The AKG C314 is a modern studio workhorse that brings the legendary heritage of the C414 XLS into a more accessible, streamlined package. Built around the exact same matched 1-inch edge-terminated capsule found in the C414 XLS, the C314 captures the open top-end extension, detailed mid-range, and flat low-end response that have made AKG dual-diaphragm condensers an industry standard for decades.

By focusing on four core polar patterns (Cardioid, Supercardioid, Omni, and Figure-8) and incorporating practical studio tools—like an ultra-low $8\text{ dB-A}$ noise floor and a body-mounted overload detection LED—the C314 serves as a pristine, multi-pattern condenser for tracking vocals, acoustic guitars, drum overheads, and room ambience without breaking the bank.

The AKG C314 is a multi-pattern, dual-diaphragm condenser microphone designed for professional studio recording and live sound applications. Built upon the heritage of AKG’s legendary C414 series, the C314 utilizes the same hand-selected 1-inch dual-diaphragm capsule found in the C414 XLS, offering engineers access to iconic AKG condenser performance at an accessible price point.

Engineered for maximum versatility across vocal, acoustic instrument, and high-SPL tracking environments, the C314 features four selectable polar patterns: Cardioid, Supercardioid, Omnidirectional, and Figure-8. An integrated overload detection LED alerts engineers to peak clipping directly at the capsule, while an onboard $20\text{ dB}$ attenuation pad and switchable low-pass/high-pass filter ($100\text{ Hz}$,$12\text{ dB/octave}$) ensure clean signal capture with minimal self-noise and high dynamic headroom.

Key Features

• Matched C414 XLS Capsule: Equipped with AKG's renowned 1-inch edge-terminated dual-diaphragm capsule for precise frequency response and wide dynamic range.

• Four Selectable Polar Patterns: Easily switch between Cardioid, Supercardioid, Omnidirectional, and Figure-8 for tailored directional capture and ambient control.

• Overload Detection LED: An integrated LED ring on the mic body glows red when clipping transients occur, providing instant feedback for gain staging adjustments.

• Switchable $20\text{ dB}$ Attenuation Pad: Increases maximum SPL handling up to $155\text{ dB}$, allowing high-volume tracking of drum overheads, brass, and guitar cabinets without distortion.

• Integrated Bass-Cut Filter: Switchable $100\text{ Hz}$ high-pass filter ($12\text{ dB/octave}$) eliminates low-frequency rumble, wind noise, and proximity effect.

• Ultra-Low Self-Noise Architecture: Advanced circuitry delivers an extremely low noise floor ($8\text{ dB-A}$), capturing delicate acoustic nuances with pristine clarity.