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JHS Morning Glory V4 Overdrive Pedal  From JHS

JHS's Best-Selling Overdrive Pedal!

JHS Pedals

$199.00

No Sales Tax in OH!
No Sales Tax in 45 States. Learn More.

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What We Think

The JHS Morning Glory V4 is a go-to overdrive for players who want their tone to feel bigger, richer, and more alive without losing its core character. Exceptionally transparent, it adds touch-sensitive grit and tube-like response that enhances both clean and already-driven amps. The gain range moves effortlessly from pristine boost to classic rock crunch, while the onboard boost circuit adds weight, authority, and extra punch when needed. Thoughtful features like the bright-cut switch and remote boost compatibility make it endlessly practical, musical, and reliable—a smart, long-term investment for players who value feel, nuance, and flexibility.

Manufacturer's Description from JHS

The Morning Glory is undoubtedly our most well-known overdrive pedal, winning more awards and receiving more accolades than any of our other designs. We worked hard to make it one of the most transparent overdrives out there. When you want to add some mid- to low-level grit to your crystal-clean tone, use the Morning Glory. When you want to boost a crunchy tone into thicker sustain, use the Morning Glory. When you need to add tube-like touch response to a less-than-ideal amp, use the Morning Glory. When you need to switch between two gain levels on the fly...Yeah, you get the idea.

 

TRULY TRANSPARENT TONE

The best way to explain the Morning Glory is that it delivers all the tonal and responsive nuance that your amp is missing, and nothing that your tone already has. It’s difficult describing a pedal that can be set to have little effect on your tone, so just plug into our Morning Glory overdrive for yourself, and then you’ll understand.

 

- Gain control sweeps from completely clean to rock‘n’roll

 

- Tame high end on brighter rigs with the side-mounted bright-cut switch

 

- Increased headroom and output for use as a full-frequency boost

 

ON-THE-FLY VERSATILITY

An update for the Morning Glory V4 is moving the original's front-mounted bright-cut switch to the side of the pedal and replacing it with a powerful boost circuit. And by pairing your Morning Glory V4 with the JHS Red Remote (sold separately), you’re able to access the boost mid-song. It’s like having two Morning Glorys in one pedalboard-friendly package.

 

- Switch to a more powerful sound with enhanced low end and grit

 

- Plug in your JHS Red Remote to switch between the two voices with a tap of your toe

 

- Handy LED changes from blue to red, indicating the status of the boost circuit

JHS Pedals

About Manufacturer

2007

Sometime in early 2007, Josh fixes his BOSS BD-2 Blues Driver by replacing a footswitch that isn't activating properly. Because of this, he becomes super interested in how pedals work and in their circuitry.

Around April 2007, Josh begins to modify his friends' pedals and decides to start selling modified BOSS pedals under the name JHS Mods. These pedals are sold at his friend's local guitar shop, Fondren Guitar, in the Fondren area of Jackson, MS. The first modified pedals ever sold are the Lexi Drive (modified DS-1) and Blu Drive (modified Blues Driver). These early units have a simple black label with a green JHS Mods logo and are all modified in a small upstairs attic room on a folding card table.

2008

Josh begins learning to build his favorite pedals from scratch, leading to original JHS pedal ideas and designs. The earliest JHS releases include the Pulp 'N' Peel, the All American and the Morning Glory. The Morning Glory is created by reinventing his favorite Marshall Bluesbreaker pedal.

Sometime in mid-2008, the name JHS Mods is replaced by JHS Pedals to reflect the more diverse product line that now includes modifications and custom pedals.

Josh builds a DIY website, causing more online growth and providing a wider reach than his local customer base, which is also growing.

Every pedal from 2008 is still being built in Josh's spare room on a folding card table.

2009

In the summer of 2009, Josh relocates from Jackson, MS, to Tupelo, MS. He repurposes his brother-in-law's small backyard tool shed, transforming it into a functional work area. Almost immediately, he installs a window AC unit to combat the scorching 100+ degree Mississippi summer days. It is in this shed that the Double Barrel, Sweet Tea and numerous other designs take their initial form.

This becomes the focal point of Josh's first press interest when a newspaper article showcases the shop's distinctive pink walls, which are actually insulation sheets Josh and his dad used to retain cold air. Consequently, the shop earns the moniker "The Pink Palace" among friends and local guitarists who frequent the space.

During this period, Josh also introduces his original designs to the public by selling them at Mainstreet Music, a guitar shop in Tupelo. Furthermore, Josh collaborates with Drew Shirley of Switchfoot to launch the BunRunner fuzz pedal. This collaboration propels the company into a faster trajectory of growth and notoriety, attracting the support of many major artists.

In the fall of 2009, the JHS shop makes another move, this time to Josh's father-in-law's backyard workshop in Ecru, MS. It is from this location that the Mini Foot Fuzz, Pollinator and various other designs are first crafted and sold.

In December of 2009, Josh relocates to Kansas City, MO, driven by the escalating demand for his products. Recognizing the need for assistance, he brings in Nick Loux, the original JHS employee, and his lifelong friend Khaleed to join him in the endeavor of building guitar pedals.

The unfinished basement of their new Kansas City home undergoes a transformation into a fully equipped JHS shop, where up to six employees work side by side to craft pedals. As demands continue to grow, Josh and the team eventually make the transition to JHS’s first official commercial location, situated off Main Street in Grandview, MO.

2011

The Grassroots Dealer Campaign is initiated in the summer of 2011, marking JHS's proactive efforts to establish B2B dealer relationships. In a remarkable span of approximately thirty days, JHS experiences substantial growth, expanding from 5 to 50 retailers.

2012

Josh Scott embarks on a collaboration with the Chicago Music Exchange to create his own guitar pedal demos. This collaboration marks one of the pioneering instances of a pedal manufacturer partnering with a retailer to produce demo video series within the industry.

2013

JHS introduces a teaser video for the Moonshine Overdrive, marking the inception of the JHS Teaser Video Series and initiating a trend within the industry for this form of marketing.

In September 2013, JHS Pedals is selected for Premier Guitar magazine's Pedal Builder Profile, representing the most significant press coverage for JHS up to that point.

2014

JHS makes its debut at the Winter NAMM Show in Anaheim, CA, marking a significant milestone for the company. At the show, they unveil the Colour Box V1, a pedal that represents a groundbreaking innovation and a departure from the conventional pedal norms.

2015

Josh and Robert Keeley collaborate on a pedal and release the Steak and Eggs Overdrive/Compressor, marking an industry first for two competing boutique pedal companies to collaborate on a major scale.

The Muffuletta teaser video is recorded during a brief 2.5-hour trip to New Orleans, and the product is released on September 15, 2015. The Muffuletta format represents a first for JHS, establishing a multi-pedal format with perfect analog replication of vintage/rare pedals instead of digital emulation.

In November 2015, JHS partners with Andy Timmons on the AT "@” Artist Pedal, which is subsequently released.

2016

JHS makes a groundbreaking announcement by introducing possibly the two most requested nonexistent guitar pedals of all time, namely the Bulb and the See Saw. Witnessing it is a must to truly believe it!

Additionally, JHS ventures into the realm of pro audio with the debut of the JHS 500 Series.

2017

Josh and Nick Loux embark on a collaborative journey, creating multiple video series, including “Combos,” “That Sounds Neat” and “Hot Trax,” which serve as early precursors to The JHS Show. Some of the most intriguing and enjoyable content arises from experimenting with and promoting other pedal companies' pedals instead of their own JHS gear.

Simultaneously, Josh delves into teaching guitar history at public events, leading him to realize that he might derive more enjoyment from this than making pedals. The jury's still out on this intriguing revelation.

On September 8th, the BOSS JB-2 Angry Driver is released, a pedal resulting from a collaboration between JHS and Boss to celebrate Boss's 40th anniversary. This is a significant honor for JHS Pedals.

2018

Following the same format as the Muffuletta, the Bonsai makes its debut at the January 2018 NAMM Show and promptly becomes the most successful JHS release up to that point.

On May 31st, Josh and Nick release the first episode of The JHS Show, marking the beginning of a new venture for JHS in the realm of content creation.

2020 + COVID

In a collaboration with Paul Gilbert, JHS introduces the PG-14 Paul Gilbert Artist Signature Pedal at the January 2020 NAMM Show.

In March 2020, the COVID-19 pandemic emerges, prompting JHS to swiftly adapt to the "new normal" by implementing safety measures for builders to socially distance in the shop and encouraging as many employees as possible to work from home.

Despite the challenges posed by COVID-19, on May 15th, 2020, JHS releases the Legends of Fuzz pedal series.

On October 2nd, 2020, JHS launches the 3 Series of pedals, further expanding their product lineup.

Specifications

Product Name: JHS Pedals Morning Glory

Version: V4

Effect Type: Overdrive

Overdrive Character: Transparent / Low- to Mid-Gain

 

Primary Use Cases:

Adds mid- to low-level grit to clean tones

Boosts crunchy tones into thicker sustain

Adds tube-like touch response

Can function as a full-frequency boost

Tone & Gain Characteristics

 

Transparency:

Designed to preserve existing amp tone

Adds nuance and response without coloration

 

Gain Range:

Gain control sweeps from completely clean to rock ’n’ roll

 

Headroom:

Increased headroom

Increased output

Controls & Switching

 

Gain Control:

Controls amount of overdrive from clean to gritty

 

Bright-Cut Switch:

Side-mounted

Used to tame high end on brighter rigs

 

Boost Circuit (V4 Update):

Replaces original front-mounted bright-cut switch

Provides a more powerful sound

Enhanced low end and added grit

Boost & Remote Functionality

 

Boost Access:

Onboard boost circuit

 

Remote Switching:

Compatible with JHS Red Remote (sold separately)

Allows switching between two gain/voice levels mid-song

 

LED Indicator:

LED changes color to indicate boost status

Blue = standard mode

Red = boost mode