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Stereo headphone amplifier and line interface for Dante networked audio with 1/4" stereo line inputs, 1/4" stereo line outputs, 1/4" and 1/8" headphone outputs, Power-over-Ethernet (PoE) operation, and built in mic-stand mount.
$499.00
Retail: $624.00
The Apollo e2m stereo headphone amplifier and line interface is the perfect companion to your Apollo x16D interface, and a sleek "endpoint" on any Dante audio network. This networked monitor station lets you easily connect headphones, IEMs, powered monitors or wedges, as well as synths, drum machines, and playback devices — anywhere you need them.
Key Benefits
Put Monitor Control Anywhere
Apollo e2m lets you connect IEMs, over-ear headphones, or powered monitors for effortless local foldback on your Dante network. Featuring parallel 1/4" and 1/8" mini-jack stereo headphone outputs and a convenient Power-over-Ethernet (PoE) design, you can say goodbye to cable clutter — on stage or in your networked studio.
Add Line Inputs for Synths, Drum Machines, and More
With its stereo line inputs, Apollo e2m lets you quickly add audio sources including amp emulators and synths, or playback devices like iPhones and samplers, so you can deliver maximum creativity on stage or at front of house.
Pair with Apollo x16D and e1x Unison Preamps
Unlock a complete I/O solution for your Dante network by pairing Apollo e2m with Apollo e1x
remote-controllable Unison™ preamp. Together with an Apollo x16D interface, this system gives you low-latency audio routing with personal cue monitoring, along with the iconic tone of classic mic preamps from API, Neve, SSL, and more.
Key Features
Universal Audio Inc. was re-founded in 1999 by Bill's sons, James Putnam and Bill Putnam Jr., with two main goals: to faithfully reproduce classic analog recording equipment in the tradition of their father, and to design new digital recording tools with the sound and spirit of vintage analog technology. However, as Bill Jr. recounts, the genesis of "UA, part 2" is actually a bit more serendipitous.
Having grown up in the music industry, Bill Jr. and James ("Jim") Putnam naturally assumed that the music business is where they'd eventually end up. Jim, a touring musician and recording engineer, and their older brother Scott, a studio designer in Southern California, were the first to follow in Bill Sr.'s path. However, Bill Jr. took a more circuitous direction, working for a number of engineering companies before undertaking a doctorate in Electrical Engineering at Stanford University. It was at Stanford that Bill Jr. became closely involved in the Center for Computer Research in Music and Acoustics (CCRMA), specializing in signal processing. It was also at Stanford that Bill Jr. began to assemble a team of the best and brightest minds in the field — who continue to steer many of Universal Audio's engineering efforts to this day.
However, the precise event that led Bill and Jim to start (or "reinvent") Universal Audio in 1999 was unexpected. As Bill Jr. tells it, when Bill Sr. passed away in 1989, he and Jim were faced with the Herculean task of cleaning out their dad's workshop and storage areas. While going through Bill Sr.'s old test equipment, boxes of parts, bits and pieces of consoles, and half-cannibalized 1176 compressors, Jim came across their father’s old design notebook. The two spent the evening poring over his notes, realizing that this was the map to every technical problem their father had ever solved. It was at that moment that they decided to bring back Universal Audio and its classic products.
Fast forward a decade. Now with nearly 80 employees and legions of new customers worldwide, UA is headquartered near the Silicon Valley, in Scotts Valley, California — where our classic analog gear is still hand-built, one unit at a time. The lengths we go to deliver the exact sound and performance of classic analog audio gear is unparalleled; in fact, the goal is for UA's modern units to perform identically to well-maintained units built decades ago.
Of course, analog is only half the story. At Universal Audio, we employ the world's brightest DSP engineers and digital modeling authorities to develop our award-winning UAD Powered Plug-Ins platform, featuring the most authentic analog emulation plug-ins in the industry. Our DSP gurus work with the original hardware manufacturers — using their exact schematics, golden units, and experienced ears — to give UAD plug-ins warmth and harmonics in all the right places, just like analog.
Line Inputs
Dynamic Range: 120 dB
THD+N: -115 dB
Line/Headphone Outputs
Dynamic Range: 120 dB
THD+N: -112 dB (Headphone)
THD+N: -109 dB (Line out)
Latency (Analog to Dante, Dante to Analag)
1ms, 2ms, or 5 ms (Set in Dante Controller)
Sample rate support: 44.1 to 96 kHz
AES67 support @ 48 kHz (Set in Dante Controller)
Dante Device Lock (Set in Dante Controller)
Power-over Ethernet (PoE): 7W (5W typical)
Threaded 5/8" mic stand mount
Payments as low as $43/mo.