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Lowden F32 16738 Acoustic Guitar, from Lowden

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Lowden F32 16738 Acoustic Guitar Lowden F32 16738 Acoustic Guitar
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Lowden F32 16738 Acoustic Guitar
Lowden F32 16738 Acoustic Guitar

Medium Sized Acoustic Rosewood back and sides Sitka Spruce top

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Lowden F32 Acoustic Guitar Demo Royer R121 Ribbons, AEA RPQ

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Royer R121 Ribbon microphones capture a gorgeous George Lowden F32 Acoustic guitar featuring Sitka Spruce Top with Indian Rosewood backs and sides. It is recorded using a spaced matched pair of Royer ...

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Royer R121 Ribbon microphones capture a gorgeous George Lowden F32 Acoustic guitar featuring Sitka Spruce Top with Indian Rosewood backs and sides. It is recorded using a spaced matched pair of Royer R121 Ribbon Microphones (reversed), through an AEA RPQ Ribbon Microphone Preamp with polarity reversed, and EQ shelf engaged. Royer R121s are a world standard ribbon mic, most famous for recording electric guitar amps, but in this demo, their versatility is demonstrated impressively with an acoustic guitar (not your typical ribbon microphone choice). They were perfectly paired with one of the most ideal preamps, an AEA RPQ which has the just the right amount of tonal/EQ control, which we used to dial in the traditional fall-off of a ribbon microphone in the high frequency area by boosting 50% at 6Khz. This result gave us a really natural interpretation of the guitar, which was beautifully captured by the microphones, just a little lacking in top-end presence. While the ribbons have a smooth character which can take quite a bit of EQing, and this preamps EQ shelf is wonderfully transparent in nature, the two combined to produce an accurate sound of this instrument- it is an articulate, harmonically complex medium-bodied guitar with extraordinary punch and sustain. Another George Lowden Acoustic Guitar masterpiece. Call us at Sound Pure anytime to discuss this guitar, our recording techniques, or the recording gear that we sell, toll free 888-528-9703

Lowden Guitars - George Lowden Cuban Mahogany - NAMM 2010

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Genius Builder George Lowden of Lowden Guitars from Ireland discusses some exciting new models and woods new for the 210 NAMM show in California. Thomas Leeb Acoustic Fingerstyle master plays, and Ge...

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Genius Builder George Lowden of Lowden Guitars from Ireland discusses some exciting new models and woods new for the 210 NAMM show in California. Thomas Leeb Acoustic Fingerstyle master plays, and George discusses the F-35 Cuban Mahogany for finger-style guitar playing, his S-35 cedar walnut, and finally the Pierre Bensusan Signature Model with a unique ebony bevel. Call Sound Pure toll free 888-528-9703 to inquire about our large section of Lowden guitars, or the possibility of special ordering one for you!

Thomas Leeb plays Van Halen's "Jump" at Lowden Guitars - NAMM 2010

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Thomas Leeb, Acoustic Fingerstyle master, plays "Jump" by Van Halen live at the Lowden Guitars booth at Winter NAMM 2010. Check out our other Lowden video from NAMM for more details on George Lowden's...

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Thomas Leeb, Acoustic Fingerstyle master, plays "Jump" by Van Halen live at the Lowden Guitars booth at Winter NAMM 2010. Check out our other Lowden video from NAMM for more details on George Lowden's latest guitars.

What we think:

An amazingly balanced new F32 from George Lowden. This guitar is an absolute joy to play. Tons of sparkle with overtones for days. This guitar will be a champion in the recording studio.

Specs:

Back and Sides: Indian Rosewood

Soundboard: Sitka Spruce

Rosette:Rosewood, Sycamore, Walnut, Mahogany

Pickguard: Clear

Bindings: Figured Sycamore

Purflings: Walnut, Sycamore, Rosewood, Mahogany

Fingerboard: Ebony

Tuners: Gotoh Gold/Ebony 510

Bridge:Rosewood

Neck: 5 Piece: Mahogany, Rosewood, Walnut

Back Center Seam: Rosewood, Mahogany

Headstock Overlay: East Indian Rosewood

Nuts and Saddles: "Tusq"/Bone

Neck Width at Nut: 45mm 1 25/32"

Neck Width at 14th Fret: 57mm 2 1/4"

Soundbox Width: 403mm 15 7/8"

String Scale Length: 650mm 25 19/32"

 

Description:

Over the years the 32 has become more sought after especially because of its full bodied and yet very clear defined tone. The sitka spruce top help to balance the rosewoodýs warm fullness. The O version is warm, full and clear, the F is the same but with a more focused projection making it ideal for flat-picking and fingerstyle. The S version has been a bit of a surprise in that it has a large body sound in a concert sized instrument! and so I included it in this yearýs collection.