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Strymon Zelzah - Multidimensional Phaser Effect Pedal  From Strymon

Strymon's vintage-inspired 4 & 6 stage phasers in one wonderful box!

Strymon Pedals

$349.00

"Experience the Difference"

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Strymon Zelzah – In-Depth Tour with Sound Designer Pete Celi

In this video, Strymon co-founder and senior DSP engineer Pete Celi takes you on an in-depth tour of Strymon's latest creation: Zelzah Multidimensional Phaser.

  • Signal Chain
    • Strymon Zelzah - Multidimensional Phaser Effect Pedal

Manufacturer's Description from Strymon

Way Back Machine.

Step on Zelzah, play one chord, and you’re instantly taken back to a world of classic phaser tones as they were always meant to sound, perfectly voiced, with tons of vibe. Vintage 4-stage and 6-stage phasing with controls that allow seamless transitions to vibrato, gorgeous flanging and chorus, and new sounds never heard before—all instantly musical with great tone all the way across every dial.

Two Effects At Once.

Zelzah is actually two different phasers, side by side in one pedal. Zelzah’s 4-stage side gives you a wide array of classic tones ranging from phasing to vibrato and more, while the 6-stage side provides phasing, flanging, chorus, and all points in between. Dial in a chorus on one side and barber pole phaser on other, or a phaser on one side and tremolo on the other. Use the two sides independently or together in a variety of configurations. Zelzah may become the only modulation pedal you keep on your board.

Strymon Pedals

About Manufacturer

The Philosophy:
We want to build products with no compromises. We want to push the limits of technology in music. We want to redefine what is possible with music gear. We want to use exceptionally great components and ridiculously powerful processors. We want to make gear that sounds better than anything you've ever heard. We want to make our customers happy. We want you to be inspired to create amazing music.

The People:
We're a small company and we'd like to stay that way. We do this because we want to create gear that is fun to design and fun to play. We want to experiment and try new things. We don't want to work for the man. We don't like authority. We don't want to grow up. We want to work hard and have fun doing it.

The History:
Damage Control was founded in 2004 with the release of our line of tube-driven effects pedals, which earned critical acclaim and became favorites among guitarists across the globe. In 2009 we teamed up with Strymon to begin co-developing products, and the rest is history.

Specifications

Sound Design
  • Two independent effects that can be configured and controlled separately and used one at a time or simultaneously in series, parallel, or split configurations
  • Vintage 4-stage phaser with three phaser sweep modes: classic, barber, and envelope
  • Groundbreaking new 6-stage phaser algorithm with a continuous range from classic pure 6-stage phasing to flanging to chorus, all with adjustable resonance
  • True stereo operation means under the hood each half of the pedal has two phasers running side by side (two 4-stage and two 6-stage)  or in series, with independently adjustable stereo spread for each
  • All controls are carefully voiced to produce musically useful sounds at any setting
  • Adjustable input level switch to allow for both instrument and line level signals
  • Selectable Buffered or True Bypass
  • Full featured MIDI implementation via TRS or USB supporting MIDI CCs, MIDI clock sync, access to 300 preset locations

Ins, Outs, and Switches

  • High impedance ultra low-noise discrete Class A JFET TRS stereo input.
  • Low impedance independent TS stereo outputs.
  • Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.
  • USB jack for controlling via MIDI from a computer or for performing firmware updates.
  • Independent on/off footswitch for each phaser

Audio Quality

  • Premium JFET analog front end
  • Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality
  • 480MHz ARM Superscalar processor
  • 32-bit floating point processing
  • 20Hz to 20kHz frequency response
  • Audio Input Impedance: 1M Ohm
  • Audio Output Impedance: 100 Ohm

More

  • Strong and lightweight anodized dark purple aluminum chassis
  • 9V DC power supply included
  • Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current
  • Dimensions:
  • 4.5” deep x 4” wide x 1.75” tall
  • 11.4 cm deep x 10.2 cm wide x 4.4 cm tall
  • Designed and built in the USA