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Sequential Trigon-6 Desktop Polyphonic Analog Synth Module From Sequential
Desktop Module version of the Trigon-6: 3-Oscillator Enhanced Ladder Filter Analog Polyphonic Synthesizer
$2,499.00
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Payments as low as $56/mo.
Manufacturer's Description from Sequential
Ultimate Polyphonic Power
San Francisco, CA — Today, Sequential announced the desktop module of the powerhouse Trigon-6 polyphonic synthesizer, their modern take on a true-classic analog design. The desktop version is a compact and portable instrument that still packs in all the sound generation capabilities of its formidable keyboard sibling. It features three oscillators per voice and a ladder filter that has been updated with a dedicated drive and feedback control, making it easy to go from silky and smooth to bold and crunchy with the twist of a knob. This versatility makes Trigon-6 the perfect companion for your studio or live performance.
The desktop module is more than just a smaller version of the keyboard Trigon-6. It’s an expressive and potent instrument that delivers warm, organic, analog sound in its own right. “Desktop module designs continue to be a popular choice with our players,” said CEO David Gibbons. “We spent a little extra time on MIDI polyphonic expression capabilities as we finalized this one, in anticipation of people pairing it up with some of the awesome MPE-capable controllers on the market.
We’re looking forward to hearing what people will do with it!”
Three is a Magic Number
The Trigon-6 desktop module offers a classic three-oscillator synth architecture with an enhanced ladder filter, inspired by some of the most iconic analog synths of all time. The three oscillators provide a rich and flexible sound source, with familiar waveforms from triangle to more complex saws, and variable-width pulse. You can mix and match the oscillators to create intricate harmonics, detune them for thick chorusing effects, or sync oscillator 2 for hard-edged growls.
Meanwhile, the ladder filter completes the heart and soul of the Trigon-6, providing a smooth and musical response that can shape your sound from creamy and mellow to mangled and aggressive. The filter has a 2/4-pole switchable slope and adjustable resonance that can add a distinctive peak or even self-oscillate for screaming leads and sci-fi effects. And with Drive and Feedback engaged, get ready to melt some faces!
Greater Expression Through MPE
Now Trigon-6 lets you shape every note with MPE. MIDI Polyphonic Expression (MPE) is an extension of MIDI that allows compatible devices to control multiple parameters of individual notes within MPE-enabled synths. This provides for more expressive instrumental performances, as each note can have its own pitch bend, filter cutoff, amplitude, and other modulations. You will be able to bend, slide, vibrato, swell and morph your sounds with unprecedented feeling and subtlety.
Experience the classic 3-oscillator, ladder filter sound like never before with Trigon-6, the groundbreaking polyphonic analog synth that lets you truly perform every nuance of your music with MPE.
The Trigon-6 synthesizer is a testament to Dave Smith’s legacy and innovation. It has all the best qualities of Sequential’s acclaimed Prophet-6 and OB-6 synths — 6-voice polyphony, unrivaled playability, and easy programmability. It also features a global LFO, a polyphonic step sequencer, an arpeggiator, and a dual effect processor with chorus, ring modulation, flanger, phaser, delay, and reverb effects. Don’t miss this opportunity to get your hands on the Trigon-6 desktop module, the polyphonic power-synth that fits your studio, your music, and your life.
About Manufacturer
Sequential is helmed by legendary instrument designer and Grammy-winner Dave Smith, the original founder of Sequential Circuits in the mid-70s. Dave designed the Prophet-5, the world’s first fully-programmable polyphonic synth—and the first musical instrument with an embedded microprocessor.
Dave is generally known as the driving force behind the generation of the MIDI specification in 1981. It was Dave, in fact, who coined the acronym. In 1987 he was named a Fellow of the Audio Engineering Society (AES) for his continuing work in the area of music synthesis. After Sequential, Dave was President of DSD, Inc, an R&D division of Yamaha, where he worked on physical modeling synthesis and software synthesizer concepts. He then started the Korg R&D group in California, producing the Wavestation products and other technology.
He took over as President at Seer Systems and developed the first soft synth for Intel in 1994, followed by the first fully professional soft synth, Reality, released in 1997.
Realizing the limitations of software, Dave returned to hardware and started Dave Smith Instruments, which released the Evolver hybrid analog/digital synthesizer in 2002. Since then the Sequential product lineup has grown to include the Prophet X, Prophet Rev2, Prophet-6, OB-6, Pro 2, and Prophet 12 synthesizers, as well as the Tempest drum machine, co-designed with friend and fellow electronic instrument designer Roger Linn.
Dave is generally known as the driving force behind the generation of the MIDI specification in 1981. It was Dave, in fact, who coined the acronym. In 1987 he was named a Fellow of the Audio Engineering Society (AES) for his continuing work in the area of music synthesis. After Sequential, Dave was President of DSD, Inc, an R&D division of Yamaha, where he worked on physical modeling synthesis and software synthesizer concepts. He then started the Korg R&D group in California, producing the Wavestation products and other technology.
He took over as President at Seer Systems and developed the first soft synth for Intel in 1994, followed by the first fully professional soft synth, Reality, released in 1997.
Realizing the limitations of software, Dave returned to hardware and started Dave Smith Instruments which released the Evolver hybrid analog/digital synthesizer in 2002. Since then the DSI product lineup has grown to include the Prophet 12, Prophet ’08, Pro 2, Mopho, and Tetra synths, as well as the Tempest drum machine, co-designed with friend and fellow electronic instrument designer Roger Linn.
Specifications
OSCILLATORS
- Three discrete VCOs per voice
- Simultaneously selectable wave shapes: triangle, sawtooth, reverse sawtooth, and variable-width pulse
- Pulse width per oscillator
- Hard sync: oscillator 1 syncs to oscillator 2
- Keyboard tracking on/off (oscillator 3)
- Oscillator feedback and drive controls for increased signal saturation
- White Noise source
- Keyboard pitch tracking on/off
LOW-PASS FILTER
- Switchable two/four-pole, discrete, resonant, low-pass, ladder filter per voice
- Filter can be driven into self-oscillation with the Resonance control
- Bi-polar filter envelope amount
- Velocity modulation of envelope amount
- Keyboard tracking: off, half, full
FILTER ENVELOPE
- Four-stage (ADSR) envelope generator
- Velocity modulation of envelope amount
AMPLIFIER ENVELOPE
- Four-stage (ADSR) envelope generator
- Velocity modulation of envelope amount
LOW FREQUENCY OSCILLATOR
- Five wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold)
- LFO sync
- Initial amount
- Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 3 frequency, oscillator 1 pulse width, oscillator 2 pulse width, oscillator 3 pulse width, filter cutoff, amp (VCA)
POLY MOD
- Sources: oscillator 3 (bi-polar) and filter envelope (bi-polar)
- Destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 3 frequency, oscillator 1 pulse width, oscillator 2 pulse width, filter cutoff, feedback amount
VINTAGE KNOB
- Recreates vintage synth characteristics by adding voice-to voice variations in component behavior
AFTERTOUCH
- Source: channel (mono) aftertouch with bi-polar amount
- Destinations: Destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 3 frequency, LFO amount, amplifier envelope amount, filter envelope amount, FX mix A, FX mix B
CLOCK
- Master clock with tap tempo
- BPM control and display
- MIDI clock sync
ARPEGGIATOR
- Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note
- One, two, or three octave range
- Up, down, up/down, random, and assign modes
SEQUENCER
- Polyphonic step sequencer with up to 64 steps and rests
EFFECTS
- Stereo analog distortion
- Dual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifter, and ring modulator
- Delay sync
- True bypass maintains fully analog signal path when digital effects are off
PERFORMANCE CONTROLS
- Full-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch
- Backlit pitch and mod wheels
- Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down)
- Transpose controls for an 8-octave range
- Hold switch latches held notes on
- Polyphonic portamento
- Unison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes
- Preset switch: when on, the front panel is live — what you see is what you hear
PATCH MEMORY
- 500 user and 500 factory programs in 10 banks of 100 programs each
- Direct program access, including single-button access to the current set of 10 programs
IN/OUT
- Left/mono and right audio outputs (2 x 1/4” phone jack)
- Headphone output (stereo, 1/4” phone jack)
- MIDI in, out, and thru ports
- USB for bidirectional MIDI communication
- Filter cutoff expression pedal input
- Volume expression pedal input
- Sustain footswitch input
- Sequencer start/stop footswitch input
POWER
- IEC AC power inlet for internal power supply
- Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption
PHYSICAL SPECS
- 31.8” L x 12.7” W x 4.6″ H (80.7 cm x 32.3 cm x 11.7 cm)
- 20 lbs (9.5 kg)
- Maple end panels
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