Waves Tony Maserati Signature Series  From Waves

Signature Waves bundle from Legendary Engineer/Producer Tony Maserati

Waves Digital

$399.00

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Manufacturer's Description from Waves

Black Eyed Peas. Beyoncé. Usher. John Legend.
Alicia Keys. Jason Mraz. Macy Grey. Mary J. Blige.
Rob Thomas. Sting. David Bowie. Tupac Shakur. Notorious B.I.G. Jay-Z.

They've all turned to Tony Maserati for his magic touch. Now, you can too.

When you're ready for the hit sound, get on the fast track with Maserati's custom-built high performance processing chains.

Tony Maserati on the GRP Group Processor: "The Maserati GRP plugin is meant to help that final blend jump out a bit. It’s got a nice bit of equalization involved but no effects, no shredders, none of that kind of thing. In fact, the compression that I’m using in the network there is very, very subtle, because generally I don’t do major compression over my groups. It’s meant to add a nice sheen on a great blend of background vocals or compress a drum kit together, make it really feel like it’s got some nice air to it."

Features:

  • Complete all-in-one processing chains
  • Mono and stereo components
  • Optimized control ranges
  • 24bit/96kHz resolution
  • Double precision bit resolution processing
  • Supports RTAS, Audio Suite, VST, AU
  • PC and Mac compatible

Controls:

  • Sensitivity controls input levels.
  • Sensitivity LED indicates when appropriate levels are reached.
  • Type is used to toggle between the Group types: DRUMS LIVE, DRUMS PRGM (programmed drums), GUITARS, STRINGS, KEYS, BGV (background vocals), MASTER
  • Compress controls dynamics processing.
  • Lows controls low frequency equalization.
  • Mids controls midrange frequency equalization.
  • Highs controls high frequency equalization.
  • Output controls the output level.
  • Meter Switch toggles meter monitoring between input and output modes.
  • Meter displays input or output.

Tony Maserati on the GTi Guitar Toner: "The GTi was created with all the different guitar players I've admired in mind. I tried to find settings that would be a starting place for getting their sound, from the ‘Clean’ in-your-face sound of, say, Elliott Smith to the wide chorus-y spread of The Police's Andy Summers using the 'Clean Chorus' setting. On the 'Heavy' setting, a bit of level and EQ help your already crunched guitar sound scream through any thick instrumentation you've got. ‘Thick Rhythm' lets you to subtly or substantially make your rhythm guitar sound livelier; it also works great on Wurlis and Horns. The 'Soft Flange' setting is just that; it adds interesting and subtly audible filtering to legato notes or sustained electric guitars. My intention was to make these effects usable in a wide variety of applications. The wild and crazy FX are out there; you already got 'em if you need 'em!"

 

Features:

  • Complete all-in-one processing chains
  • Selectable Insert & Send modes NEW!
  • Mono-to-stereo and stereo components
  • Optimized control ranges
  • 24bit/96kHz resolution
  • Supports RTAS, Audio Suite, VST, AU
  • PC and Mac compatible

Controls:

  • Guitar Type is used to toggle between the 5 guitar types:
    Clean, Clean Chorus, Heavy, Thick Rhythm, Soft Flange
  • Sensitivity controls input levels.
  • Sensitivity LED indicates the presence of nominal levels.
  • Output controls the output level.
  • Output 2 controls the output level.
  • Presence controls guitar presence.
  • Tame controls dynamics. (Not available in Thick Rhythm)
  • Depth controls the depth of the chorus effect. (Clean Chorus only)
  • Mix controls the amount of chorus effect. (Clean Chorus only)
  • Insert/Send Switch toggles between Insert and Send modes.
    (Thick Rhythm and Soft Flange Types only) NEW!
  • FX controls the amount of signal sent to the effect.
    (Thick Rhythm and Soft Flange only)
  • Width controls the width of the stereo effect.
    (Thick Rhythm and Soft Flange only)
  • Delay controls the delay time. (Thick Rhythm only)
  • Vibro controls the depth of the vibrato effect. (Thick Rhythm only)
  • Chorus toggles the chorus on or off. (Thick Rhythm only)
  • Press controls the dynamics of the signal sent to the effect.
    (Soft Flange only)
  • Range controls the frequency range of the flanger effect.
    (Soft Flange only)
  • Rate controls the rate/speed of the flanger effect. (Soft Flange only)
  • Meter displays input or output.
  • Meter Switch toggles meter monitoring between input and output modes.

Tony Maserati on the VX1 Vocal Enhancer: "The VX1 is a compact package for full vocal control, whether you need to squeeze the most emotion out subtle performance or engulf it in a room with a full band production. This plugin has all the processing you need for Vocals. 

 

Contour 1 will give you a studio or small venue room; Contour 2 is a larger chamber with reflective pre-delays, most suited for slow ballads; and Contour 3 is set up for quicker tempo songs with a very small room and matching pre-delay."

 

 

Features:

  • Complete all-in-one processing chains
  • Selectable Insert & Send modes NEW!
  • Mono-to-stereo and stereo components
  • Optimized control ranges
  • 24bit/96kHz resolution
  • Supports RTAS, Audio Suite, VST, AU
  • PC and Mac compatible

Controls:

  • Sensitivity controls input levels.
  • Sensitivity LED indicates the presence of proper levels.
  • Type is used to toggle between the 3 vocal Contour types.
  • Insert/Send Switch toggles between Insert & Send modes. NEW!
  • Bass controls low frequencies.
  • Treble controls high frequencies.
  • Output controls the output level.
  • Compress controls the amount of compression applied to the signal. (Contours 1 & 2 only)
  • Air adds “air” to the sound. (Contour 3 only)
  • FX controls the amount of signal sent to the effect.
  • DLY controls the audible delay time.
  • DLY Mix controls the amount of audible delay.
  • Decay controls the audible decay speed of the reverb.
  • VRB Tone controls the tone of the reverb.
  • Meter displays input or output.
  • Meter Switch toggles meter monitoring between input and output modes.

Tony Maserati on the DRM Drum Slammer: "The DRM was designed to help the excitement of percussive transients get heard through mixes which are thick with instrumentation and vocals. Whether on programmed or live drums, DRM is a great starting point for your mix."

 

 

Features:

  • Complete all-in-one processing chains
  • Mono and stereo components
  • Optimized control ranges
  • 24bit/96kHz resolution
  • Double precision bit resolution processing
  • Supports RTAS, Audio Suite, VST, AU
  • PC and Mac compatible

Controls:

  • Type toggles between the 7 drum types (BD, SNR Top, SNR Bottom, HH, Toms, OH, Room)
  • Sensitivity controls nominal input levels.
  • Thump controls low frequencies.
  • Snap controls the “snap” effect of the drum.
  • Treble controls the high frequencies.
  • Output controls the output level.
  • Meter Switch toggles between the input and output monitors.

Tony Maserati on the HMX Harmonics Generator: "In 'Modal' mode, the HMX will make your piano wide, with just the right amount of chorus effect, to give it life on a vocal demo, or raise your Wurlitzer’s presence, for some ethereal magic. 'Bounce' mode will add a bit of reverb and delay, to create energy and movement for a sensitive ballad or live-ness to a funky full-band setting."

 

 

Features:

  • Complete all-in-one processing chains
  • Mono-to-stereo and stereo components
  • Optimized control ranges
  • 24bit/96kHz resolution
  • Supports RTAS, Audio Suite, VST, AU
  • PC and Mac compatible

Controls:

Modal

  • Type toggles between the 2 effect types.
  • Sensitivity controls nominal input levels.
  • Size controls the perceived size of the effect.
  • Amount controls the amount of reverb.
  • Spread controls the stereo spread of the effect.
  • Output controls the output level.
  • Meter Switch toggles between the input and output monitors.

Bounce

  • Type toggles between the 2 effect types.
  • Presence controls the presence/tone of the effect (does not affect input signal).
  • Size controls the perceived size of the effect.
  • DLY Mix controls the audible delay level.
  • Tempo sets the BPM of the delay to a specific tempo.
  • Tempo Sync enables auto synchronization to session tempo.
  • FX controls the amount of signal sent to the effect.
  • Wet controls the amount of effect.
  • Output controls the output level.
  • Meter Switch toggles between the input and output monitors.

Tony Maserati on the B72 Bass Phattener: "The B72 actually has two distinct starting places. I've worked on a large variety of music for my artists, and there's never just one sound or one preset. Try the 'DI' setting on your electric or acoustic bass and you'll see how you can enhance the roundness, while keeping it lively throughout the song. The 'Synth' setting opens up a different door, with thickness, stereo spread, and harmonic flavor. It’ll fill the speakers like an old Prophet."

 

 

Features:

  • Complete all-in-one processing chains
  • Selectable Insert & Send modes NEW!
  • Mono, mono-to-stereo, and stereo components
  • Optimized control ranges
  • 24bit/96kHz resolution
  • Supports RTAS, Audio Suite, VST, AU
  • PC and Mac compatible

Controls:

  • Type toggles between the 2 bass types: DI, Synth
  • Sensitivity controls input levels.
  • Sensitivity LED indicates the presence of proper levels.
  • Bass controls low frequencies.
  • Treble controls high frequencies.
  • Output controls the output level.
  • Insert/Send Switch toggles between two modes Insert and Send modes. (Synth Type only) NEW!
  • FX controls the amount of signal sent to the effect. (Synth Type only)
  • Tone controls the “buzziness” of the effect. (Synth Type only)
  • FX Out controls the output level of the Effect path. (Synth Type only)
  • Meter Switch toggles meter monitoring between input and output modes.
  • Meter displays input or output.

Tony Maserati on the ACG Acoustic Guitar Designer:"The ACG is a comprehensive tool to help gain ultimate control and energy boost from a variety of acoustic guitar types. The ‘ACG 1’ setting allows you to maximize level and sculpt your top and bottom. ‘ACG 2’ setting has more built-in compression for bringing out the subtleties in a live performance. Both have appropriate room settings available to be dialed in at varying levels."

 

 

Features:

  • Complete all-in-one processing chains
  • Selectable Insert & Send modes NEW!
  • Mono-to-stereo and stereo components
  • Optimized control ranges
  • 24bit/96kHz resolution
  • Supports RTAS, Audio Suite, VST, AU
  • PC and Mac compatible

Controls:

  • ACG Type is used to toggle between the 2 effect types.
  • Sensitivity controls input levels
  • Sensitivity LED indicates the presence of proper levels.
  • Insert/Send Switch toggles between Insert & Send modes. NEW!
  • Punch controls the “punchiness” of the signal.
  • Mid offers control over the midrange.
  • Hi offers control over the high frequency range.
  • FX controls the amount of signal sent to the effect .
  • Excite adds dynamic excitement to the effect.
  • Dry/Wet controls the amount of reverb.
  • Pre-Delay controls the pre-delay of the effect.
  • Output controls the output level.
  • Meter Switch toggles meter monitoring between input and output modes.
  • Meter displays input or output.

 

If you're interested in any Waves single plug-in, contact us directly for pricing and further information.

Waves Digital

About Manufacturer

Waves is the leading provider of DSP solutions for audio professionals in content creation and MaxxTM audio signal processing solutions for consumer electronics. Waves award-winning audio processor plug-ins are the technology and market share leader for thousands of audio professionals in content creation. These plug-ins utilize Waves proprietary DSP algorithms based on Waves psychoacoustic expertise. Waves' Maxx technology dramatically enhances audio performance in consumer applications and has been licensed to several leading audio companies including Microsoft, Motorola, Samsung and Sanyo.Yamaha also purchased a minority position in Waves in 2000. The Waves mission is to develop and provide solutions that enables unparalleled sonic quality for all audio applications.

Specifications

System Requirements (Mac)

CPU
Core Duo 2.3Ghz

RAM
4 GB

Operating System
10.7 - 10.9.1

Screen Resolution
1024x768


System Requirements (Windows)

CPU
Intel Core 2 Duo 2GHz | AMD Athlon 64 or equivalent

RAM
4 GB

Operating System
Windows 7 | Windows 8

Screen Resolution
1024x768 32-bit


Supported Hosts (Mac)

Pro Tools 11.0.1 - 11.1 (AAX Native 64-bit, Audiosuite)
Pro Tools 9.0.5 - 10.3.8 (SoundGrid/TDM, RTAS, Audiosuite)
Logic Pro 9.1.3 - 10.0.6 (Audio Units)
Digital Performer 8.0 - 8.0.5 (Audio Units)
Ableton Live 8.2.1 - 9.1 (VST)
Nuendo 5.1.0 - 6.0.6 (VST3)
Cubase 6.0.3 - 7.5 (VST3)
WaveLab 8.0.3 (VST3)
Main Stage 2.1.3 - 3.0.2 (Audio Units)
Garage Band 6.0.3 - 7.0 (Audio Units)
Final Cut Pro X 10.0 - 10.1 (Audio Units)
Wave Burner 1.6.0 - 1.6.1 (Audio Units)
Soundtrack Pro 3.0.1 (Audio Units)
Studio One 2.0 - 2.6.2 (VST3)
Media Composer 7.0.3 (RTAS)
Sound Forge Pro 1.0 (Audio Units)


Supported Hosts (Windows)

Pro Tools 11.0.1 - 11.1 (AAX Native 64-bit, Audiosuite)
Pro Tools 9.0.5 - 10.3.8 (SoundGrid/TDM, RTAS, Audiosuite)
Ableton Live 8.2.1 - 9.1 (VST)
Nuendo 5.1.0 - 6.0.6 (VST3)
Cubase 6.0.3 - 7.5 (VST3)
WaveLab 7.2.1.600 - 8.0.3 (VST3)
Sonar X2 (VST), X3c (VST3)
Sound Forge 10.0c - 10.0e (VST)
Vegas 11 - 12 (VST)
Acid 7.0e (VST)
Audition CS5.5 (VST), CS6 (VST3)
Samplitude ProX (VST)
Sequoia 12 (VST)
Pyramix 7.1.10, 8.0.11 (VST)
Studio One 2.0 - 2.6.2 (VST3)
Media Composer 6.5 - 7.0.3 (RTAS)