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Compressor/Limiter with Negative Compression. In Used, Excellent condition
$280.00
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When it comes to legendary dynamic control, few outboard units have earned their place in studio history quite like the dbx 160 series. The dbx 160A carries that iconic legacy forward, offering the unmistakable, hard-hitting VCA compression that has been a staple on world-class records and live stages for decades.
What makes the 160A an absolute essential in any hardware rack is its unmatched versatility and sheer ease of use. Featuring dbx’s renowned OverEasy® compression curve, it delivers smooth, transparent gain reduction that transparently glues a signal together. But when you need to tame aggressive peaks or add serious attitude, switching to Hard Knee mode reveals the punchy, lightning-fast dynamic clamping that made the 160 family famous. From locking down erratic bass guitars and snap-heavy snare drums to controlling dynamic vocal tracks, the 160A delivers instant, foolproof results without requiring endless parameter tweaking.
In a modern hybrid studio, the 160A remains a secret weapon for tracking and mixing alike. With auto-attack and release settings that intelligently adapt to your program material, infinite-ratio hard limiting, and stereo-coupling capabilities, it provides reliable, rock-solid dynamic management that plugins still struggle to replicate.
The dbx® 160A is a legendary dbx® 160 family of compressor/limiters. The same classic sound, easy set-up, and no compromise metering is now married to an improved signal path and stronger chassis design. The result is industry standard compressor/limiter which is digital-ready and road tough.
Featuring switch-selectable OverEasy® and Hard Knee compression curves along with extremely wide-ranging threshold, ratio, and output controls, the dbx 160A is up to any task. True RMS level detection provides the most natural-sounding dynamics processing available, from subtle compression to "brick wall" peak limiting. Choose low ratios and OverEasy® compression to transparently smooth out fluctuating vocal and instrumental levels. Or use the 160A's Hard Knee compression and high ratios (up to and beyond: 1 and over 60dB gain reduction) for bombproof protection against overload distortion in digital recording, P.A. systems, and broadcast signals. The 160A is fully compatible with +4/-10dB and balanced/ unbalanced systems, and its electronically balanced output stage is an outstanding line driver for long cable runs (an output transformer is optional). The 19-segment, switchable input/ output LED metering can be easily calibrated to any operating level. 12-segment gain reduction LEDs provide precise analysis at a glance.
The dbx® 160A's unique "INFINITY +" inverse-compression mode actually decreases the audio output level below unity gain when the input exceeds the threshold, a real lifesaver for correcting overbearing vocal choruses and controlling runaway house mix levels. A detector input can be used with an equalizer for de-essing sibilant vocals and selectively smoothing out boomy notes on acoustic guitar and bass. And two 160As can be stereo-coupled to process an entire mix or instruments mic'd in stereo, without shifting the left/right image. Its musical sound, easy operation, and unequaled versatility made the original dbx® 160 a world standard. The 160A follows that tradition, while meeting the challenges of a digital world.ent in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx 160A is for you.
Payments as low as $24/mo.