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Primacoustic GoTrap Studio Gobo and Bass Trap  From Primacoustic

Acoustic treatment to control spill between instruments and absorb bass.

Primacoustic

$469.00

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Manufacturer's Description from Primacoustic

  • Reduces spill between instruments
  • Full size 24" x 36" design can be stacked
  • Baltic birch construction with dove-tail joints
  • Choice of black, grey or beige

The Primacoustic GoTrap is a combination studio gobo and bass trap that is designed to enhance the recording process by controlling spill between instruments, while passively removing excessive bass from the room.

It features two Broadway fabric covered high-density glass wool acoustic panels mounted on both sides that effectively absorb the sound. This is augmented with a heavy internal MDF board that adds mass to help contain spill between instruments. The MDF board also acts like a low frequency resonator that combines with the acoustic panels and the deep internal air cavity to absorb bass down to 75Hz.

Shipped flat to save freight, the 24" x 36" (60.96cm x 91.44cm) GoTrap is made from furniture grade multi-ply Baltic birch and engineered with dovetail joints for maximum durability in professional studio environments. This is particularly important when you consider that gobos tend to be tossed around or stacked to create walls and often employed as a bench for studio session players! Features include side access handles for easy handling and rubber feet to reduce wear & tear. The GoTrap is available with choice of grey, beige or black panels.

This makes the GoTrap an ideal studio device as it will be constantly used as a gobo to control spill from instruments to improve the recordings while quietly working to help control excessive bass in your studio.

 

The GoTrap comes in 3 fabric colors: Black, Beige and Grey

 
Primacoustic

About Manufacturer

If you are listening to the sound system in a church, PA system at an airport, or a concert in a hockey arena and are not impressed, it is probably not the fault of the PA system, but more likely the lack of proper acoustical treatment in the room.

Architects have just begun to understand that a great looking room that may be ‘functional for people’, may in fact introduce horrendous results when it comes to acoustics. This can be partially attributed to the lack of inter-disciplinary cross-training at universities and from a historical perspective, the science of acoustics has been kept a ‘dark secret’ that could only be conjured by mythical creatures called acousticians.

But this is changing. Through trial and error, advanced computer modeling and greater understanding of acoustical behavior, we can now predict with relative certainty how sound will behave in a given room. And as more and more folks have come in contact with acoustics, there is an appreciation for the benefits which, only a decade ago, were simply invisible. In fact awareness regarding the importance of acoustic sound control has gained such prominence that many top notch sound contractors will refuse to switch out the PA system in a church unless problems with the acoustics have been resolved for fear that the new PA will not yield any improvement and will only serve to tarnish their reputation.

Radial Engineering Ltd. pioneered the benefits of acoustics nearly 20 years ago by importing a brand of acoustic panels from Europe and supplying them to our customers. We quickly became frustrated as the product was expensive and it seemed that the company’s focus was heading towards industrial noise control—not music. We wanted a solution for studios, churches, broadcast and other music related venues. Primacoustic was created in Year-2000 as a means to provide simple solutions. Little did we know that within 10 years the market would completely shift, that most professional recording would move from the studio to the home and that schools and churches would begin to realize that the majority of their room problems were in fact caused by poor acoustics, not the audio system.

Today, Primacoustic has become a market leader in high performance acoustic products. Our ground-breaking Broadway acoustic panels not only grace the studio walls of international artists such as Tommy Lee, Nathan East, Scott Henderson, and David Bottrill, they have also been selected at gaming giants Electronic Arts and Transformers and were used to control the acoustics at the Vancouver 2010 Winter Olympics by US giant NBC and Canada’s CTV in the International Broadcast Center.

Primacoustic begins with the premise of a no-compromise approach on acoustical performance. In fact, Broadway panels are as good, if not better, than the most expensive panels made today. The ‘win’ is achieved by following the ‘Model T Ford approach’ of mass producing a limited selection as a means of lowering costs.

Primacoustic offers a wide array of acoustic solutions that spans all market segments. This includes special T-bar ceiling tiles that help retain sound inside a boardroom, acoustic clouds for call centers and studios and bass traps & diffusers for high end control rooms. Each product is engineered to deliver maximum performance while presenting the very best value.

Specifications

Frame Material: 5/8" (15mm) Baltic Birch plywood with locking dovetail corner joints
Dimensions 24” (609mm) x 36 ” (914mm) x 10 " (254mm)
Panel Material: Formed, semi rigid inorganic glass fibers; Density 6.0 lbs. pcf. (96 kg/m3)
Fabric Facing Acoustically transparent polyester
Ridgid Membrane: 3mm hardboard
Order Number: Z840-1120-xx 
(xx denotes color code 00=Black; 03= Beige; 08=Grey)
Fabric Color Codes: Black=00, Beige=03, Grey=08