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Martin 1937 Authentic 000-18 Ambertone #2780900 - Used  From Martin

A Gorgeous Authentic Series Martin 000 with Spruce and Mahogany, in an Ambertone finish!

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Martin and Co.

"Gone, Baby, Gone"

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What We Think

Condition: Used, Excellent

SP Luthier Notes: A majority of frets showed evidence of play wear. As such, the frets were leveled, recrowned, and polished back to a near mint state. The guitar required minimal work to the action and intonation to be in the most playable condition possible. The guitar was also restrung as the strings it came to us with needed to be changed out. No further work was required.

Manufacturer's Description from Martin

The all-new Custom Shop 000-18 1937 gives players the sonic qualities of the Authentic Series paired with the everyday value of a trusty workhorse guitar. Regarded as the cornerstone of performance and sound, Martin’s highly prized 1937 models set the bar for generations of instruments that followed. This guitar features a Adirondack spruce top, genuine mahogany back and sides, scalloped bracing, hide glue and cloth strip construction, and an adjustable truss rod, capturing the look, feel, and sound of some of the finest guitars ever made.

 

The Custom Shop 000-18 1937 is also available with an ambertone finish. Stage 1 aging lacks the heavy wear and tear of a well-worn instrument and instead features the light checking inspired by those rare guitars that were simply kept in a case and tucked away for decades. It bears the marks of time but not the heavy wear common on newly aged guitars.

Martin and Co.

About Manufacturer

For well over a century and a half, The Martin Guitar Company has been continuously producing acoustic instruments that are acknowledged to be the finest in the world. The Martin Guitar Company has, through the years, managed to survive with each succeeding generation from C. F. Martin, Sr.?s Stauffer influenced creations of the 1830s to recent developments introduced by C. F. Martin IV. Continuous operation under family management is a feat bordering on the remarkable, reflecting six generations of dedication to the guitarmaker?s craft. In or out of the music industry, C. F. Martin has few rivals for sheer staying power. Throughout its colorful history, the company has adapted successfully to continual changes in product design, distribution systems, and manufacturing methods. In spite of the many changes, C. F. Martin has never veered away from its initial commitment to quality. The concern for producing the finest instruments possible in 1833 is especially evident today at Martin?s expanded facility in Nazareth, Pennsylvania. The story behind one of America?s most famous guitars began on January 31, 1796, in Markneukirchen, Germany, with the birth of Christian Frederick Martin, Sr. Born into a long line of cabinet makers, Christian Frederick took up the family craft at the early age of 15, when he left his hometown and traveled to Vienna to apprentice with Johann Stauffer, a renowned guitar maker.

Specifications

Overview

Body Size: 000-14 Fret

Finish Top: Vintage Gloss

Construction: Dovetail Neck Joint

Back and Side Finish: Vintage Gloss

Bracing Pattern: Authentic 1937 Forward Shifted X-Brace

Scale Length: 24.9"

Brace Shape: Scalloped

Fingerboard Width at Nut: 1 3/4''

Top Material: Adirondack Spruce

Neck Shape: Authentic 1937

Back Material: Genuine Mahogany

Neck Taper: Standard Taper

Side Material: Genuine Mahogany

Electronics: No

Top

Bridge Style: 1930 Style Belly - Glue in Long Saddle

Binding: Brown Tortoise Pattern

Bridge String Spacing: 2 1/4''

Top Inlay Material: Multi-Stripe

Bridge Material: Ebony

Top Detail: None

Bridge Pin Material: Black Plastic

Pickguard: Tortoise Pattern

Bridge Pin Dots: None

Pickguard Inlay: None

Saddle: Bone

Rosette: Old Style 18 Multi-Stripe

Saddle Radius: 16"

Body

Brace Material: Adirondack Spruce

Brace Size: 5/16"

Back Detail: None

Back Purfling/Strip: East Indian Rosewood

Back Inlay Material: None

Heelcap: Ebony

Side Detail: None

Endpiece: Brown Tortoise Pattern

Side Inlay Material: None

Endpiece Inlay: None

Neck

Neck Material: Geniune Mahogany

Fingerboard Width at 12th Fret: 2 1/4''

Neck Color: Dark Mahogany

Fingerboard Inlay Style: Old Style 18

Number of Frets Total: 20

Fingerboard Inlay Material: Abalone

Neck Joins Body At: 14th Fret

Fingerboard Binding Material: None

Side Dots: Antique White

Headstock

Headstock Shape: Solid with Square Taper

Tuning Machines: Waverly Nickel Open Back

Headplate Material: East Indian Rosewood

Knob: Butterbean

Headplate Logo Style: Script Golden Era Overlay

Nut Material: Bone

Headplate Binding Material: None