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A custom shop Martin 12-fret dread with a Sitka Spruce top and East Indian Rosewood back and sides.
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Condition: Used, Very Good
I love a 12-fret dread, and this Martin Custom Shop build only confirms that admiration. The stripped-down look lends this guitar a handsome workhorse aesthetic, with ivoroid button tuners and binding, a 28-style back strip and minimal mother-of-pearl dots the only bits of flash. All that minimalism seems intent to make a fine point: This guitar is meant to be played. And it plays very well. It gives you all the full-bodied bass, wide-open midrange and snappy treble expected from a rosewood dreadnought, and the exquisite Sitka top holds the sound together poetically, offering both pristine clarity and plentiful overtone potential. A low-profile neck combined with a wider-than-average nut width invites expressive left-hand play, and the neck's sheen finish presents a fast and comfy feel slotted between satin and gloss.
SP Luthier Notes: Fret dress and setup
For well over a century and a half, The Martin Guitar Company has been continuously producing acoustic instruments that are acknowledged to be the finest in the world. The Martin Guitar Company has, through the years, managed to survive with each succeeding generation from C. F. Martin, Sr.?s Stauffer influenced creations of the 1830s to recent developments introduced by C. F. Martin IV. Continuous operation under family management is a feat bordering on the remarkable, reflecting six generations of dedication to the guitarmaker?s craft. In or out of the music industry, C. F. Martin has few rivals for sheer staying power. Throughout its colorful history, the company has adapted successfully to continual changes in product design, distribution systems, and manufacturing methods. In spite of the many changes, C. F. Martin has never veered away from its initial commitment to quality. The concern for producing the finest instruments possible in 1833 is especially evident today at Martin?s expanded facility in Nazareth, Pennsylvania. The story behind one of America?s most famous guitars began on January 31, 1796, in Markneukirchen, Germany, with the birth of Christian Frederick Martin, Sr. Born into a long line of cabinet makers, Christian Frederick took up the family craft at the early age of 15, when he left his hometown and traveled to Vienna to apprentice with Johann Stauffer, a renowned guitar maker.
Model: D-12
Serial: 1892167
Year: 2015
Body Size: D-12 Fret
Construction: Dovetail Neck Joint
Bracing Pattern: D-12 Fret #7A
Brace Shape: Non-Scalloped
Top Material: Sitka Spruce
Back Material: East Indian Rosewood
Side Material: East Indian Rosewood
Finish Top: Gloss
Back & Side Finish: Gloss
Scale Length: 25.4"
Fingerboard Width at Nut: 1 7/8"
Neck Shape: Low Profile
Top Color: Clear
Binding: Grained Ivoroid
Top Inlay Material: Multi-Stripe
Top Detail: None
Pickguard: None
Pickguard Inlay: None
Rosette: Multi-Stripe
Bridge Style: 1930 Style Belly w/ Drop-In Long Saddle
Bridge String Spacing: 2 5/16"
Bridge Material: Ebony
Bridge Pin Material: White
Bridge Pin Dots: Black Dots
Saddle: Long, Drop in, Bone
Saddle Radius: 16"
Brace Material: Sitka Spruce
Brace Size: 5/16"
Back Purfling/Strip: Style 28
Heelcap: Grained Ivoroid
Endpiece: Grained Ivoroid
Endpiece Inlay: Multi-Stripe
Back & Sides Color: None
Back Detail: None
Back Inlay Material: Multi-Stripe
Side Detail: None
Side Inlay Material: Multi-Stripe
Neck Material: Genuine Mahogany- 12/4
Finish Neck: Catalyzed 15 Sheen
Neck Color: Dark Mahogany
Number of Frets: 20
Neck Joins Body at: 12th Fret
Side Dots: White
Fingerboard Material: Ebony
Fingerboard width at 12th Fret: 2 5/16"
Fingerboard Inlay Style: Style 28
Fingerboard Inlay Material: Mother of Pearl
Fingerboard Binding Material: None
Headstock Shape: Slotted / Round Slots / 6 String / Diamond
Headplate Material: Solid East Indian Rosewood
Headplate Logo Style: Old Style Gold (Small)
Headplate Binding Material: None
Tuning Machines: Golden Age 2515 - Bright Nickel, Side Mount
Knob: Ivoroid
Nut Material: Bone
Case: Hardshell