Free guitar clinic: Alex Skolnick of Testament, live at Sound Pure on Sun, Oct 18 at 5:00 PM. Reserve a seat

Sound Pure's Take

Dangerous is a company based on the idea of pure, transparent audio. You can hear that quality in all of their pieces, from their processors to their summing units and monitor controllers. And when it comes to the Source, to put it simply, you will be incredibly hard pressed to find another D/A and monitor controller under $1k that tops the detail, transparency and connectivity of the Dangerous Source.
Like any controller worth it’s salt, the Source features a plethora of both input and output options for connecting your interface, multiple monitors, and even an iPod or other disc player via an ⅛” jack. A combo AES/SPDIF combo jack input provides the option to connect your existing interface with digital outputs in order to upgrade the quality of your monitoring D/A and hear more detail in what you’re recording and mixing. Since I do a lot of home recording in one hybrid mixing and control room, I personally enjoyed the two headphone amps conveniently located on the front panel so myself and the artist I’m recording can have easy access to headphone monitoring and level control. 
The quality of your monitoring chain is something we at Sound Pure view as one of the most important yet overlooked elements of building a quality recording system, as recording and mixing when you can’t hear every detail in your audio is like painting with scratched, tinted glasses! With it’s very fair price for the incredible quality and multiple connectivity options, Dangerous has provided the answer to removing those hazy hurdles in your monitoring chain. 

From Dangerous Music

The Portable Monitor Controller without Audio Compromise.

The Dangerous Source provides the critical link between your ears and the music. Every tracking and mixing decision hinges upon what you hear: how to locate the microphone’s sweet spot for the perfect vocal, where to place the panning to define each instrument’s space, creating the perfect marriage of kick and bass in the track…
  • Portable or Rack Installable (kit optional)

  • 2 Speaker Outputs- Can Be Engaged Simultaneously

  • Headphones Can Monitor Single or Multiple Sources

  • 2 Analog Inputs: 1/8" Mini Stereo & XLR/TRS Combo Jack

  • 2 Onboard Stereo 24-bit/192kHz D/A Converters

  • 2 Digital Inputs: AES/SPDIF and USB

  • USB IN, up to 24-bit/192kHz for Windows and Mac

Plug in two pairs of headphones and get inspired with a Dangerous caliber headphone amp.
Select any of the four sources individually or at the same time- plug your iPod into AN2 and jam along in AN1.
Listen to any combination of sources from either section.  For example, let the singer hear their own personal headphone mix from the AN2 input, while you engineer the real mix, coming from the USB input.
There’s even a line level control room output, mirroring the speaker selector for dubbing, sampling or running external meters.
Switch between two sets of speakers... or use one output for a subwoofer... or play them both at once to blow up the neighborhood.
Built for life on the road, slide the Source into your backpack and hit the streets.

Input 1 to Selected Line Out and Speakers

Frequency Response
+0, -0.5dB from <10 Hz to >80 kHz
THD+N
< 0.0025% @+4dBu
IMD (SMPTE)
< 0.0025% @ +4dBu
Crosstalk rejection
>108dB
Noise
< -93 dB, unweighted
NOTE
Speaker outs can run at -6dB (factory setting) or unity gain (remove jumpers 3 and 4)
Maximum input level
> +26 dBu

Input 2 to selected line out and Speakers

Frequency Response
+0, -0.5dB from <10 Hz to >80 kHz
THD+N
< 0.0025% @ +4dBu
IMD (SMPTE)
< 0.0026% @ +4dBu
Crosstalk rejection
> -98dB
Noise
< -90 dB, unweighted
NOTE
Input 2 can run at -10dBV or -16dBV (by setting JP1 and JP2. Remove for -10dBV)

Default factory setting is -16dBV to accommodate 1/8” headphone outputs of iPhones and cell phones

Frequency Response
+0, -0.5dB from <10Hz to >50kHz

Outputs

The meter and speakers outputs are fully balanced and 600 ohm drive capable to >+26dBu.

Volume knobs track better than +- 0.5dB from unity to -40dB.

The headphone amp can easily drive several sets of cans.

Maximum output level
> +26 dBu
Shipping weight (in carton)
7 lbs.

Digital inputs

The AES inputs lock from 32kHz to 192kHz sample rates with the following: <0.004% THD+N

0.2dB at 10 Hz and 22kHz (48kHz sample rate)

0.2dB at 10Hz and 34kHz (higher rates)

Crosstalk Rejection
>103dB
Power Supply
12 volt, 2 Amp (Part number PSU-SRC)
Optional Rack Kit
SRC (Source Rack Kit), $49.99

USB Compatibility

Mac
Requires Mac OS 10.6 or higher for driverless plug and play
PC
Requires a driver for Windows operating systems up to Windows 7. *Not currently compatible with Windows 8.

Free 3-Year Warranty

Sound Pure stands behind our products. Free three-year warranty on this item. Coverage exclusions live in Terms & Conditions, Section 27.

Level of support and expertise that simply isn't available at big-box megastores. Read the warranty →

Returns

Not eligible for Try Before You Buy or the 48-hour approval period. Standard return policy applies — see Terms & Conditions, Section 18 for details.

Sound Pure Studios Control Room A — Durham, NC

Sound Pure Studios · Durham, NC

Come hear it in our control rooms.

Sound Pure is a working studio in Durham, NC — a 1,000 sq ft live room and two pro control rooms. Book a session to audition gear in a world-class acoustic space before you buy.

$1,099