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AEA R44CXE Matched Pair High-Output Ribbon Mics - Used  From AEA

A beautiful matched pair of high-output ribbon mics

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Manufacturer's Description from AEA

Offering a hot output and the truly classic tone of the 1936 to 1938 RCA 44BX in a visually cost-effective exterior, the USA-made AEA Ribbon Mics R44CXE is the ultimate solution for engineers, producers, and musicians who desire a high-output version of the acclaimed 44BX sound without the drawbacks of an aged and worn vintage microphone. Utilizing an RCA-spec 2.35" long ribbon, 44BX-interchangeable parts, and a bidirectional figure-8 polar pattern, the R44CXE delivers true-to-the-original tonality with up to 90 dB of rejection at the sides. Plus, it can handle extreme SPLs and capture anything from soulful vocals to full orchestras with character and class.

 

The X-Motor mod adds two magnets to increase the mic's output level by 6 dB, making it ideal for scoring sessions where broad dynamic range is crucial. To distinguish it from the standard R44, the R44CXE is adorned with a red badge. The mic's 10' attached cable is terminated with a standard XLR 3-pin male connector for hookup to virtually any microphone preamp, no phantom power required. High-gain, high-impedance preamps are recommended for optimal microphone performance. The integrated yoke-style cushion mount reduces bulkiness while ensuring ease of positioning in the studio. A vertical case is included for proper storage of the mic between sessions.

 

Legendary Big Ribbon Sound

The AEA R44 Series microphones maintain an iconic legacy of great ribbon mics by delivering a rich sound full of character and color. Effective on a broad range of instruments and rooms, R44 mics bolster mids and lows while smoothing harsh high frequencies to produce a multi-dimensional sound unique to itself.

Used on everything from crooning vocalists to full orchestras, an R44 mic is the ideal choice to capture the tone of any voice or instrument while imparting its legendary ribbon character.

 

Faithful Reproduction of the RCA R44BX

AEA's R44 Series microphones all share the authentic sound, feel, and look of the 1936 to 1938 RCA 44BX. The R44 Series microphones are all detailed, handcrafted replicas, using parts that are made to be interchangeable with an original RCA 44. AEA manufactures three different versions of the R44 and "hot rod" variants of the passive R44s.

At the core, every version of the R44 sounds the same when powered with a ribbon preamp. The major differences between the versions are the exterior look and the amount of output level.

 

The R44 Variants

The passive R44 is available in two exteriors—the original museum-quality replica R44C and the aesthetically cost-effective R44CE. Both mics have an identical sound and are exactly the same on the inside. The difference between the two is only cosmetics and price. The "X" variants provide a hotter output level.

 

X-Motor Mod

AEA developed a modified R44 transducer, called the X-Motor, that includes two additional magnets for an extra 6 dB of output. With a sound identical to the original 44, the X-Motor "hot rod" mod is useful for scoring and classical sessions and other applications demanding a wide dynamic range with the classic 44 sound. The X-Motor version of the R44 bears a red badge on the outside instead of the standard black badge.

 

Designed for High-Gain Preamps

Since the R44CXE is a passive ribbon microphone, a good preamp is critical for optimum performance. Preamp gain should be at least +60 dB or higher and it should have a very-high impedance. These requirements are vital for the ideal performance of any ribbon mic.

To guarantee consistent, full-range ribbon sound with the passive R44CXE, preamps designed specifically for ribbon microphones (such as AEA's RPQ2, RPQ500, and TRP2 preamps) are available separately. However, preamps with above a 5-Kilohm impedance found in many live soundboards are adequate for guitar amps and other louder instruments. On quiet sound sources or for distance recording, an AEA preamp is highly recommended.

 

Features at a Glance

- Unparalleled warmth and legendary character

- Full and rich tonality with generous low-end and proximity effect

- Faithful reproduction of the RCA R44BX

- Ribbon material meets or exceeds original RCA spec

- Handles SPLs up to 165 dB

- X-Motor mod raises output level by 6 dB

- Versatile in close-range or ambient applications

 -Made in the USA

AEA

About Manufacturer

Wes Dooley's longtime passion for audio has infused his company, Audio Engineering Associates (AEA), with a well balanced blend of creativity and technical expertise for forty years. At the core of AEA is a genuine interest in the art and science of audio. From areas as diverse as forensic audio and microphone design, Wes' passion for audio has led him all over the world, from recording experiences in Europe, Africa, and New Zealand, to the courtrooms of Los Angeles as a forensic audio and video expert witness. Such experiences have led Wes to design products which help resolve problems commonly encountered by recording engineers. His portable recording tools including, multi-channel microphone arrays, MS stereo processors, stereo phase displays and very tall microphone stands, have all made on-site recording far more feasible. Despite his contributions to on-location recording, Wes is best known for his pursuit of excellence in ribbon microphone technology. After two decades of representing and servicing the BBC 4038 in the United States, he began to experiment with his own ribbon microphones. During the last decade Wes became aware of the increasing scarcity of R44's and other ribbon microphones. In 1998, responding to this need, Wes re-introduced the 44 much to the thrill of many in the recording industry. Les Paul told Wes that AEA's R44 is his favorite microphone and engineer/producers such as Bruce Swedien, Kevin Bacon, and Shawn Murphy routinely use AEA's R44. Even without such critical acclaim the numbers speak for themselves. Over half of the movies scored in Los Angeles have a 44 somewhere on the scoring stage. Building off of his successful reintroduction of the R44, in 2002 Wes designed and began producing an original ribbon mic, the AEA R84. His groundbreaking work with ribbon microphones helped him to secure the Audio Engineering Society (AES) Silver Medal Award in the fall of 2003. This award, established by the AES in 1971, in honor of audio pioneers Alexander Graham Bell, Emile Berliner, and Thomas A. Edison, is given in recognition of outstanding development or achievement in the field of audio engineering. Wes has also co-authored two AES Journal articles about stereo microphone techniques, chaired workshops on mic techniques and mixing strategies for compatible multiple releases for cinema, broadcast and home video, and has presented section meetings on stereo techniques and forensic audio. He is involved with AES standards work and currently serves on the SC-03-12 Working Group on Forensic Audio and SC-04-04 Working Group on Microphone Measurement and Characterization.