-
Call Us Toll Free888-528-9703
-
Local/International (+1)919-682-5552
- Call Us! Toll Free! 888-528-9703
- Local / International (+1) 919-682-5552
Item selected is sold (details below). Related products available now:
Focusrite Red 7 Mono Mic-Pre & Dynamics From Focusrite
Combining the Focusrite transformer-based mic pre with a compressor, limiter and de-esser/exciter, the Red 7 is a superb, single-channel dynamics processor, ideal for high quality recording, notably voice-overs and other vocal applications! NOTE: 48v Indicator LED is not functioning although phantom power works fine.
"Gone, Baby, Gone"
This one is sold. Don't miss the next one. Some things never even make it to the site so stay up to date on our used collection.
We get in many oddities, rare and vintage products, most of which go fast. If you're on the hunt for something specific, something unique, or something priced right, let us notify you on our used collection before the items even hit the site.
Want to know if one lands?
Notify MeWant to discuss what's coming?
Manufacturer's Description from Focusrite
The Red 7 employs the same superb mic pre-amp as the Red 1 and Red 8, with a dual-range mic gain pot that allows precise control across the full range of the device. Phantom power and phase reverse are also provided. The Line input is electronically balanced, with continuously variable gain. A high quality output fader offers +6dB gain to infinite attenuation, essential for direct recordings, or for accurate level matching after EQ and dynamics.
Added to this mic pre is a full dynamics section, optimised for vocals. With its superb signal path, outstanding ease of use, and an integrated all-in-one design, it is a powerful tool for voice recording in all situations from music studios to postproduction.
The compressor design is taken straight from the Red 3, and as on that unit, is characterised by low noise and distortion even with heavy processing. Relatively heavy compression can be applied whilst retaining a transparent natural sound. Ratio, gain make-up, threshold, attack and release are all continuously variable, and a program dependent auto-release mode can be switched in. A swept high-pass filter allows effective treatment of problems such as rumble, bass lift and proximity effect. The de-esser/exciter stage can be switched to provide frequency-selective compression (de-essing) or excitation. The amount and centre frequency of the processor are continuously variable, and as all the unit’s dynamics still use the Focusrite single-VCA technique, unwanted colouration of the sound is kept to an absolute minimum.
A clear VU meter shows level after the pre-amp gain control, or displays compressor gain change.
“The Sound dept of PINEWOOD STUDIOS Ltd has been using the Focusrite Red 7 for many years; we have 7 in total. The two main areas of use are the Mic pre-amp and de-esser. For these purposes they do the job extremely well and we have found them to be very reliable.”
Martin Powlesland. Technical Manager
Pinewood Studios Ltd
About Manufacturer
The Focusrite brand was established way back in 1985 and the founding principles of the company were to develop products that sounded more musical, in addition to just measuring well - today,we still carry these founding principles forward in our class-leading and award-winning designs. We measure our success by the success of you, our clients, and you will find Focusrite product prominent in professional and project studios throughout the world. Based just outside of London, we work with the best design talent throughout the world to bring you the tools to enhance the way you work. Our product is made with pride and principle in a highly automated ISO 9002 factory with significant level of test by engineers who themselves are musicians and understand the part our product plays in your process. Our commitment: We understand that how your project sounds to you is your most important concern. We are totally dedicated and focused on designing and manufacturing product that will enable you to achieve this goal. Our design goals are that product should be easy to use, logically designed, give class-leading performance and give years of predictable performance. We strive to continuously improve ourselves in these respects - our principal concern is meeting your expectations. Our focus on quality is all consuming - it rules our daily life.
Specifications
Mic Input Gain: -6dB to +60dB in two variable ranges
Mic Input Impedance: 1200Ω ±15%, balanced and floating
Line Input Gain: -12dB to +12dB
Line Input Impedance: 10kΩ ±15%, electronically balanced
Input balance: >60dB to 15kHz on both inputs
Frequency Response: 10Hz to 140kHz (-3dB points), ±0.1dB within passband
Noise: Better than -80dB below +4dBu output level, dynamics in
Distortion: 0.006% (+10dBu @ 1kHz)
Output: +24dBm into 600Ω, +26dBm into 10kΩ, balanced and floating
Works Great With
Follow us!
© Sound Pure LLC 2024. All Rights Reserved.
919-682-5552