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Quite possibly the nicest sounding new D-18 I've ever heard.
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Working with such great guitars sort of spoils you when it comes to the Martin, particularly their standard models, but this is one D-18 that stands out. Beautiful cross grain on this Sitka top, effortless playability and vintage-sounding Martin tone without the least bit of stringy-ness, which is a perennial new Martin problem. This is hands-down the nicest sounding new D-18, or any standard Martin model that I've heard.
The D-18 Dreadnought features a sleek, modern High Performance Neck for enhanced playability. The D-18 adds a Sitka spruce top to the genuine mahogany back and sides. Perfect for the intermediate and advanced player. Available with a sunburst or ambertone shaded top for an additional $250.
For well over a century and a half, The Martin Guitar Company has been continuously producing acoustic instruments that are acknowledged to be the finest in the world. The Martin Guitar Company has, through the years, managed to survive with each succeeding generation from C. F. Martin, Sr.?s Stauffer influenced creations of the 1830s to recent developments introduced by C. F. Martin IV. Continuous operation under family management is a feat bordering on the remarkable, reflecting six generations of dedication to the guitarmaker?s craft. In or out of the music industry, C. F. Martin has few rivals for sheer staying power. Throughout its colorful history, the company has adapted successfully to continual changes in product design, distribution systems, and manufacturing methods. In spite of the many changes, C. F. Martin has never veered away from its initial commitment to quality. The concern for producing the finest instruments possible in 1833 is especially evident today at Martin?s expanded facility in Nazareth, Pennsylvania. The story behind one of America?s most famous guitars began on January 31, 1796, in Markneukirchen, Germany, with the birth of Christian Frederick Martin, Sr. Born into a long line of cabinet makers, Christian Frederick took up the family craft at the early age of 15, when he left his hometown and traveled to Vienna to apprentice with Johann Stauffer, a renowned guitar maker.
Model: D-18
Construction: Genuine Mahogany Blocks/Dovetail Neck Joint
Body Size: D-14 Fret
Top: Solid Sitka Spruce
Rosette: Style 18
Top Bracing Pattern: Standard ''X'' Scalloped, Forward Shifted
Top Braces: Solid Sitka Spruce 5/16''
Back Material: Genuine Mahogany
Back Purfling: Style 18
Side Material: Genuine Mahogany
Endpiece: Delmar Tortoise Color
Endpiece Inlay: none
Binding: Tortoise Color
Top Inlay Style: Multiple Black/White Boltaron
Side Inlay: none
Back Inlay: none
Neck Material: Select Hardwood
Neck Shape: Modified Low Oval Profile w/ Performing Artist Taper
Nut Material: Bone
Headstock: Solid/Square Taper
Headplate: Solid East Indian Rosewood / Large Old Style Logo
Heelcap: Tortoise Color
Fingerboard Material: Solid Black Ebony
Scale Length: 25.4''
Number Of Frets Clear: 14
Number Of Frets Total: 20
Fingerboard Width At Nut: 1-3/4''
Fingerboard Width At 12th Fret: 2-1/8''
Fingerboard Position Inlays: Old Style 18
Fingerboard Binding: none
Finish Back & Sides: Polished Gloss
Finish Top: Polished Gloss w/ Aging Toner
Finish Neck: Satin
Bridge Material: Solid Black Ebony
Bridge Style: 1930s Style Belly w/ Drop-In Saddle
Bridge String Spacing: 2-3/16''
Saddle: 16'' Radius/Compensated/Bone
Tuning Machines: Nickel Open-Geared w/ Butterbean Knobs
Recommended Strings: Martin Studio Performance Lifespan Phosphor Bronze Medium Gauge (MSP7200)
Bridge & End Pins: Black
Pickguard: Delmar Tortoise Color
Case: 445 Hardshell
Interior Label: none
Electronics: Optional
Other Options: Available left-handed at no additional charge
Other Comments: All prices & specifications are subject to change without notice.