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Imagine the forward midrange of a classic neumann, but with a much cleaner overall signal path. The valvet is great for pushing vocals forward in a mix without any heavy-handed color.
This used valvet will ship with a Sovtec EF86 tube, but we also have a few NOS Telefunken EF86 and EF806 tubes available for an additional price. We've found that the sovtec is a bit faster and more articulate than the smoother, rounder telefunken's. Both are outstanding options, and we recommend trying both out to decide which is right for you!
First class components, excellent dynamics and exceptionally low self noise exemplify Brauner microphones. This of course, holds true for the Valvet, a tube microphone based on the already legendary VM1, which provides a unique, finely balanced character.Our objective with the Valvet was to create a tube microphone that would be ideally suited to be used as a spot microphone through small construction and the use of a newly developed microphone suspension.
The Valvet produces excellent recordings even under difficult acoustic conditions due to its directional characteristics, leaning slightly towards hyper-cardioid while maintaining a high level of back rejection. In omni though, it becomes the perfect choice for ambience recordings. In 1999, the Valvet received the SSAIR Award for best microphone in its category as the VM1 did the year before.
The Valvet, boasting the same naturalness and openness as the VM1, produces recordings with wonderful spatial qualities and pleasing proximity and warmth. The Valvet uses the most common directional characteristics - omni and cardioid - and has a phase reverse switch for the use with non-standard pre-amplifiers.
The philosophy behind Brauner microphones is to look at microphones in a different way... We do not think of microphones as being just some kind of technical gear. We think that building microphones and using them is an art rather than a science. What is at the heart of making music? It is mainly dealing with expressing the emotional content of an artist’s performance and the impression this performance is leaving in the listener. What is at the heart of recording music? Isn't it dealing with creating an image that will contain as much of this impression as possible? We think that only artists can create such a picture and these are the people we build our microphones for.
Equivalent Noise: < 11 dB A (IEC651)
Signal to Noise: > 83 dB (1 Pa/1 kHz-Cardioid)
Sensitivity: 28 mV / Pa-Cardioid
Pattern: Omni, Cardioid
Frequency Range: 20 Hz - 22 kHz
Maximum SPL: 142 dB SPL @ 0,3 % THD
Power Supply: 115 V or 230 V