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Sequential Take 5 Compact Poly Synth  From Sequential

Sequential's most compact and affordable poly synth yet!

Sequential

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$1,349.00

Price:  $1,499.00

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Manufacturer's Description from Sequential

Portable, Powerful, Polyphonic

The Take 5 is Sequential’s most compact, full-featured, full-throttle VCO/VCF-based poly synth ever. It’s the perfect gateway to subtractive synthesis and the creative power of Sequential’s best synths — whether you’re new to analog synths or a space-conscious pro. And since it’s portable, you can transport it from studio to stage without breaking a sweat or leaving any features or playability behind. Genuine Sequential sound and quality at a price within your reach.

Fits Anywhere You Need It

With 44-full-size keys and a total width of just 26 inches, the Take 5 fits easily into your studio or on stage. Its nearly knob-per-function control panel gives you immediate access to all of its essential sound-shaping controls. And its ingenious key-split feature gives you access to a wider playable range than other compact synths by letting you divide the 3.5 octave keyboard into two separate performance zones.

Powerful Synthesis

The five voices of the Take 5 get their distinctive sound from a combination of two analog VCOs and a sub oscillator passing through a Prophet-5-lineage 4-pole analog filter. The result is classic Sequential — smooth, warm, punchy sound that sits perfectly in a mix and cuts through clearly on stage. For even more analog-style goodness, a Vintage knob adds voice-to-voice variation for genuine vintage character. Dual Digital effects, a dedicated overdrive, continuously variable wave shaping, and front-panel access to analog FM all ensure the Take 5 can kick out modern tone just as easily as it does vintage..

Finishing Touches

The Take 5 feature set is rounded out with two LFOs (1 global, and 1 per-voice), two ADSR+delay envelopes, extensive modulation, a 64-step polyphonic sequencer, and a multimode arpeggiator. The premium Fatar keybed makes it a pleasure to play, wherever you take it.

Sequential

About Manufacturer

Sequential is helmed by legendary instrument designer and Grammy-winner Dave Smith, the original founder of Sequential Circuits in the mid-70s. Dave designed the Prophet-5, the world’s first fully-programmable polyphonic synth—and the first musical instrument with an embedded microprocessor.

Dave is generally known as the driving force behind the generation of the MIDI specification in 1981. It was Dave, in fact, who coined the acronym. In 1987 he was named a Fellow of the Audio Engineering Society (AES) for his continuing work in the area of music synthesis. After Sequential, Dave was President of DSD, Inc, an R&D division of Yamaha, where he worked on physical modeling synthesis and software synthesizer concepts. He then started the Korg R&D group in California, producing the Wavestation products and other technology.

He took over as President at Seer Systems and developed the first soft synth for Intel in 1994, followed by the first fully professional soft synth, Reality, released in 1997.

Realizing the limitations of software, Dave returned to hardware and started Dave Smith Instruments, which released the Evolver hybrid analog/digital synthesizer in 2002. Since then the Sequential product lineup has grown to include the Prophet X, Prophet Rev2, Prophet-6, OB-6, Pro 2, and Prophet 12 synthesizers, as well as the Tempest drum machine, co-designed with friend and fellow electronic instrument designer Roger Linn.

 

Dave is generally known as the driving force behind the generation of the MIDI specification in 1981. It was Dave, in fact, who coined the acronym. In 1987 he was named a Fellow of the Audio Engineering Society (AES) for his continuing work in the area of music synthesis. After Sequential, Dave was President of DSD, Inc, an R&D division of Yamaha, where he worked on physical modeling synthesis and software synthesizer concepts. He then started the Korg R&D group in California, producing the Wavestation products and other technology.

He took over as President at Seer Systems and developed the first soft synth for Intel in 1994, followed by the first fully professional soft synth, Reality, released in 1997.

Realizing the limitations of software, Dave returned to hardware and started Dave Smith Instruments which released the Evolver hybrid analog/digital synthesizer in 2002. Since then the DSI product lineup has grown to include the Prophet 12, Prophet ’08, Pro 2, Mopho, and Tetra synths, as well as the Tempest drum machine, co-designed with friend and fellow electronic instrument designer Roger Linn.

Specifications

OSCILLATORS
  • Two analog VCOs per voice
  • Continuously variable wave shape (sine, sawtooth, variable-width pulse) per oscillator
  • Hard sync: oscillator 1 syncs to oscillator 2
  • Square wave sub-octave generator (oscillator 1) per voice
  • Keyboard tracking on/off for each oscillator
  • Front-panel FM (frequency modulation)
MIXER
  • Oscillator 1 amount
  • Oscillator 1 sub-octave amount
  • Oscillator 2 amount
  • White noise/pink noise amount
LOW-PASS FILTER
  • Four-pole, resonant, low-pass filter per voice, based on Prophet-5 Rev 4 design
  • Filter can be driven into self-oscillation with the Resonance control
  • Bi-polar filter envelope amount
ENVELOPES
  • Two 5-stage envelope generators (ADSR + delay) with variable routing (filter, amplifier, auxiliary)
  • Velocity modulation of each envelope amount
  • Envelopes freely assignable to multiple modulation destinations
LOW FREQUENCY OSCILLATOR
  • Five wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)
  • Clock sync (internal or external MIDI clock)
  • Freely assignable to multiple modulation destinations
DIGITAL EFFECTS
  • One dedicated reverb with damping, pre-delay, decay and tone
  • One multi-effect with stereo delay, BBD delay, tape delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter
  • Dedicated Overdrive effect
VINTAGE KNOB
  • Recreates the characteristics of vintage synthesizers by introducing parameter variations from voice to voice.
AFTERTOUCH
  • Source: channel (mono) aftertouch with bi-polar amount
  • Aftertouch freely assignable to multiple modulation destinations
CLOCK
  • Master clock with tap tempo
  • BPM control and display
  • MIDI clock sync
ARPEGGIATOR
  • Up, down, up+down, random, assign modes
  • Syncs to MIDI clock
  • Re-latching arpeggiation
SEQUENCER
  • Polyphonic step sequencer with up to 64 steps with ties and rests
PERFORMANCE CONTROLS
  • Full-sized, semi-weighted, 3.5-octave premium Fatar keyboard with velocity and aftertouch
  • Spring-loaded pitch wheel with selectable range per program with independently adjustable upper and lower pitch wheel range transpose controls
  • Low-split mode creates two independent performance zones with different octave ranges
  • Hold switch latches held notes on
  • Polyphonic glide (portamento)
  • Unison (monophonic) mode with configurable voice count, from one to all five voices, and key modes
  • Factory switch: when off, the front panel is live; what you see is what you hear
PATCH MEMORY
  • 128 user and 128 factory
IN/OUT
  • 1 MIDI In, 1 MIDI Out, and 1 MIDI Thru port
  • USB port for bidirectional MIDI communication
  • 1 Sustain/footswitch input
  • 1 Expression pedal input
  • Main stereo output (2 x 1/4″ phone jack)
  • Headphone out (stereo 1/4″ phone jack)
POWER
  • IEC AC power inlet for internal power supply
  • Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 14 watts maximum power consumption
PHYSICAL SPECS
  • Premium, 3.5-octave, semi-weighted Fatar keyboard
  • 25″ L x 12.75″ W x 4.4″ H (63.5 cm x 32.4 cm x 11.2 cm)
  • Weight: 17 lbs (7.7 kg)