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VERSATILE AND SONICALLY TRUE 18-IN/8-OUT AUDIO INTERFACE FOR THE COMPLETE CREATOR
$699.99
Retail: $879.99
Clarett+ 4Pre is the studio-grade audio interface for PC and Mac, designed for music makers who demand the highest quality while recording and mixing their audio creations.
CLARETT⁺ MIC PREAMPS
Four high-headroom, low-noise, low-distortion Clarett+ mic preamps — featuring All-analogue Air with impedance switching and relay control — capture vocals, drums and acoustic instruments with immense clarity. Two JFET instrument inputs let you plug straight in and preserve the natural tone of your guitar, just like plugging into an amplifier.
CLARETT⁺ AND ALL-ANALOGUE AIR
GET THE CONSOLE SOUND WITH ALL-ANALOGUE AIR
You’ll find the Air feature on the mic preamps of every new Focusrite recording interface. It’s a single button-push (or click) that captures transients on drums, makes vocals shine, and ensures a precise, clear recording. But, as you’ll discover in this piece, there’s a slight difference between the Air circuitry found in Clarett+ versus other Focusrite interfaces, which brings added clarity and more sonic options when recording.
The Clarett+ range of interfaces was designed around the ethos of ‘Clarity Redefined,’ and a large part of the range’s appeal can be found in the Air circuitry. Air emulates the classic ISA 110 mic preamp found in the Focusrite Studio Console, which has been behind millions of hit records. The benefits of tracking with Air on Clarett+ interfaces are enormous. Air switches the impedance to 2.2kΩ and adds two cumulative high shelves, totalling a 4dB boost in the high frequencies — a feature not found on Scarlett interfaces — and brings a new dimension and clarity to your sound.
WHEN SHOULD I USE AIR ON MY FOCUSRITE INTERFACE?
Air is simple to use — it’s just a single button press, either on the interface’s front panel or in Focusrite Control — so you can try it on literally any input to your preamp and A/B the treatment in an instant. Engage Air on your stereo drum overheads, add it to your vocal mic preamp or apply it to your room mics, to bring additional clarity and an ethereal high-frequency lift. The best part is that you don’t need to modify your settings or patch hardware, because its All-analogue circuitry is always there, in the box. Its simplicity helps you to keep sessions moving with minimum interruption and gives you options with minimum effort.
Our mission at Focusrite has always been to use our decades of technical expertise and experience to help you deliver your very best. With Clarett+ — featuring All-analogue Air impedance switching and relay control — we’ve inspired producers, engineers, and artists to make their best music. We hope it helps you, wherever you are on your creative journey.
INDEPENDENT A-D AND D-A CONVERTERS
Independent A-D and D-A converters bring creators and collaborators closer than ever to their music, with extremely wide dynamic range and low distortion. Greatly improved D-A dynamic range enables you to hear every detail and have greater control over your mix. Incredibly low A-D converter distortion lets you capture signals with more clarity, for greater transparency and sonic accuracy. Two powerful and true-to-life headphone outputs inspire artists to hear every nuance, customise their foldback mix, and perform their best.
ANYTHING, ANYWHERE
Clarett+ 4Pre brings collaborators together, with options to record up to 18 input channels simultaneously. Expand via ADAT using the Clarett+ OctoPre or other outboard hardware. Four analogue outputs and MIDI input and output makes Clarett+ 4Pre the centrepiece of the evolving recording studio.
HITMAKER EXPANSION
Create studio quality vocals, powerful guitars, luscious keys and huge drums, then mix and master with iconic Focusrite studio hardware – all in the box. Every new Scarlett 3rd Gen, Clarett and Red interface comes with an unbeatable range of tried-and-tested studio tools from some of the biggest names in the business.
Hitmaker Expansion – available with every Scarlett 3rd Gen, Clarett+, Clarett USB and Red interface purchased and registered on or after October 1st 2021 – is built to get you creating records immediately. These are all the plug-ins you need to write, produce, mix and master your music in studio quality.
Hitmaker Expansion features exclusive content from legendary Auto-Tune® creators Antares®, along with Brainworx®, Softube®, XLN Audio®, Relab and more.
EMULATE ICONIC FOCUSRITE HARDWARE
Get the full Focusrite sound with three classic processors from Focusrite’s 40 year legacy of precision studio sound.
Brainworx bx_console Focusrite SC is an authentic emulation of the classic ISA 110 module found in Focusrite Studio Console. ISA 110 was created when Sir George Martin asked Rupert Neve for custom modules for AIR Montserrat studios.
The Red 2 & Red 3 Plug-in Suite accurately models Focusrite’s classic Red range equaliser and compressor hardware. Coveted by producers and engineers for their exceptional clarity and versatility, the original Red 2 and Red 3 remain prized fixtures in professional recording studios the world over. Now, you can use these revered pieces, easily and flexibly, in your own mixes.
The Focusrite brand was established way back in 1985 and the founding principles of the company were to develop products that sounded more musical, in addition to just measuring well - today,we still carry these founding principles forward in our class-leading and award-winning designs. We measure our success by the success of you, our clients, and you will find Focusrite product prominent in professional and project studios throughout the world. Based just outside of London, we work with the best design talent throughout the world to bring you the tools to enhance the way you work. Our product is made with pride and principle in a highly automated ISO 9002 factory with significant level of test by engineers who themselves are musicians and understand the part our product plays in your process. Our commitment: We understand that how your project sounds to you is your most important concern. We are totally dedicated and focused on designing and manufacturing product that will enable you to achieve this goal. Our design goals are that product should be easy to use, logically designed, give class-leading performance and give years of predictable performance. We strive to continuously improve ourselves in these respects - our principal concern is meeting your expectations. Our focus on quality is all consuming - it rules our daily life.
MIC INPUTS
Frequency Response 20-20kHz: ± < 0.03dB
Frequency Response 20-35kHz: ± < 0.15dB
Dynamic Range (min gain): 118dB
THD+N (-1dBFS, +20dB gain): -110dB
Noise EIN: -129dBu
Max input level: 18dBu
Gain range: +57dB
LINE INPUTS (VARIABLE)
Frequency Response 20-20kHz: ± < 0.05dB
Frequency Response 20-35kHz: ± < 0.15dB
Dynamic Range (min gain): 118dB
THD+N (-1dBFS, min gain): -100dB
Max input level: 26dBu
Gain range: +57dB
LINE INPUTS (FIXED)
Frequency Response 20-20kHz: ± < 0.05dB
Frequency Response 20-35kHz: ± < 0.15dB
Dynamic Range: 118dB
THD+N (-1dBFS): -100dB
Max input level: +18dBu
INSTRUMENT INPUTS
Frequency Response 20-20kHz: ± < 0.04dB
Frequency Response 20-35kHz: ± < 0.15dB
Dynamic Range: 116dB
THD+N (-1dBFS, min gain): -96.5dB
Max input level: 15dBu
Gain range: +57dB
LINE & MONITOR OUTPUTS
Frequency Response 20-20kHz: ± < 0.02dB
Frequency Response 20-35kHz: ± < 0.02dB
Dynamic Range: 124dB
Max Output level: 18dBu
THD+N: -106dB
HEADPHONE OUTPUTS
Frequency Response 20-20kHz: <0.06dB
Frequency Response 20-35kHz: <0.07dB
Dynamic Range: 118dB
THD+N: -104dB
Max Output level: 16dBu