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Marcy Marxer's Rare Signature Martin Acoustic, with Adirondack Spruce and E. Indian Rosewood!!
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Condition: Used, Excellent. This instrument has had a neck reset performed by our luthier, as most acoustics will eventually require at some point in their life.
SP Luthier Notes: Our luthier performed a neck reset on this instrument to ensure the proper neck-to-body angle, to facilitate the proper intonation and connection between the neck and the body, and the stability of the guitar has otherwise been verified by our luthier. There was also a planing of the fretboard to ensure maximum playability. No further work was required.
For well over a century and a half, The Martin Guitar Company has been continuously producing acoustic instruments that are acknowledged to be the finest in the world. The Martin Guitar Company has, through the years, managed to survive with each succeeding generation from C. F. Martin, Sr.?s Stauffer influenced creations of the 1830s to recent developments introduced by C. F. Martin IV. Continuous operation under family management is a feat bordering on the remarkable, reflecting six generations of dedication to the guitarmaker?s craft. In or out of the music industry, C. F. Martin has few rivals for sheer staying power. Throughout its colorful history, the company has adapted successfully to continual changes in product design, distribution systems, and manufacturing methods. In spite of the many changes, C. F. Martin has never veered away from its initial commitment to quality. The concern for producing the finest instruments possible in 1833 is especially evident today at Martin?s expanded facility in Nazareth, Pennsylvania. The story behind one of America?s most famous guitars began on January 31, 1796, in Markneukirchen, Germany, with the birth of Christian Frederick Martin, Sr. Born into a long line of cabinet makers, Christian Frederick took up the family craft at the early age of 15, when he left his hometown and traveled to Vienna to apprentice with Johann Stauffer, a renowned guitar maker.
CONSTRUCTION: Mortise/Tenon Neck Joint
BODY SIZE: M (0000) 14 Fret CUTAWAY (w/ Venetian Cutaway)
TOP: Adirondack Spruce
TOP BRACES: Sitka/1 Style/Scalloped
PATTERN: J1 Hybrid
TOP BINDING: 5/32'' Grained Ivoroid
TOP INLAY: Fine Herringbone
ROSETTE: Style 45; First Cut @ 4.188''
PEARL INLAY: Select Abalone- 5 Piece
PICKGUARD: Tortoise, Pattern 22B (J-40 Style)
BACK: Solid East Indian Rosewood Wings, Flamed Koa Wedge
BACK PANELS: 3 Pc.
BACK BINDING: 5/32'' Grained Ivoroid
SIDES: Solid East Indian Rosewood
RIBBONS: Spanish Cedar
TAG/PLATE: Mahogany Plate
NECK: Select Hardwood (Genuine Mahogany, Sapele, or African Mahogany)
NECK SHAPE: Low Profile
HEADSTOCK: Solid/6 String No Diamond/Square Taper
Saddle & Nut: Bone
HEADPLATE PEARL: Torch Pattern- Select Abalone
TUNING MACHINES: Gotoh Gold w/ Large Ebony Knobs (Drill Y Step)
FINGERBOARD: Black Ebony
RADIUS: 16''
ACTUAL SCALE LENGTH: 25.340'' (25.4'')
Unbound 1 1/2'', Bound 1 11/16''
WIDTH AT 12 FRET: Unbound 1 15/16'', Bound 2 1/8''
PEARL INLAY: 42 Snowflake(start @ 5th) w/Two Hands In MOP @ 12th
BRIDGE: Black Ebony
STRING SPACING: 2 1/8''
SADDLE: 16'' Radius/Compensated/Bone
CASE: 570 Black Denim Covered, TKL Martin Geib-style
String Height on 4/25/24: .07”/ 1.77mm
Weight: 4.4 lbs.