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Rackmount 16 x 22 Thunderbolt audio interface with eight Unison mic preamps, elite-class Apollo X Gen 2 audio conversion, Auto-Gain, Apollo Monitor Correction, up to 7.1 surround sound with Bass Management, HEXA core DSP plug-in processing, and premium software suite for Mac or Windows.
Special ends:
$3,799.00
Record big sessions with authentic analog sound.
UA’s next generation of Apollo x8p interfaces is here, for producers and engineers who need highest-resolution audio conversion, eight Unison™ mic preamps, and HEXA Core DSP processing for recording and mixing large sessions with world-class UAD plug-ins from Auto-Tune, Neve, Manley, Avalon, SSL, and hundreds more.
Used by top producers and engineers around the globe, Apollo x8p is the world’s most trusted audio interface for professional audio production, putting timeless sound and legendary UA craftsmanship right in your rack.
Key Benefits
Hear next generation audio conversion with the widest dynamic range and lowest distortion of any Apollo
Experience authentic analog sound with UnisonTM preamps, letting you record in realtime through gear from Neve, API, Avalon, Fender, and more
Access the full library of 200+ UAD DSP and Native plug-ins, including award-winning titles like Capitol Chambers, Sound City Studios, EL8 Distressor, and more
Mix with confidence in any room or through headphones using Apollo Monitor Correction powered by Sonarworks®*
Use Auto-Gain to set your levels across multiple inputs in seconds and never miss the take
Hear all the low-end detail in your mixes using bass management to add a subwoofer to your monitor setup
Quickly set up low-latency cues, plug-in scenes, and immersive audio monitoring with the UAD Console app
Get thousands of dollars in award-winning UAD plug-in titles from Auto-Tune, Fairchild, Teletronix, and more with a choice of Essentials+ or Studio+ Editions
Add the World’s Most Trusted Interface to Your Rack
Universal Audio built Apollo x8p for pro engineers and producers who need highest-quality audio and expanded analog inputs for larger sessions. With its award-winning Apollo X sound — now with unprecedented dynamic range and enhanced D/A monitoring — Apollo x8p puts authentic analog sound right in your rack.
Record Through Eight Unison Preamps
With Unison™ technology, Apollo x8p lets you track in realtime with the sound of classic preamps and channel strips from Neve, Manley, API, and dozens more, giving you the same rich analog textures used on the greatest recordings of our time.
Unlock Authentic Analog Sounds
Right out of the box, Apollo x8p gives you the tools used by the world’s best engineers. Along with included Teletronix LA-2A compressors, Pultec EQs, and amps from Marshall and Ampeg — you can tap into the entire library of over 200 UAD plug-ins and unlock proven hit-making sounds like Ocean Way Studios, Capitol Chambers, and many more.
Hear the Details Like Never Before
Now in its Gen 2 design, Apollo x8p features UA’s highest-resolution D/A converters ever paired with Apollo Monitor Correction powered by Sonarworks.® This means that when you playback your audio through monitors or headphones, you’ll not only hear the most pristine representation of your recordings, there will be no surprises when you listen to your final mix or master.
Find Your Flow in the UAD Console App
Just like an analog studio, where the console is the heart of the workflow, Apollo x8p has a powerful digital mixing engine where you can control plug-in routing and monitoring. And with the latest features like Auto-Gain, Bass Management, 7.1 Surround Sound and Plug-In Scenes, it’s easy to find a flow that fits your needs.
A Hybrid System, Made for Your Mission
Combine Apollo x8p’s HEXA Core DSP with native processing from your host computer to produce large sessions with complex plug-in chains — a powerhouse hybrid workflow that outpaces any native-only recording setup.
Expand Your Studio as You Grow
Build your studio by linking up to four Thunderbolt Apollo interfaces with up to 128 channels of premium I/O to your DAW, and control it all from your desktop using Apollo Twin or x4. So no matter how far your music takes you, an Apollo will always be in reach.**
Key Features
16 x 22 Thunderbolt audio interface with HEXA Core DSP plug-in processing
Eight UnisonTM mic preamps, two Hi-Z instrument inputs, DB-25 input (line 1-8), two optical Toslink I/O (ADAT S/MUX or S/PDIF), word clock I/O (BNC)
Two 1/4" monitor outs, DB-25 output (ALT / 7.1 surround), two 1/4" TRS headphone outs
Elite-class Apollo X Gen 2 converters with 24-bit / 192 kHz resolution featuring Dual-Crystal Clocking for ultra-low jitter at all sample rates
Enhanced D/A for critical monitoring and playback with 130 dB dynamic range and astonishingly low THD of -127 dB
Calibrate your main monitor and headphone outputs with Apollo Monitor Correction powered by Sonarworks®*
Fully-featured monitor controller with alternate speaker switching and integrated talkback for easy communication with talent
Updated UAD Console app featuring Auto-Gain, Plug-In Scenes, subwoofer integration with Bass Management, immersive audio support, and more
Onboard DSP supports over 200 UAD plug-ins via VST, AU, and AAX 64 formats in all major DAWs
Includes up to 50+ UAD plug-ins with Essentials+ or Studio+ Editions
Compatible with LUNA, Logic Pro, Pro Tools, Cubase, Ableton Live, and more**
Expandable with Thunderbolt Apollo interfaces or select models over Dante
Free industry-leading technical support from knowledgeable audio engineers
*Requires Apollo Monitor Correction Add-on and SoundID Reference licenses, available from sonarworks.com
**For full compatibility information, refer to help.uaudio.com
Included Plug-Ins in Studio+ Edition
Channel Strips & Preamps (9)
Avalon VT-737sp Channel Strip
Century Tube Channel Strip
CS-1 Channel Strip
Helios Type 69 Preamp & EQ
Manley Reference Microphone Preamp
Precision Channel Strip
UA 610-A Preamp & EQ
UA 610-B Preamp & EQ
V76 Preamplifier
Compressors / Limiters (17)
dbx 160 Compressor / Limiter
Empirical Labs Distressor
Fairchild 670 Legacy
Fairchild 660 Compressor
Fairchild 670 Compressor
Teletronix LA-2 Classic Leveler
Teletronix LA-2A Gray Classic Leveler
Teletronix LA-2A Silver Classic Leveler
Teletronix LA-2A Legacy Leveling Amplifier
Teletronix LA-3A Classic Audio Leveler
UA 1176 Rev A Classic Limiter
UA 1176AE Classic Limiter
UA 1176LN Rev E Classic Limiter
UA 1176LN Legacy
UA 1176SE Legacy
UA 175B Classic Limiter
UA 176 Classic Limiter
Equalizers (6)
Helios Type 69 Legacy EQ
Pultec EQP-1A Legacy EQ
Pultec EQP-1A Passive EQ
Pultec HLF-3C Passive EQ
Pultec MEQ-5 Passive EQ
Pultec Pro Legacy EQ
Special Processing (7)
Auto-Tune Realtime Access
Auto-Tune Realtime Advanced
Auto-Tune Realtime X
Oxide Tape Recorder
Precision Enhancer Hz
Studer A800 Multichannel Tape Recorder
Verve Analog Machines Essentials
Instruments (6)
Electra 88 Vintage Keyboard Studio
Moog Minimoog
Opal Morphing Synth
PolyMAX Polyphonic Synth
Ravel Grand Piano
Waterfall B3 Organ
Delay & Modulation (6)
Brigade Chorus Pedal
Galaxy Tape Echo
Precision Delay Mod
Precision Delay Mod L
Studio D Chorus
Waterfall Rotary Speaker
Reverbs & Rooms (4)
Lexicon 224 Digital Reverb
Precision Reflection Engine
Pure Plate Reverb
RealVerb Pro Custom Room Modeler
Guitar & Bass (3)
Ampeg SVT-VR Classic Bass Amplifier
Marshall Plexi Classic Amplifier
Raw Distortion
Universal Audio Inc. was re-founded in 1999 by Bill's sons, James Putnam and Bill Putnam Jr., with two main goals: to faithfully reproduce classic analog recording equipment in the tradition of their father, and to design new digital recording tools with the sound and spirit of vintage analog technology. However, as Bill Jr. recounts, the genesis of "UA, part 2" is actually a bit more serendipitous.
Having grown up in the music industry, Bill Jr. and James ("Jim") Putnam naturally assumed that the music business is where they'd eventually end up. Jim, a touring musician and recording engineer, and their older brother Scott, a studio designer in Southern California, were the first to follow in Bill Sr.'s path. However, Bill Jr. took a more circuitous direction, working for a number of engineering companies before undertaking a doctorate in Electrical Engineering at Stanford University. It was at Stanford that Bill Jr. became closely involved in the Center for Computer Research in Music and Acoustics (CCRMA), specializing in signal processing. It was also at Stanford that Bill Jr. began to assemble a team of the best and brightest minds in the field — who continue to steer many of Universal Audio's engineering efforts to this day.
However, the precise event that led Bill and Jim to start (or "reinvent") Universal Audio in 1999 was unexpected. As Bill Jr. tells it, when Bill Sr. passed away in 1989, he and Jim were faced with the Herculean task of cleaning out their dad's workshop and storage areas. While going through Bill Sr.'s old test equipment, boxes of parts, bits and pieces of consoles, and half-cannibalized 1176 compressors, Jim came across their father’s old design notebook. The two spent the evening poring over his notes, realizing that this was the map to every technical problem their father had ever solved. It was at that moment that they decided to bring back Universal Audio and its classic products.
Fast forward a decade. Now with nearly 80 employees and legions of new customers worldwide, UA is headquartered near the Silicon Valley, in Scotts Valley, California — where our classic analog gear is still hand-built, one unit at a time. The lengths we go to deliver the exact sound and performance of classic analog audio gear is unparalleled; in fact, the goal is for UA's modern units to perform identically to well-maintained units built decades ago.
Of course, analog is only half the story. At Universal Audio, we employ the world's brightest DSP engineers and digital modeling authorities to develop our award-winning UAD Powered Plug-Ins platform, featuring the most authentic analog emulation plug-ins in the industry. Our DSP gurus work with the original hardware manufacturers — using their exact schematics, golden units, and experienced ears — to give UAD plug-ins warmth and harmonics in all the right places, just like analog.