Apollo Twin MkII w/ QUAD DSP Processing  From UA

With higher fidelity next-generation converters, convenient monitor control options, and both Mac & PC compatibility, the already powerful Apollo Twin just became even more of a "no-brainer!" QUAD DSP Processing.

Universal Audio

$1,199.00

Retail:  $1,299.00

"Experience the Difference"

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What We Think

UA has made their wildly popular Apollo Twin even more powerful with their next-generation converter technology for even more clarity and openness (as seen in the newest rackmountable Apollos). On top of that, you’ll find advanced monitoring controls typically unseen on table-top interfaces (mono, mute, dim, alt monitor, and a talkback mic!), plus the option to go all the way to QUAD DSP to have even more plug-in processing onboard your compact and portable interface. 

The sum of all these new upgrades and additions takes an interface that was already putting some distance between other similarly priced options (refer to their ground-breaking Unison preamp emulations), and skyrockets it ahead, making the Apollo Twin MKII even more of a no-brainer option for those looking for exceptional audio quality, powerful DSP capabilities, and lightning-fast Thunderbolt connectivity in a compact 2x6 interface.

Setting up Apollo with Logic Pro X

In this short video, UA's Gannon Kashiwa demonstrates the basic setup procedure for Apollo Interfaces within Logic Pro. Topics covered include: Loading The Driver, Setting The I/O Buffer, Using The Console Recall Plug-In, and more.

Manufacturer's Description from UA

The New Apollo Twin. A Next-Generation Desktop Record-Making Machine — for Mac and Windows.

Apollo Twin MkII is a ground-up redesign of the world’s most popular professional desktop recording interface — delivering enhanced audio conversion with the tone, feel, and flow of analog recording. This 2x6 Thunderbolt audio interface for Mac and Windows features available onboard UAD-2 QUAD Core processing, Unison™ technology, and the next-generation A/D and D/A conversion you’ve heard on hundreds of hit records.

Next-Generation Apollo A/D and D/A Conversion

Apollo Twin MkII improves upon the original Apollo Twin’s gold-standard audio quality with completely redesigned A/D and D/A conversion — giving you increased dynamic range and ultra-low THD. This next-generation conversion results in breathtaking clarity, depth, and accuracy in recordings — as heard on hit records by Kendrick Lamar, Coldplay, Brad Paisley, and more. 

Unison™ Mic Preamp Emulation Technology for Neve, API, Manley, UA & More

A Universal Audio breakthrough, Apollo Twin MkII’s Unison technology gives you the genuine tone of the world’s most sought-after tube and transformer-based mic preamps — including Neve,® API,® Manley,® and UA — complete with their signature impedance, gain stage “sweet spots,” and component-level circuit behaviors.

Based on Apollo Twin MkII’s unrivaled hardware-software integration, Unison lets you record at near-zero latency through preamp emulations like the included UA 610-B Tube Preamp, for authentic analog sound unmatched by other interfaces. Unison technology is also found on Apollo Twin MkII’s front panel Hi-Z instrument input, providing dead-on impedance and gain matching for exclusive guitar and bass amp models from Fender,® Marshall,® Ampeg,® and more. 

Realtime UAD-2 Processing — a Studio Full of Analog Sounds

Building upon the Apollo tradition, Apollo Twin MkII opens up a range of classic analog tones and color via its Realtime UAD Processing. Available with a choice of UAD-2 QUAD, DUO, or SOLO Core processing onboard, Apollo Twin lets you record through the full range of UAD Powered Plug-Ins — at near-zero latency — including genuine analog emulations from Neve, Studer, Ampex, API, Lexicon, Manley, Fender, and more.*

Right out of the box, the Apollo Twin MkII includes the “Realtime Analog Classics” suite of UAD plug-ins — the UA 610-B Tube Preamp & EQ, Raw Distortion, Softube Amp Rooms, legacy LA-2A and 1176LN compressors, Pultec EQs, and more — so you have a rack full of bonafide audio classics already onboard. 

Unlike competing interfaces, the Apollo Twin MkII powers UAD plug-ins inside all major DAWs for mixing and mastering (VST, RTAS, AU, AAX 64 format), greatly offloading the processing required from your host Mac or PC.

Available with UAD-2 QUAD, DUO, and SOLO Core Processing

In addition to the popular UAD-2 SOLO and DUO Core models, Apollo Twin MkII is available in an ultra-powerful UAD-2 QUAD Core model, allowing more plug-in horsepower for running the most complex and convincing analog emulations on the market. 

Built to Record: Improved Monitoring and Workflow

Apollo Twin MkII offers greatly improved monitor functionality versus the original Apollo Twin — with Mute, DIM, Mono, and ALT speaker switching. It also includes monitor remote controls and a built-in talkback mic for easy communication with talent and/or recording slate cues. These features, combined with Apollo Twin MkII’s scalability, make it the new standard for professional desktop recording.

Professional Performance and Scalability with Console 2

Users of Apollo Twin MkII can combine up to four Apollos and six total UAD-2 devices — adding I/O and DSP as your studio grows. Once you expand your studio with an Apollo 8, 8p, or 16 rackmount unit, you can use Apollo Twin as a desktop monitor control while still tapping its additional I/O and DSP power.

Key Features

 ♦ Desktop 2x6 Thunderbolt audio interface for Mac and Windows with next-generation 24-bit/192 kHz audio conversion 

 ♦ Available UAD-2 QUAD, DUO, or SOLO Core Processing for tracking through vintage compressors, EQs, tape machines, mic preamps, and guitar amp plug-ins with near-zero latency*

 ♦ Unison™ technology offers stunning models of classic tube and transformer-based preamps, guitar amps, and stompboxes

 ♦ Built-in talkback mic for communication with studio talent and recording slate cues

 ♦ Improved monitor functionality including monitor remote functions and Mono, Mute, DIM, and ALT monitor controls 

 ♦ 2 premium Unison mic/line preamps; 2 line outputs; front-panel Hi-Z instrument input and headphone output

 ♦ 2 digitally controlled analog monitor outputs for full resolution at all listening levels

 ♦ Up to 8 channels of additional digital input via Optical TOSLINK connection

 ♦ Includes Realtime Analog Classics UAD plug-in bundle, featuring Legacy versions of the LA-2A Classic Audio Leveler, 1176LN 

 ♦ Limiting Amplifier, and Pultec EQP-1A Program Equalizer, plus Softube Amp Room Essentials, Raw Distortion, 610-B Tube Preamp & EQ, and more

 ♦ Runs UAD Powered Plug-Ins via VST, RTAS, & AAX 64 in all major DAWs

 ♦ Uncompromising analog design, superior components, and premium build quality

 
*Apollo Twin MkII includes the "Realtime Analog Classics" UAD plug-in bundle. All other plug-ins are sold separately. All trademarks are property of their respective owners. 

Included in the Realtime Analog Classics Bundle:

  • UA 610-B Tube Preamp & EQ 
  • UA 1176LN Limiting Amplifier (Legacy)
  • UA 1176SE Limiting Amplifier (Legacy)
  • Pultec EQP-1A EQ (Legacy)
  • Pultec Pro EQ (Legacy)
  • Teletronix LA-2A Leveling Amplifer (Legacy)
  • Raw Distortion
  • Softube Amp Room Half-Stack (Softube Amp Room Essentials)
  • Softube Bass Amp Room 8x10 (Softube Amp Room Essentials)
  • Precision Channel Strip (Precision Mix Rack Collection)
  • Precision Reflection Engine (Precision Mix Rack Collection)
  • Precision Delay Mod (Precision Mix Rack Collection)
  • Precision Delay Mod L (Precision Mix Rack Collection)
  • RealVerb Pro Custom Room Modeler

 

Universal Audio

About Manufacturer

Universal Audio Inc. was re-founded in 1999 by Bill's sons, James Putnam and Bill Putnam Jr., with two main goals: to faithfully reproduce classic analog recording equipment in the tradition of their father, and to design new digital recording tools with the sound and spirit of vintage analog technology. However, as Bill Jr. recounts, the genesis of "UA, part 2" is actually a bit more serendipitous.

Having grown up in the music industry, Bill Jr. and James ("Jim") Putnam naturally assumed that the music business is where they'd eventually end up. Jim, a touring musician and recording engineer, and their older brother Scott, a studio designer in Southern California, were the first to follow in Bill Sr.'s path. However, Bill Jr. took a more circuitous direction, working for a number of engineering companies before undertaking a doctorate in Electrical Engineering at Stanford University. It was at Stanford that Bill Jr. became closely involved in the Center for Computer Research in Music and Acoustics (CCRMA), specializing in signal processing. It was also at Stanford that Bill Jr. began to assemble a team of the best and brightest minds in the field — who continue to steer many of Universal Audio's engineering efforts to this day.

However, the precise event that led Bill and Jim to start (or "reinvent") Universal Audio in 1999 was unexpected. As Bill Jr. tells it, when Bill Sr. passed away in 1989, he and Jim were faced with the Herculean task of cleaning out their dad's workshop and storage areas. While going through Bill Sr.'s old test equipment, boxes of parts, bits and pieces of consoles, and half-cannibalized 1176 compressors, Jim came across their father’s old design notebook. The two spent the evening poring over his notes, realizing that this was the map to every technical problem their father had ever solved. It was at that moment that they decided to bring back Universal Audio and its classic products. 

Fast forward a decade. Now with nearly 80 employees and legions of new customers worldwide, UA is headquartered near the Silicon Valley, in Scotts Valley, California — where our classic analog gear is still hand-built, one unit at a time. The lengths we go to deliver the exact sound and performance of classic analog audio gear is unparalleled; in fact, the goal is for UA's modern units to perform identically to well-maintained units built decades ago. 

Of course, analog is only half the story. At Universal Audio, we employ the world's brightest DSP engineers and digital modeling authorities to develop our award-winning UAD Powered Plug-Ins platform, featuring the most authentic analog emulation plug-ins in the industry. Our DSP gurus work with the original hardware manufacturers — using their exact schematics, golden units, and experienced ears — to give UAD plug-ins warmth and harmonics in all the right places, just like analog.

Specifications

System
I/O Complement
Microphone Inputs: Two
Analog Line Inputs: Two
Hi-Z Instrument Inputs: One
Analog Line Outputs: Two (independent mix buses)
Analog Monitor Outputs: Two (one stereo pair, independent L/R mix buses)
Headphone Outputs: One stereo pair (independent L/R mix buses)
Digital Input Port (TOSLINK optical): One (ADAT or S/PDIF, selectable)
Thunderbolt Port: One (Thunderbolt 2 compatible)
A/D – D/A Conversion
Supported Sample Rates (kHz): 44.1, 48, 88.2, 96, 176.4, 192
Bit Depth Per Sample: 24
Simultaneous A/D conversion: Two channels
Simultaneous D/A conversion: Six channels
Analog Round-Trip Latency: 1.1 milliseconds @ 96 kHz sample rate

Analog I/O
Line Inputs 1 & 2
Jack Type (combo mic/line balanced inputs): Female ¼” TRS Balanced
Dynamic Range (A–weighting): 117.5 dB
Signal-to-Noise Ratio (A–weighting): 117.5 dB
Total Harmonic Distortion + Noise: –108 dBFS
Common-Mode Rejection Ratio (CMRR): Greater than 60 dB (10’ cable)
Frequency Response: 20 Hz – 20 kHz, ±0.1 dB
Input Impedance: 10K Ohms
Gain Range: +10 dB to +65 dB
Minimum Input Level (@ Minimum Gain): 18 dBV
Maximum Input Level (@ Maximum Gain): –37 dBV
Stereo Level Balance: ±0.05 dB
Microphone Inputs 1 & 2
Jack Type (combo mic/line balanced inputs): Female XLR Balanced (pin 2 positive)
Phantom Power (switchable per input): +48V
Dynamic Range (A–weighting): 118 dB
Signal-to-Noise Ratio (A–weighting): 118 dB
Total Harmonic Distortion + Noise: –110 dBFS
Frequency Response: 20 Hz – 20 kHz, ±0.1 dB
Hi-Z Input
Jack Type: Female ¼” TS Unbalanced
Dynamic Range (A–weighting): 117 dB
Signal-to-Noise Ratio (A–weighting): 117 dB
Total Harmonic Distortion + Noise: –101 dBFS
Frequency Response: 20 Hz – 20 kHz, ±0.1 dB
Input Impedance: 1M Ohms
Line Outputs 3 & 4
Jack Type: ¼” Female TRS Balanced
Dynamic Range (A–weighting): 118 dB
Signal-to-Noise Ratio (A–weighting): 118 dB
Total Harmonic Distortion + Noise:  –107 dBFS
Frequency Response: 20 Hz – 20 kHz, ±0.1 dB
Stereo Level Balance: ±0.05 dB
Channel Separation: Greater than 120 dB
Output Impedance: 600 Ohms
Maximum Output Level: 18 dBV
Monitor Outputs 1 & 2
Jack Type: ¼” Female TRS Balanced
Frequency Response: 20 Hz – 20 kHz, ±0.1 dB
Dynamic Range (A–weighting): 115 dB
Signal-to-Noise Ratio (A–weighting): 115 dB
Total Harmonic Distortion + Noise: –105 dBFS
Channel Separation: Greater than 118 dB
Stereo Level Balance: ±0.05 dB
Output Impedance: 600 Ohms
Output Gain Range: –96 dB to 0 dB
Maximum Output Level: 18 dBV
Operating Reference Level: +14 dBu, +20 dBu (selectable)
Stereo Headphones Output
Jack Type: ¼” Female TRS Stereo (unbalanced)
Frequency Response: 20 Hz – 20 kHz, ±0.1 dB
Dynamic Range (A–weighting): 113 dB
Signal-to-Noise Ratio (A–weighting): 113 dB
Channel Separation: Greater than 110 dB
Total Harmonic Distortion + Noise: –101 dBFS
Stereo Level Balance: ±0.11 dB
Output Impedance: 10 Ohms
Output Gain Range: –INF to 0 dB
Maximum Output Power: 80 milliwatts into 600 Ohms
 
Digital I/O
S/PDIF
Connector Type: Optical TOSLINK JIS F05 (shared with ADAT)
Format: IEC958
Supported Sample Rates (kHz): 44.1, 48, 88.2, 96
S/PDIF Input Channels: Two (Stereo L/R)
ADAT
Connector Type: Optical TOSLINK JIS F05 (shared with S/PDIF)
Format: ADAT Digital Lightpipe with S/MUX
Supported Sample Rates (kHz): 44.1, 48, 88.2, 96, 172.4, 192
ADAT Input Channels @ 44.1 kHz, 48 kHz 1 – 8
ADAT Input Channels @ 88.2 kHz, 96 kHz 1 – 4 (S/MUX)
ADAT Input Channels @ 176.4 kHz, 192 kHz 1 – 2 (S/MUX)
Clock Synchronization Sources
Internal, S/PDIF, ADAT (digital clock sync source conditional per selected digital input type)
 
Electrical
Power Supply External AC to DC
AC Connector Type Changable blades (UL, VDE, UK, SSA, CCC)
AC Requirements 100V – 240V AC, 50 – 60 Hz
DC Connector Type Male plug, 2.1 mm x 5.5 mm, center positive
DC Requirements 12 VDC, ±5%
Maximum Power Consumption 12 Watts
 
Environmental
Operating Temperature Range 32º to 95º Farenheit (0º to 35º Celcius)
Storage Temperature Range –40º to 176º Farenheit (–40 to 80º Celcius)
Operating Humidity Range 20% to 80%
 
Mechanical
Dimensions

Width 6.31”
Height 2.60”
Depth, Chassis Only 5.86”
Depth, Including Knob & Jack Protrusions 6.20”
Shipping Box (Length x Width x Height) 8” x 8” x 5.5” (20.32cm x 20.32cm x 13.97cm)
Weight
Shipping Weight (with box & accessories) 3.85 pounds
Weight (bare unit) 2.35 pounds
Package Contents
Apollo Twin Unit (SOLO or DUO)
External Power Supply with (4) changeable AC connectors supporting USA, Europe, UK, Australia, China
URL Card