
Headplate Logo Style: Script Old Style Overlay
Nut Material: Bone
Headplate Binding Material: None