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Mackie Onyx 820i 8-Channel Firewire Analog Mixer/Live Mixer From Mackie
Onyx-i Series FireWire Production Mixers combine the benefits of a powerful computer interface with the tactile, hands-on control of a premium analog mixer, creating an easy-to-use system that’s perfect for studio or live applications.
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Manufacturer's Description from Mackie
A BETTER WAY TO RECORD
Onyx-i mixers offer professional analog features like boutique-quality Onyx mic preamps, classic “British-style” Perkins EQ and pre/post assignable aux sends, all of which can be flexibly routed via an integrated ultra-high quality 24-bit/96kHz FireWire recording interface.
The Onyx i series of mixers offer built-in FireWire, along with the newest features and latest technologies for live sound reinforcement and analog or digital studio recording, all in a durable, road-worthy package.
The Onyx 820i is equipped with three of our premium precision-engineered studio-grade Onyx mic preamps. Mackie is renowned for the high-quality mic preamps used in our mixers, and the Onyx mic pre’s are better than ever, with specifi cations rivaling expensive stand-alone mic preamplifiers. Channels 1 and 2 feature high-impedance instrument/line-level inputs so you can connect an acoustic, electric, or bass guitar directly into the mixer, eliminating the need for an external direct box.
Features
♦ Premium 8-channel super-compact analog mixer with integrated Fire wire I/O
♦ 2 mono channels (mono mic and mono line inputs)
♦ 1 hybrid channel (mono mic and stereo line inputs)
♦ 2 stereo channels (stereo line inputs)
♦ 3 Onyx mic preamps with sound comparable to boutique preamps
♦ 3-band Perkins EQ with sweepable mids on mono channels
♦ 4-band Perkins EQ on hybrid channels
♦ 3-band Perkins EQ on stereo line channels
♦ Flexible FireWire routing with up to 8 channels pre/post EQ, aux sends and master L/R routable to computer
♦ 2 channels of FireWire monitoring routable to either the control room or channels 7 and 8
♦ 2 independent aux sends with separate pre/post switches
♦ Selectable instrument inputs on first two channels – no DI box is needed
♦ Individual 48v phantom power switches on all mic inputs
♦ Talkback section with built in mic and fl exible routing
♦ "Planet-Earth" switching power supply for worldwide use
About Manufacturer
We have the technology. A good mixer is more than just a bunch of knobs and faders. When you think about it, it's the stuff underneath the cover behind the knobs and faders that makes or breaks a mixer. We've built our reputation by making affordable mixers loaded with highly useful features But those features wouldn't mean diddley if they weren't built on solid technology. And that's why we've assembled a bunch of text chunks that describe what goes into every Mackie mixer.
We hope you will read through the various chunks before you make a buying decision. Then buy a Mackie mixer so our Corporate Chihuahua can finance the creation of an original screenplay based on her exciting life. Coming soon to a theater near you.
Specifications
Noise Characteristics:
Equivalent Input Noise (EIN), mic input at insert, 150 Ω source impedance, 20 to 20 kHz:
60 dB (max) gain: -127 dBu
40 dB gain: -126.5 dBu
Equivalent Input Noise (EIN), mic input at insert, 50 Ω source impedance, A-weighted:
60 dB (max) gain: -130.5 dBu
40 dB gain: -130 dBu
Output Noise Figure (1/4" Main out, all channels assigned to main, Gain knobs at unity, 20 Hz to 30 kHz):
Main Mix knob down, channel Level knobs down:
-107 dBu (-111 dB SNR, ref +4 dBu)
Main Mix knob unity, channel Level knobs down:
-95.5 dBu (-99.5 dB SNR, ref +4 dBu)
Main Mix knob unity, channel Level knobs unity:
-91.5 dBu (-95.5 dB SNR, ref +4 dBu)
FireWire Through (Record + Playback) Dynamic Range:
0 dBu mic input, to DAW, routed back to mixer direct to Control Room, all gain stages unity, 20 Hz to 20 kHz:
44.1 kHz sample rate: -104 dB
96 kHz sample rate: -106.5 dB
Frequency Response:
Mic input to any output (all gain stages at unity):
+0/-0.5 dB, 20 Hz to 20 kHz
Stereo channel line input to any output (all gain stages unity):
+0/-0.5 dB, 20 Hz to 20 kHz
FireWire in and out (mic input to FireWire send, returned to Control Room, all gain stages at unity):
44.1 kHz sample rate: +/-0.5 dB,
20 Hz to 20 kHz
-3 dB at 21 kHz
96 kHz sample rate: +/-0.5 dB,
20 Hz to 20 kHz
-3 dB at 45 kHz
Distortion (THD+N):
20 Hz to 20 kHz, 20 Hz to 80 kHz bandwidth
Mic input at insert
(+4 dBu in, 0 dB gain, +4 dBu out): 0.001%
Mic input at insert
(-36 dBu in, +40 dB gain, +4 dBu out): 0.007%
Stereo channel line input to any output
(+4 dBu in, all gain stages at unity +4 dBu out): 0.005%
FireWire in and out (+4 dBu in, mic input to FireWire send, returned to Control Room, all gain stages at unity):
44.1 kHz sample rate:
0.01%, 20 Hz to 2 kHz
0.02%, 2 kHz to 20 kHz
96 kHz sample rate:
0.01%, 10 Hz to 1 kHz
0.03%, 1 kHz to 47 kHz
Attenuation and Crosstalk:
1 kHz relative to 0 dBu, 20 Hz to 20 kHz
Main Mix knob down: -80 dBu
Channel Alt/Mute switch engaged: -90 dBu
Channel Level knob down: -80 dBu
Common Mode Rejection Ratio (CMRR):
Mic input to insert, max gain, 1 kHz, 150 ohm termination: -70 dB
Maximum Input Levels:
Mic input, gain at min (0 dB): +22 dBu
Mic input, gain at max (60 dB): –38 dBu
Line input, gain at -20 dB: +22 dBu
Instrument input, gain at -20 dB: +22 dBu
Tape input: +12 dBu
Aux return: +22 dBu
Maximum Output Levels:
All outputs: +22 dBu
Equalization
Mono Channels
Low: ±15 dB at 80 Hz
Mid frequency: 100 Hz to 8 kHz
Mid gain: ±15 dB
High: ±15 dB at 12 kHz
Hybrid Channel:
Low: ±15 dB at 80 Hz
Low Mid: ±15 dB at 400 Hz
High Mid: ±15 dB at 2.5 kHz
High: ±15 dB at 12 kHz
Stereo Channels:
Low: ±15 dB at 80 Hz
Mid: ±15 dB at 2.5 kHz
High: ±15 dB at 12 kHz
FireWire
Sample Rates Available: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
Buffer Size: 32 (44.1 kHz and 48 kHz only), 64, 128, 256, 512, 1024, 2048 samples
Resolution: 24-bit
VU Meters
2-segment pre-fader channel meters:
OL (+18 dBu), -20 dBu
12-segment pre-fader Control Room meters:
OL (+20 dBu), +15, +10,
+6, +3, 0, -2, -4, -7, -10,
-20, -30 (0 VU = 0 dBu)
Input Impedance:
Mic input: 2.8 kΩ balanced
Hi-Z input: 1 MΩ unbalanced
Mono channel line input:
30 kΩ balanced
15 kΩ unbalanced
Stereo Channel line input:
20 kΩ balanced
10 kΩ unbalanced
Output Impedance:
Main XLR output: 100 Ω balanced
Phones output: 75 Ω
All other outputs: 300 Ω
AC Power Requirements:
Power Consumption: 25 watts
Universal AC Power Supply:
100 VAC – 240 VAC,
50-60 Hz
Physical Dimensions and Weight
Height: 14.2 in/361 mm
Width 9.0 in/229 mm
Depth: 3.8 in/96 mm
Weight: 10.0 lb/4.4 kg
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