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A handsomely appointed dread from Martin guitars.
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Condition: Used, Very Good
A few little dings and dents can't stop this fresh-dressed dread! While the playwear is hard to picture, the rich, boomy, sonorous voice of this instrument comes right across from the first note. After a light fret dress and setup from our luthier, this majestic fellow is ready to rip and roar for years to come.
Inlaid in stunning abalone pearl and appointed with gold tuners, it's more than a Dreadnought: it's an heirloom. Premium East Indian rosewood and Sitka spruce combined with hand-carved scalloped bracing to produce rich, powerful, complex tone.
For well over a century and a half, The Martin Guitar Company has been continuously producing acoustic instruments that are acknowledged to be the finest in the world. The Martin Guitar Company has, through the years, managed to survive with each succeeding generation from C. F. Martin, Sr.?s Stauffer influenced creations of the 1830s to recent developments introduced by C. F. Martin IV. Continuous operation under family management is a feat bordering on the remarkable, reflecting six generations of dedication to the guitarmaker?s craft. In or out of the music industry, C. F. Martin has few rivals for sheer staying power. Throughout its colorful history, the company has adapted successfully to continual changes in product design, distribution systems, and manufacturing methods. In spite of the many changes, C. F. Martin has never veered away from its initial commitment to quality. The concern for producing the finest instruments possible in 1833 is especially evident today at Martin?s expanded facility in Nazareth, Pennsylvania. The story behind one of America?s most famous guitars began on January 31, 1796, in Markneukirchen, Germany, with the birth of Christian Frederick Martin, Sr. Born into a long line of cabinet makers, Christian Frederick took up the family craft at the early age of 15, when he left his hometown and traveled to Vienna to apprentice with Johann Stauffer, a renowned guitar maker.
Model: D-41
Year: 1998
Serial: 665006
Body Size: D-14 Fret
Construction: Dovetail Neck Joint
Bracing Pattern: Forward-Shifted X-Brace
Brace Shape: Scalloped
Top Material: Sitka Spruce
Back Material: East Indian Rosewood
Side Material: East Indian Rosewood
Finish Top: Gloss
Back & Side Finish: Gloss
Scale Length: 25.4
Fingerboard Width at Nut: 1 3/4"
Neck Shape: Modified Low Oval
Neck Taper: High-Performance Taper
Electronics: K&K Pure Mini
Top Color: Aging Toner
Binding: Antique White
Top Inlay Material: Abalone with Multi-Stripe
Top Detail: None
Pickguard: Tortoise Pattern
Pickguard Inlay: None
Rosette: Abalone with Multi-Stripe
Bridge Style Modern Belly - Drop In Saddle
Bridge String Spacing: 2 5/32"
Bridge Material: Ebony
Bridge Pin Material: White Plastic
Bridge Pin Dots: Abalone
Saddle: Compensated Bone
Saddle Radius: 16"
Brace Material: Sitka Spruce
Brace Size: 5/16"
Back Purfling/Strip: Style 45
Heelcap: Antique White
Endpiece: Antique White
Endpiece Inlay: Multi-Stripe
Back & Sides Color: None
Back Detail: None
Back Inlay Material: Multi-Stripe
Side Detail: None
Side Inlay Material: None
Neck Material: Genuine Mahogany
Finish Neck: Satin
Neck Color: Dark Mahogany
Number of Frets: 20
Neck Joins Body at: 14th Fret
Side Dots: Black
Fingerboard Material: Ebony
Fingerboard width at 12th Fret: 2 1/8"
Fingerboard Inlay Style: Reduced Hexagon
Fingerboard Inlay Material: Abalone
Fingerboard Binding Material: Antique White
Headstock Shape: Solid with Square Taper and Diamond
Headplate Material: East Indian Rosewood
Headplate Logo Style: Block Inlay
Headplate Binding Material: Antique White with Multi-Stripe
Tuning Machines: Gold Open Gear
Knob: Butterbean
Nut Material: Bone
Case: Hardshell