Waves Kramer Signature Collection  From Waves

Eddie Kramer Signature Bundle from Waves!!!  

Waves Digital

$399.00

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WAVES demo of the Eddie Kramer Artist Series plug-ins

Michael from WAVES show you how to take your mix to the next level with the Eddie Kramer Artist Series!

  • Signal Chain
    • Waves Kramer Signature Collection

Manufacturer's Description from Waves

 When The Beatles recorded "All You Need Is Love", the man behind the board was Eddie Kramer.

When Jimi Hendrix recorded "Purple Haze", the man behind the board was Eddie Kramer.

When Led Zeppelin recorded "Whole Lotta Love", the man behind the board was Eddie Kramer.

When you're ready to make some music history of your own, get Eddie Kramer behind the board.

Eddie Kramer on the Vocal Channel: "When mixing, there’s always a fight going on between the vocal and the rest of the track. For me, what makes a good mix is when all the elements combine seamlessly, complimenting one other. When we designed the Vocal Channel plugin, we did it in such a way that the user can position the vocals within the mix, and then blend it back into the track, without it popping out, in such a way that it retains all its original clarity and presence."

Vocal Channel features 2 flavors:

  • Vocals 1, designed for classic rock vocals with a lot of dynamic range and intensity.
  • Vocals 2, for gentler vocal performances that stay at smoother, steadier levels.

 

Eddie Kramer on the Drum Channel: "The Drum Channel plugin really captures the essence of my drum sounds. Whether you’re trying to achieve a huge Zep-like sound with loads of atmosphere, or are going for something more dry and down-to-earth like the Stones, or need a heavily-compressed, squashed, Hendrix-type sound, this is the plugin that will get you there, quickly and easily. Since there are individual modes for bass drums, snares, and so on, you can really mix things up by creating your own hybrid drum kits, using your favorite elements from each."

 

Eddie Kramer on the Bass Channel: "The idea behind the Eddie Kramer Bass Channel was to create a fat bass sound with a lot of presence, that cuts through without being overbearing. In general, the low-mid frequencies are accentuated, so it really pops on radio mixes. That way, you can always hear it clearly, even at low volumes on small speakers. The Bass Channel comes in two flavors: Bass1, which is less compressed, for a more dynamic sound that has room to breathe, and Bass2, a more aggressive sound with increased compression."

 

Eddie Kramer on the Guitar Channel: "The Guitar Channel plugin features settings for lead guitars and two types of rhythm guitars.

When it comes to lead guitar, I want it to become a living, breathing organism, creating a palpable sense of excitement within in the mix. By combining the right amounts of EQ, compression, delay, reverb, and a touch of flange, these 5 elements, working together, make it come alive.

For rhythm guitar, I try to get it “in your face” as much as possible, without over-processing the sound with EQ. By adjusting the amount of compression, and not overdoing the amount of space, I make sure that the guitar stays up front, where it belongs."

Eddie Kramer on the Effects Channel: "For the Effects Channel plugin, I set out to recreate some of the basic elements that I use whenever I’m painting a sonic picture. Over the years, these elements have evolved to suit a variety of sources and styles, from whispering vocals to screaming guitars and beyond.

  • H-Slap is a shorter delay that emulates tape at 15 inches per second, with some EMT plate reverb at a medium setting.
  • Z-Slap is a longer delay (7 ½ inches per second) with a bit of feedback and a longer setting on the EMT plate.

 

Between the two, you’ll easily find the ideal setting for almost anything you can throw at it."

Eddie Kramer on the Vocal Channel: "When mixing, there’s always a fight going on between the vocal and the rest of the track. For me, what makes a good mix is when all the elements combine seamlessly, complimenting one other. When we designed the Vocal Channel plugin, we did it in such a way that the user can position the vocals within the mix, and then blend it back into the track, without it popping out, in such a way that it retains all its original clarity and presence."

Vocal Channel features 2 flavors:

  • Vocals 1, designed for classic rock vocals with a lot of dynamic range and intensity.
  • Vocals 2, for gentler vocal performances that stay at smoother, steadier levels.

Features:

  • Complete all-in-one processing chains
  • Mono-to-stereo and stereo components
  • Optimized control ranges
  • 24bit/96kHz resolution
  • Supports RTAS, Audio Suite, VST, AU
  • PC and Mac compatible
Controls:
  • Type toggles between the 2 vocal types: Vocal 1, Vocal 2
  • Sensitivity controls input levels.
  • Sensitivity LED indicates the presence of proper levels.
  • Bass controls low frequencies.
  • Treble controls high frequencies.
  • Compress controls amount of compression applied to the signal.
  • Output controls the output level.
  • FX controls the amount of signal sent to the effect.
  • Dly sets the delay time. (Vocal 1 only)
  • Dly Mix controls the amount of audible delay. (Vocal 1 only)
  • Verb Mix controls the relative level of the reverb.
  • Meter Switch toggles meter monitoring between input and output modes.
  • Meter displays input or output.
Eddie Kramer on the Bass Channel: "The idea behind the Eddie Kramer Bass Channel was to create a fat bass sound with a lot of presence, that cuts through without being overbearing. In general, the low-mid frequencies are accentuated, so it really pops on radio mixes. That way, you can always hear it clearly, even at low volumes on small speakers. The Bass Channel comes in two flavors: Bass1, which is less compressed, for a more dynamic sound that has room to breathe, and Bass2, a more aggressive sound with increased compression."
 
 
Features:
  • Complete all-in-one processing chains
  • Mono and stereo components
  • Optimized control ranges
  • 24bit/96kHz resolution
  • Supports RTAS, Audio Suite, VST, AU
  • PC and Mac compatible
 
Controls:
  • Type toggles between the 2 bass types: Bass1, Bass2.
  • Sensitivity controls input levels.
  • Sensitivity LED indicates the presence of proper levels.
  • Bass controls low frequencies.
  • Treble controls high frequencies.
  • Compress controls the compressor intensity.
  • Output controls the output level.
  • Meter Switch toggles meter monitoring between input and output modes.
  • Meter displays input or output.
Eddie Kramer on the Guitar Channel:"The Guitar Channel plugin features settings for lead guitars and two types of rhythm guitars.

When it comes to lead guitar, I want it to become a living, breathing organism, creating a palpable sense of excitement within in the mix. By combining the right amounts of EQ, compression, delay, reverb, and a touch of flange, these 5 elements, working together, make it come alive.

For rhythm guitar, I try to get it “in your face” as much as possible, without over-processing the sound with EQ. By adjusting the amount of compression, and not overdoing the amount of space, I make sure that the guitar stays up front, where it belongs."

 
Features:
  • Complete all-in-one processing chains
  • Mono-to-stereo and stereo components
  • Optimized control ranges
  • 24bit/96kHz resolution
  • Supports RTAS, Audio Suite, VST, AU
  • PC and Mac compatible
Controls:
  • Guitar TypeType toggles between the 3 guitar types: Rhythm 1, Rhythm 2, Lead
  • Sensitivity controls input levels.
  • Sensitivity LED indicates the presence of proper levels.
  • Compress controls guitar dynamics.
  • Treble controls high frequency range.
  • Mid controls midrange frequencies.
  • Output controls the output level.
  • FX controls the effects send gain.
  • Depth controls the flange effect depth.
  • Flange Mix controls flange effect mix. (Lead only)
  • Verb Mix controls the relative level of the reverb.
  • Dly sets the delay time.
  • Dly Mix controls the amount of audible delay.
  • Meter Switch toggles meter monitoring between input and output modes.
  • Meter displays input or output.
Eddie Kramer on the Drum Channel: "The Drum Channel plugin really captures the essence of my drum sounds. Whether you’re trying to achieve a huge Zep-like sound with loads of atmosphere, or are going for something more dry and down-to-earth like the Stones, or need a heavily-compressed, squashed, Hendrix-type sound, this is the plugin that will get you there, quickly and easily. Since there are individual modes for bass drums, snares, and so on, you can really mix things up by creating your own hybrid drum kits, using your favorite elements from each."
 
Eddie Kramer Drum Channel
 
Features:
  • Complete all-in-one processing chains
  • Mono and stereo components
  • Optimized control ranges
  • 24bit/96kHz resolution
  • Supports RTAS, Audio Suite, VST, AU
  • PC and Mac compatible
Controls:
  • Type toggles between the 6 drum types: BD, SNR, HH, Toms, OH, Room.
  • Sensitivity controls input levels.
  • Sensitivity LED indicates the presence of proper levels.
  • Compress controls dynamics.
  • Gate controls the gate threshold (available in BD only).
  • Treble controls high frequencies.
  • Bass controls low frequencies.
  • FX controls the effects send gain.
  • Output controls the output level.
  • Meter Switch toggles meter monitoring between input and output modes.
  • Meter displays input or output.
Eddie Kramer on the Effects Channel: "For the Effects Channel plugin, I set out to recreate some of the basic elements that I use whenever I’m painting a sonic picture. Over the years, these elements have evolved to suit a variety of sources and styles, from whispering vocals to screaming guitars and beyond.
  • H-Slap is a shorter delay that emulates tape at 15 inches per second, with some EMT plate reverb at a medium setting.
  • Z-Slap is a longer delay (7 ½ inches per second) with a bit of feedback and a longer setting on the EMT plate.

Between the two, you’ll easily find the ideal setting for almost anything you can throw at it."

Eddie Kramer Effects Channel
 
Features:
  • Complete all-in-one processing chains
  • Mono-to-stereo and stereo components
  • Optimized control ranges
  • 24bit/96kHz resolution
  • Supports RTAS, Audio Suite, VST, AU
  • PC and Mac compatible
Controls:
 
  • Type toggles between the 2 effect types: H-Slap, Z-Slap.
  • Sensitivity controls input levels.
  • Sensitivity LED indicates the presence of proper levels.
  • Dly controls the time of the slap delay.
  • Dly Mix controls the mix or direct send to the slap delay.
  • Size controls the size and time of the reverb effect.
  • Brightness controls the High Frequency range of the reverb effect.
  • Verb Mix controls the amount of reverb mixed with the signal.
  • Output controls the output level.
  • Meter Switch toggles meter monitoring between input and output modes.
  • Meter displays input or output.

 

If you're interested in any Waves single plug-in, contact us directly for pricing and further information.

Waves Digital

About Manufacturer

Waves is the leading provider of DSP solutions for audio professionals in content creation and MaxxTM audio signal processing solutions for consumer electronics. Waves award-winning audio processor plug-ins are the technology and market share leader for thousands of audio professionals in content creation. These plug-ins utilize Waves proprietary DSP algorithms based on Waves psychoacoustic expertise. Waves' Maxx technology dramatically enhances audio performance in consumer applications and has been licensed to several leading audio companies including Microsoft, Motorola, Samsung and Sanyo.Yamaha also purchased a minority position in Waves in 2000. The Waves mission is to develop and provide solutions that enables unparalleled sonic quality for all audio applications.

Specifications

System Requirements (Mac)

CPU
Core Duo 2.3Ghz

RAM
4 GB

Operating System
10.7 - 10.9.1

Screen Resolution
1024x768


System Requirements (Windows)

CPU
Intel Core 2 Duo 2GHz | AMD Athlon 64 or equivalent

RAM
4 GB

Operating System
Windows 7 | Windows 8

Screen Resolution
1024x768 32-bit


Supported Hosts (Mac)

Pro Tools 11.0.1 - 11.1 (AAX Native 64-bit, Audiosuite)
Pro Tools 9.0.5 - 10.3.8 (SoundGrid/TDM, RTAS, Audiosuite)
Logic Pro 9.1.3 - 10.0.6 (Audio Units)
Digital Performer 8.0 - 8.0.5 (Audio Units)
Ableton Live 8.2.1 - 9.1 (VST)
Nuendo 5.1.0 - 6.0.6 (VST3)
Cubase 6.0.3 - 7.5 (VST3)
WaveLab 8.0.3 (VST3)
Main Stage 2.1.3 - 3.0.2 (Audio Units)
Garage Band 6.0.3 - 7.0 (Audio Units)
Final Cut Pro X 10.0 - 10.1 (Audio Units)
Wave Burner 1.6.0 - 1.6.1 (Audio Units)
Soundtrack Pro 3.0.1 (Audio Units)
Studio One 2.0 - 2.6.2 (VST3)
Media Composer 7.0.3 (RTAS)
Sound Forge Pro 1.0 (Audio Units)


Supported Hosts (Windows)

Pro Tools 11.0.1 - 11.1 (AAX Native 64-bit, Audiosuite)
Pro Tools 9.0.5 - 10.3.8 (SoundGrid/TDM, RTAS, Audiosuite)
Ableton Live 8.2.1 - 9.1 (VST)
Nuendo 5.1.0 - 6.0.6 (VST3)
Cubase 6.0.3 - 7.5 (VST3)
WaveLab 7.2.1.600 - 8.0.3 (VST3)
Sonar X2 (VST), X3c (VST3)
Sound Forge 10.0c - 10.0e (VST)
Vegas 11 - 12 (VST)
Acid 7.0e (VST)
Audition CS5.5 (VST), CS6 (VST3)
Samplitude ProX (VST)
Sequoia 12 (VST)
Pyramix 7.1.10, 8.0.11 (VST)
Studio One 2.0 - 2.6.2 (VST3)
Media Composer 6.5 - 7.0.3 (RTAS)