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Alvarez Yairi DYM60-HD Guitar #75223 - Used  From Alvarez Guitars

Hand-Carved Bracing, Exceptional Dreadnought Voice

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Alvarez Guitars

$1,800.00

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What We Think

Condition: Used, Excellent

SP Luthier Notes: This instrument has been carefully inspected and, if necessary, serviced by our certified luthier to ensure it is in excellent playing condition.

The Alvarez Yairi DYM60-HD is a premium dreadnought that showcases the remarkable craftsmanship and tonal sophistication of the Yairi workshop. Its premium Adirondack spruce top and solid vintage Honduran mahogany body create a powerful, articulate voice with exceptional headroom, strong fundamentals, and a rich, woody character. The hand-carved FST6 bracing system enhances responsiveness and projection, giving the guitar impressive volume and dynamic range while maintaining clarity across the spectrum. Elegant details such as ebony appointments, gold Gotoh 510 tuners with ebony buttons, and ivoroid binding complement its understated aesthetic. Powerful, responsive, and full of character, the DYM60-HD delivers the kind of depth and refinement that inspires players from the first chord.

Manufacturer's Description from Alvarez Guitars

In the small town of Kani, nestled in the hills north of Nagoya, Japan, lies the renowned K. Yairi guitar factory. They have been crafting guitars here for over 80 years.

 

Alvarez and Yairi have enjoyed an uninterrupted 55-year partnership in producing exquisite guitars, made by hand, from naturally seasoned woods with an unwavering commitment to quality and design. Every neck is spoke shaved by hand, braces are carved, and tops are tuned to perfection. The attention to detail and quality of the build are impeccable.

 

Kazuo Yairi and his loyal team of luthiers created an incredibly efficient and innovative workshop. Being able to work with such a lineage of master builders is very rare. Some of the luthiers have been at Yairi for over 50 years. Their skills and experience are shared with younger luthiers to form a multi-generational team who have chosen guitar building as their livelihood and dedicated their working lives to the craft. Our guitars are the result of the close collaboration between Alvarez & Yairi—a sharing of knowledge and an obsessional approach to excellence.

 

2024 is an exciting year as we introduce a new voicing and tonal response in our Honduran and Masterworks Series. This voicing is designed to widen the tonal palette, and to bring a more robust, clear bass response and a compelling openness to the guitar.

 

We call our new bracing system FST6. It is similar in shape and placement to our previous FST2 system, but the braces are lighter in weight. In the quest to strike the perfect balance between strength and vibration, FST6 delivers with a heightened richness we found impossible not to embrace.

 

Playing an instrument that instantly, almost intuitively reacts to your requests is a result we continually strive to achieve. We feel FST6 increases the connection with the player and responds effortlessly.

 

2024 also sees us launch new models and bring an array of new wood configurations to certain body shapes we have never made before. To our Honduran Series, we add an all-Mahogany 12th fret Parlor and a stunning non-cutaway Grand Auditorium. Masterworks expands its offering with a majestic mix of tonewoods. Californian Redwood, purchased by Mr. Yairi many decades ago, has been paired with East Indian Rosewood, and Premium Adirondack Spruce is now also available with Rosewood. Both parings help to create rare and inspirational instruments with new tonal horizons.

 

2024 Masterworks also offers several new Grand Auditorium and OM models with a much-expanded choice of colors and tonewoods.

 

In Yairi Masterworks, the acoustic-electric versions are fitted with the new Hi-Fi system from LR Baggs. In Yairi Stage and Standard series, we’ve embraced the LR Baggs Stage Pro Bronze, a new low-profile, small footprint, modern EQ with the Element pickup.

 

Alvarez-Yairi 2024 is without a doubt the most exciting new line-up we have ever offered – a brand new, exquisite voicing for our all-solid models, glorious new tonewood configurations in Masterworks and new EQs and pickups. They are, quite simply, the best guitars we have ever made.

Alvarez Guitars

About Manufacturer

At Alvarez, we craft instruments with your creativity in mind. We acutely understand that the relationship you have with your instrument directly affects how much you want to play, how you can better develop as a musician, and how the guitar you play impacts how much you play and ignites your creativity.

 

Making music is one of the most fulfilling gifts in life—but it can also be one of the most frustrating and demanding. Having an instrument that you bond with inspires you. This is the foundation of our approach in creating our instruments.

 

We also understand we must design for a lifetime. Guitars are not consumable products; they can be kept for decades, being passed on from generation to generation. The way we build guitars must match this tradition. From the choices of woods and components to the accuracy of wood joints and seasoning, every step of our careful approach impacts how our guitars are played, kept, and treasured. This is what drives us, and this directs our design decisions and commitment to thoughtful craftsmanship.

Dedication to quality and value is not always easy. It means we have to make better decisions, gain more knowledge, and keep experimenting and exploring. We call it “perpetual R&D.”

 

Throughout our development we believe in the decisions we make and also expose decisions that are incorrect, so that musicians playing our guitars never experience any failings. Musicians need to trust their instruments—they are the tools of their trade, they are voices and communication devices and create something that can change the listener’s feelings. Music is a powerful medium best made on dynamic and trustworthy tools.

 

That is why we obsessively study sanding process, painstakingly test the smallest of components, properly cure our woods, R&D different paints and finish process, invest in tooling and education, and take deep dives into production design as well as product design. For our goal is not just to make great guitars, but to make the greatest value guitars. We incorporate the design and quality we want and you need, which means we have to make them efficiently so as many players as possible can own them.

 

Only then can we be proud to offer beautiful looking, wonderful sounding instruments that can inspire creativity for a lifetime and bring more music into our lives.

The handmade approach and obsessive R&D.

 

In a world of mass-produced, fast goods and globalization there seems a growing number of people seeking out handmade products. Items made with a more human approach and the refined skill of Artisans who know their craft and consider the user at every step of production. Alvarez-Yairi is such a product, bench-made guitars, obsessively crafted by a humble and inspiring group of Luthiers who have dedicated their lives to guitar making.

 

 

There are 24 Luthiers at Yairi, four of them are Master Luthiers and worked at their benches for up to 55 years. This wealth of expertise helps to set Alvarez apart from many guitar companies. We are known for our endless stockpiles of vintage, and naturally seasoned wood. The Yairi build quality and player experience offer quality rarely found at such accessible price points for bench-made instruments.

Tone design and

bracing architecture

One of Alvarez’s unique selling propositions is genre and model-specific bracing design throughout the entire line. From Yairi to Regent Series, everything is specially designed for purpose and experience.

 

Our Bluegrass and Blues guitars have pre-war style bracing delivering vintage tone with a more modern dynamic range. Our larger body guitars such as Baritones and Jumbo’s are fitted with our FST2, forward shifted system, and our mid-sized and smaller body guitars are fitted with MST1 which allows those body sizes to generate more energy, resulting in greater projection.

 

All of our bracing designs have what we call ‘asymmetric tone bars’. This is where the lower braces (tone bars) are scalloped in opposition to each other. One accentuates the middle frequencies, the other the bass and treble which we believe enhances separation and balance across all six strings.

Finish

Sanding and painting the Alvarez way

Achieving a truly clear, thin, and deep shine finish requires knowledge and care. When we say “clear,” we’re referring to our gloss clear coat being as free of “inter-coat” scratching as possible. Any guitar maker will attest that this is not easy and requires real attention to detail, especially in the sanding processes to achieve such a high-end finish.

Production design is at the heart of value.

We make excellent guitars affordable because we invest in and design the processes needed to make them that way—from machinery to hands-on applications, quality assurance, and supply chain management. We manage everything to realize our designs and levels of quality and to bring our wonderful guitars to the market at unbelievable value.

 

In many standard guitars you will see circular scratching between the coats. This is usually due to aggressive sanding used to sand back each coat of paint before the next. Although using large industrial sanding machines is quicker, it doesn’t achieve a near-perfect finish. That’s why at Alvarez we slow it down, using hand sanders, painstakingly building our finish through every coat with the end result of true “clearness” in mind. Our finish looks amazing, and it is also thin to allow the soundbox to resonate just that little bit more.

Specifications

Top Wood: Premium Adirondack Spruce

Body Finish: Natural/Gloss

Back and Sides Wood: Solid Vintage Honduran Mahogany

Bridge Pins: Ebony

Shape: Dreadnought

Neck: One piece mahogany, 50/50 Semi gloss finish

Bracing: Hand Carved FST6

Bridge: Ebony Direct Coupled

Inlays: Ebony/12th Fret Inlay

Fingerboard: Ebony / 12th Fret Inlay

Headstock Plate: Ebony

Nut and Saddle: Real Bone

Tuner: Gotoh 510's Gold with Ebony Buttons

Binding: Ivoroid

Accessories: Deluxe Wood Case / US Only

Bracing Systems: Handcarved FST6 - Forward Shifted, Asymmetric Tone Bars

Neck Joint: Dovetail, Extended Neck Joint

Neck Meets Body: 14th Fret

Case: Hardshell

Weight: 4lbs 2oz