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Great clarity and plenty o' bark from this classic circuit! The 5F1 Champ is alive and well!
See something you like? This item is gone, but not forever. It can be special ordered, and even customized!
We can get it fast!
Because of our special relationship with Victoria we can get this as fast, or faster than anyone in the industry. In some cases, we even have preferred build slots we can offer you.
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INCREDIBLE re-creation to the original. I am seriously shocked and immensely pleased by the pure tone that this little amp provides. I expected quick break-up, but did not expect full bass quality and the unbeleivable touch-sensativity that this lil guy offers! It sounds way bigger that it looks.
Essential amp for any studio and will sound KILLER mic'ed up at a gig. The total classic comes back to life in this reliable hand-wired and ultra-portable tweed package.
Call or Email SoundPure to find out if this is the tone you've been missing! I think it is
-Ross
ross@soundpure.com
Wattage: 5 Watts
5F1-type circuit. Single ended operation.Cathode bias design.Tube complement:1-5Y3WGTA, 1-6V6GT, 1-12AX7
1-Jensen P8R or C8R speaker. Cabinet Dimensions (HxWxD, Inches) 13.5 x 14.5 x 9
The 518 is our tribute to the 5F1 Champ, and after 40 years, this little gem continues to delight players. Aside from being an outstanding practice and studio amp, the Victoria 518 is a perfect choice for club dates when paired with an efficient external speaker cabinet. Did you know that the original '50's Champ has been a mainstay of many of the Stones recorded tracks for decades? Have you heard of Layla? Eric is Derek, y'all! The Victoria 518 is our most affordable amplifier, but like all Victoria amps, it is still built with the finest Allen Bradley resistors and Victoria capacitors. Also available with a 12" speaker in a larger cabinet - see our model 5112.
In 1993, I set out to faithfully recreate the crown jewels among the many classic amplifiers developed by Leo Fender. The tweed amps of the late 50's defined the sound of rock and blues on vinyl and on stage, but they had also become increasingly scarce, and well beyond the reach of most working musicians.