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Hooper Guitars OM-18 #27 Acoustic - Used  From Other

Pre war focused acoustic handcrafted in Elkin, North Carolina

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This specific item was photographed by us here in Durham, North Carolina. We are a very small team dedicated to providing you the most accurate photos possible, through our obsessive focus - individually photographing nearly everything that comes through the door. Questions about what you see? Want more information, photos, or just a friendly conversation with someone that cares and who has actually had their hands on this exact item? Contact us now!
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Sound Pure's dedication to pre-owned products is unprecedented in the industry. We are a small team of dedicated experts that buys, trades, and consigns. We are trusted by customers all over the world. Our curated collection, is thoroughly tested and inspected by some of the best in the business. Our inventory is constantly changing, ever-evolving, with some items sold before reaching the website. Looking for something specific? Have questions about this product's condition or history? Want more photos, or to simply chat with an expert who's had his hands on this actual piece? Contact us now.
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What We Think

Condition: Used, Great Small pictured ding in the finish on back.

If you're looking for an "18" style OM that sounds like it has years of wisdom baked in its' wood then this incredible OM from Ken Hooper is certainly worth taking a look at. Not being from NC originally I was not familiar with Ken's builds before holding this OM for the first time but I can tell you it is a very lightly built instrument with a powerful voice for its' size and a super clear and focused tone that will compliment many styles of music. If you're looking for a fingerstyle guitar or plan on using a flatpick this would be a very viable guitar if you want a warm fundamentally focused sound that responds very well to a soft touch or a heavy right hand strumming! Give us a call if you're looking for a pre-war inspired OM that will keep you grinning from sunup to sundown!

 

Manufacturer's Description from Other

I first became interested in instruments in the early 90’s when I started playing the mandolin and guitar.  After playing a few higher end instruments that other pickers had I was amazed at the difference between the really nice instruments and mine.  As I had always been someone who was good with my hands, I began to consider the possibility of building one myself.   Looking back on it now, I realize that the turning point for me was when a friend of mine was having problems with the pick guard coming of his old D-35.   He was a long-time friend of Wayne Henderson and suggested I ride with him to Wayne’s shop and get it fixed.   Those of you who are familiar with Wayne’s story know that at that time he was still in the old store building in “downtown” Rugby. 
 
    I remember going in to his small shop.   The dust, wood, shavings and guitars in various states of completion everywhere really made an impression on me but most of all I was blown away that someone could actually build something like that themselves and that it didn’t come from some machine somewhere.  It was at that point that a “need” to build an instrument was born (those of you who build and make things with your hands will understand completely when I say I needed to make an instrument.  To this day, I give credit to Wayne for being my initial inspiration in building instruments.  He has always been willing to answer any questions that I had and help out where he could as he has to so many other people as well. 
 
      Since I was primarily playing the mandolin, I decided that would be the first instrument that I built.  Shortly thereafter, I bought Roger Siminoff’s book on building a bluegrass mandolin and a bunch of wood and dove in.   Needless to say, that first mandolin was definitely no “Loar” but it did play and it sounded…ok.  At least as good as the cheap mandolin I had been playing.   More importantly, I learned from that first mandolin that I wanted to build another and that God had given me the skills with my hands in order to accomplish it.  It didn’t take long before I started experimenting with guitars as well. I was blessed in that my first few guitars were good enough that people liked them and I started getting requests to make more.
 
    Each guitar has been a learning experience and I am fortunate in that the area of Northwest North Carolina where I live has no shortage of good luthiers to learn from in addition to Wayne.  Don Wilson who works with Wayne has also helped me out a lot.  I have had the privilege over the years to play some very fine guitars made by a lot of different people and companies.  It never fails that the ones that always rise above the rest are the old Martins.  The pre-war D28’s and D18’s are the “holy grail” for the guitar picker and the tone and clarity of those guitars is what I strive to achieve in my instruments.  These guitars were meticulously crafted and were as cleanly constructed as any of the handmade guitars of today.  Most builders will freely admit that this is the gold standard that we all strive to attain. 
 
    To this end, I use the best tone woods I can find; I like to use Red spruce for the top plates and I like to build as lightly as possible.  I also enjoy using hide glue as was used on the old ones.
Other (Miscellanous Used/Vintage/Consign)

About Manufacturer

Here at Sound Pure we hand-select used and vintage pieces of gear for our inventory. Our used selection always reflects the high standards of quality and craftsmanship that we expect from all of our manufacturers.   We are a small team of dedicated experts, located in Durham, NC.  We buy, trade, and consign instruments that we truly believe in.  Because of this, we have developed a reputation of quality and trust with our customers, located all over the world.   Our best customers are the ones that truly understand our personal touch and commitment to everything we sell, and range from hobbyists and enthusiasts to some of the biggest names in the business.  Our passion bridges the products we love with the real relationships we develop with our customer - whether they are a lifelong musician, or they are just getting started on their musical journey but care about value, quality, and being treated right.  

We vigorously test everything we take in to ensure authenticity, functionality, and reliability.  We are supported by one of the most well-respected luthiers in the Southeast, guaranteeing products that come in are thoroughly vetted, and that products that go out our in premium, performance- ready shape.   We are so confident in our ability to provide the highest quality music equipment in the industry, we even invented our “Try Before You Buy” program where we can ship out a product before collecting actual payment. 

Sound Pure's inventory is constantly changing, ever-evolving, with some items sold before reaching the website.    Looking for something specific? Have questions about this product's condition or history?  Want more photos, or to simply chat with an expert who's had his hands on this actual piece of gear?  It is truly our pleasure to talk with our customers, please do contact us now.  

Specifications

Serial Number: 27
 
Year: 2013 (est.)
 
Top: Adirondack Spruce
 
Back/Sides: Honduran Mahogany
 
Bracing: 30's Era Forward Shifted
 
Scale Length: 25.5"
 
String Spacing: 2.25"
 
Nut Width: 1.75"
 
Tuners: Waverly Ivoroid Butterbean
 
Finish: Nitrocellulose Lacquer