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AEA R92 Ribbon Microphone Stereo Matched Pair, from AEA

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AEA R92 Ribbon Microphone Stereo Matched Pair
AEA R92 Ribbon Microphone Stereo Matched Pair

Large Ribbon Geometry Microphone built more for instruments and close mic'ing in the studio (Factory Matched Pair)

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rapido arpeggio electric guitar position 5 pickup

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Nash S-57 Black - SOLD! > Fargen Blackbird 20W Guitar Amplifier Combo > Sennheiser MD 421 II Microphone > Vintech Audio X73i (Neve 1073) Pre/EQ > AEA R92 Ribbon Microphone > A Designs Pacifica Stereo Preamp > Apogee Digital Rosetta 800 8 Channel A/D/A

Description:

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

hyped up electric guitar position 4 pickup

(click to download)
Nash S-57 Black - SOLD! > Fargen Blackbird 20W Guitar Amplifier Combo > Sennheiser MD 421 II Microphone > Vintech Audio X73i (Neve 1073) Pre/EQ > AEA R92 Ribbon Microphone > A Designs Pacifica Stereo Preamp > Apogee Digital Rosetta 800 8 Channel A/D/A

Description:

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

mad max electric guitar position 2 pickup

(click to download)
Nash S-57 Black - SOLD! > Fargen Blackbird 20W Guitar Amplifier Combo > Sennheiser MD 421 II Microphone > Vintech Audio X73i (Neve 1073) Pre/EQ > AEA R92 Ribbon Microphone > A Designs Pacifica Stereo Preamp > Apogee Digital Rosetta 800 8 Channel A/D/A

Description:

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

hyped up electric guitar position 5 pickup

(click to download)
Nash S-57 Black - SOLD! > Fargen Blackbird 20W Guitar Amplifier Combo > Sennheiser MD 421 II Microphone > Vintech Audio X73i (Neve 1073) Pre/EQ > AEA R92 Ribbon Microphone > A Designs Pacifica Stereo Preamp > Apogee Digital Rosetta 800 8 Channel A/D/A

Description:

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

mad max electric guitar position 1 pickup

(click to download)
Nash S-57 Black - SOLD! > Fargen Blackbird 20W Guitar Amplifier Combo > Sennheiser MD 421 II Microphone > Vintech Audio X73i (Neve 1073) Pre/EQ > AEA R92 Ribbon Microphone > A Designs Pacifica Stereo Preamp > Apogee Digital Rosetta 800 8 Channel A/D/A

Description:

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)


Check out the New R92 Sound Clip Below from the Recent Ribbon Microphone Shoot Out!

In the past few years AEA's acclaimed R84 Ribbon Microphone has become a new studio standard. Now AEA has once again expanded the sonic possibilities of ribbon mics with the R92 Ribbon Microphone. Reduced proximity bass boost and excellent wind blast protection make it suitable for close micing (6-12 inches) of guitar amps, vocals, percussion, etc. In addition, the smooth high frequency response of the R88 transducer has been further extended in the R92, making the R92 a unique voice in the world of ribbon mics.

AEA has designed the R92 to have slightly different tones on the front and rear pickup lobes of the microphone. The front lobe of the R92 is the "crisp" side, offering exceptionally clean and realistic high end detail. The rear lobe is the "smooth" side, which has a bit of classic ribbon high end rolloff that can help to handle harsh transients in a very refined and flattering way. Just like its bigger brothers in AEA's LRGTM microphone series, the bass reproduction of the R92 is very solid and extended to the lowest audible bass frequencies.

The R92 is designed with an integral elastic shock mount, featuring a unique mounting system that allows excellent flexibility of mic positioning. The mic ships with a two meter cable and a durable plastic carrying case.

AEA?s Matt Ashman comments about the R92: 'We designed it to have a very full range sound, and to capture it all with a minimum of resonance artifacts for the ultimate in realism. It's perfect for getting FAT guitar sounds with a present and clean high end."


* Polar Pattern: Native bidirectional (figure-eight)

* Frequency Response: 20 Hz to 18 kHz (+/- 3 dB)

* Maximum SPL: >115 dB SPL (C-weighted fast)

* Output Sensitivity: > -55 dBv/Pa

* Output Impedance: 270 ohms nominal

* Recommended Load: 1.2 K ohm or greater

* Powering: Not required or recommended

* Polarity: Pin 2 high

* Connector: XLR-3M wired to a 2 meter captive cable

* Includes durable plastic case with foam interior

* Operating manual for proper care and usage.

Transducer element:

* Ribbon Thickness: 1.8 microns ( .0000018 meter ) of pure aluminum

* Ribbon Width: 4.7 mm

* Ribbon Length: 59.7 mm

Limited Warranty:

* One year parts and labor, shipping not included.

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738-AEA_R92_Ribbon_Microphone_Stereo_Matched_Pair-1272880e338-13.mp3

Soldano Hot Rod Plus Recorded with single AEA R92 Through a Millenia TD1 into Pro Tools LE, All Files recorded by David Arnold

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