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Focusrite Red 4Pre Multichannel Audio Interface  From Focusrite

58x64 Premium Audio Interface For Pro Tools | HD™ And Thunderbolt™ 2 Workflows, Featuring Four Red Evolution Mic Pres And 32x32 Dante™ Audio-Over-IP Connectivity

Focusrite

$2,699.99

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Manufacturer's Description from Focusrite

Red 4Pre includes four of Focusrite's digitally-controlled, 'Air' enabled, Red Evolution mic preamps. Thunderbolt™ 2 connectivity and dual mini-DigiLink ports bring you the best of both Core Audio and Pro Tools | HD™ workflows, with easy switching between Pro Tools | HD and any Thunderbolt-connected DAW. Featuring 'parallel path summing' conversion and beautiful yet robust design, the Red 4Pre interface is the perfect balance of form and function, delivering the sound quality and versatility engineers and producers expect from Focusrite.

 

Versatile Connectivity

Focusrite's 58-in/64-out Red 4Pre includes Thunderbolt 2 connectivity for our lowest round-trip latency, in whatever DAW you use, enabling you to track and overdub with your preferred plug-ins and effects in real time, simplifying your workflow. Drop the Red 4Pre immediately, directly and seamlessly into any Pro Tools | HD system, or use it with existing Avid® interfaces, thanks to its twin DigiLink™ connectors. Dual Thunderbolt 2 ports allow daisy-chaining of additional components such as hard drives and displays. Plus the Red 4Pre is network audio enabled right out of the box, with dual Ethernet ports for Dante audio-over-IP networking, letting you expand your recording capability over Ethernet for up to 64 additional channels anywhere on your network, with low latency – and lower cost. Additional Red or other Dante-compatible components can be connected to the Ethernet ports of the Red 4Pre to provide additional channels irrespective of the interface used to drive the Red 4Pre.

 

Simple Switching Between DAWs

Switch between Pro Tools | HD and any DAW connected to the Thunderbolt interface using the Host Mode setting in the included RedNet Control software. For example, you can switch quickly and easily between Pro Tools | HD and Ableton, Logic or Pro Tools software - just keep both connected at all times and make the switch whenever you need.

 

Our Lowest Round-Trip Latency

Low latency is a specific Focusrite design goal. Red 4Pre's latency is so low that you can track with your preferred plug-ins and record virtual instruments in real time. This low latency environment simplifies your workflow, allowing you to run a single mix on your DAW for both overdubbing and mixing, with your plug-ins in place, all the time.

 

Red Evolution Air-Enabled Microphone Preamplifiers

The Red Evolution mic pres in the Red 4Pre deliver a clear and honest audio performance with –129 dB EIN and 63dB of gain that allows plenty of room to bring your own sound to life with your choice of external processing. The mic pres can be controlled digitally, for adjusting/recalling settings and stereo linking via RedNet Control software. They also include our unique 'Air' effect, recreating the sound of the transformer-based mic preamps in the ISA range. When 'Air' is enabled, the microphone impedance is set to 2.1kΩ and the frequency response curve is given a subtle mid-high boost – all in the analogue domain.

 

Our Best Converter Performance

We've been building mastering-quality digital audio converters for decades, and the converters you'll encounter in the Red 4Pre are the best we've ever made, employing a 'parallel path summing' configuration to lower the noise floor. We've selected high-performance, precision conversion chips and maximised sound quality through premium component selection, advanced design and optimised board layout. Red 4Pre's converter design strikes a precise balance between multiple factors – including dynamic range, distortion, noise floor and conversion latency – for the optimal overall sound. With 24-bit/192kHz sampling capability and 118dB(A-D)/121dB (D-A) dynamic range, it is ideal for high-resolution audio. The Red 4Pre delivers ≤0.0009% THD+Noise and a frequency response flat from 20Hz to 35kHz ±0.25 dB or better - and when we quote a specification, you can rest assured it's what the Red 4Pre will actually give you on a real session, not a purely theoretical figure pulled from the converter chip's data sheet.

 

Expansion Done Right

Connect up to 64 additional channels to the Red 4Pre via Ethernet-based Dante networking - a simple, single connection carrying both audio and built-in clocking. Whether the Red 4Pre is connected to the computer via Thunderbolt, DigiLink or Dante, simply connect units such as two RedNet A16R (32 channels of analogue I/O), four RedNet MP8R (32 channels of RedNet mic pre), or other Dante-enabled products via Ethernet as desired. Place mic preamps where the music is, and outputs where the sound needs to go – wherever there's an Ethernet connection. Unlike daisy-chaining via Thunderbolt, Dante lets you run additional channels over a greater distance, with low latency and lower cost, without wasting money on technology or connectivity that will not be used. And it will only get easier: look out for future enhancements offering complete plug and play Ethernet expansion functionality.

 

The Focusrite Studio Console Reborn In Your DAW

The Focusrite Studio Console defined countless hits of the 80s and 90s, thanks in large part to its ISA 110 Equaliser and ISA 130 Dynamics Modules. Brainworx's bx_console Focusrite plug-in brings you stunningly accurate emulations of both in a single plug-in, perfectly capturing the famously warm, open sound of two of the most revered pieces of studio hardware ever made.

 

Hitmaker Expansion

Improve your sound with studio quality vocals, powerful guitars, rich keys and huge drums, then mix and master with iconic Focusrite studio hardware — all in the box. Every new Red interface comes with an unbeatable range of tried-and-tested studio tools from some of the biggest names in the business.

Hitmaker Expansion — available with every newly registered Red interface — is built to get you mixing and mastering release-ready music immediately. These are all the plug-ins you need to take your studio-quality tracks to the next level and achieve professional results.

Focusrite

About Manufacturer

The Focusrite brand was established way back in 1985 and the founding principles of the company were to develop products that sounded more musical, in addition to just measuring well - today,we still carry these founding principles forward in our class-leading and award-winning designs. We measure our success by the success of you, our clients, and you will find Focusrite product prominent in professional and project studios throughout the world. Based just outside of London, we work with the best design talent throughout the world to bring you the tools to enhance the way you work. Our product is made with pride and principle in a highly automated ISO 9002 factory with significant level of test by engineers who themselves are musicians and understand the part our product plays in your process. Our commitment: We understand that how your project sounds to you is your most important concern. We are totally dedicated and focused on designing and manufacturing product that will enable you to achieve this goal. Our design goals are that product should be easy to use, logically designed, give class-leading performance and give years of predictable performance. We strive to continuously improve ourselves in these respects - our principal concern is meeting your expectations. Our focus on quality is all consuming - it rules our daily life.

Specifications

MIC INPUTS

Frequency Response 20-20kHz: ± < 0.03dB

Frequency Response 20-35kHz: ± < 0.15dB

Dynamic Range (min gain): 118dB

THD+N (-1dBFS, +20dB gain): -110dB

Noise EIN: -129dBu

Max input level: 18dBu

Gain range: +57dB

 

LINE INPUTS (VARIABLE)

Frequency Response 20-20kHz: ± < 0.05dB

Frequency Response 20-35kHz: ± < 0.15dB

Dynamic Range (min gain): 118dB

THD+N (-1dBFS, min gain): -100dB

Max input level: 26dBu

Gain range: +57dB

 

LINE INPUTS (FIXED)

Frequency Response 20-20kHz: ± < 0.05dB

Frequency Response 20-35kHz: ± < 0.15dB

Dynamic Range: 118dB

THD+N (-1dBFS): -100dB

Max input level: +18dBu

 

INSTRUMENT INPUTS

Frequency Response 20-20kHz: ± < 0.04dB

Frequency Response 20-35kHz: ± < 0.15dB

Dynamic Range: 116dB

THD+N (-1dBFS, min gain): -96.5dB

Max input level: 15dBu

Gain range: +57dB

 

LINE & MONITOR OUTPUTS

Frequency Response 20-20kHz: ± < 0.02dB

Frequency Response 20-35kHz: ± < 0.02dB

Dynamic Range: 124dB

Max Output level: 18dBu

THD+N: -106dB

 

HEADPHONE OUTPUTS

Frequency Response 20-20kHz: <0.06dB

Frequency Response 20-35kHz: <0.07dB

Dynamic Range: 118dB

THD+N: -104dB

Max Output level: 16dBu

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