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Meris Audio's Revolutionary New Modular Delay System!
$599.00
LVX was our goal and dream from the start. It took over 2 years in the making. This has been our greatest feat and we’re finally here.
LVX is a Modular Delay System which breaks the paradigm of pre-set delay types in favor of freedom and flexibility. A completely new UI and user experience has been designed from the ground up to make LVX immediately intuitive to navigate. The architecture of LVX allows ultimate creative freedom to design a custom delay. The pedal features discrete processing elements and control signal modifiers that can be connected as desired for nearly infinite flexibility in crafting custom sounds.
Modular Delay System architecture
2540mS of Highly Configurable Dual Delay
Advanced ARM Processor
Configurable Delay Structures, Types, and Processing Elements for the ultimate customization in delay processing
Intuitive Color Screen based User Interface
Always Available True Stereo 60 Second Looper
99 Preset Locations in 33 Banks
Favorite Preset Bank for instant access to your 3 favorite presets
Instant Access Tuner with configurable Reference and Output mode
Deep Modifier Section lets you Route Control Signals to Processing Parameters
True Stereo Processing Elements (Poly Pitch Shifter operates in mono)
All New Processing Elements including Preamps, Granulize, Cassette, Poly Pitch, and more
Includes Processing Elements from the Meris family: Polymoon, Hedra, Enzo, and Ottobit Jr.
Selectable Note Divisions for each side of the stereo Dual Delay
Digitally controlled Analog mix bus
Stereo input and output with separate jacks for each
Switchable input/output headroom level for Instrument or Synthesizer / Line levels
MIDI In and Out over standard MIDI Din Jacks
Assignable Expression Pedal control for multiple parameters simultaneously
Dedicated Expression Pedal Jack
MIDI implementation for Continuous Control Parameters
MIDI Preset Send and Receive
MIDI beat clock synchronization
Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP
Premium Analog Devices JFET input section
Dimmable screen and logo light
Color – white powder coat with fine iridescent flake
Designed and built in California, U.S.A.
Meris is an exciting new 500-series manufacturer that's bringing a lot of previous DSP experience with them. From the minds that brought you Strymon pedals and Line 6 pedal and amp modeling, Meris is bringing a dramatically different type of product to the familiar world of 500 series. Their reverb (Mercury7) and bit crusher (Ottobit) are tailor-made for engineers and musicians looking for professional-grade tools to create brand new sounds for the studio. The Mercury7 in particular is a reverb really meant for tweaking. It's not a "set and forget," preset-based box, but one that you won't take your hands off once you start twisting knobs. Even the 440 preamp comes with a dramatically different approach. It's not only a fast, forward, and great-sounding mic preamp, but a gateway between the world of pro audio and the world of guitar pedals. It's got an instrument level insert available to you on the front panel, and there is no end to the experimentation that will follow! The Meris design team includes Terry Burton, who previously founded Strymon, Angelo Mazzocco, Line6’s top choice DSP Engineer to the stars (Van Halen, the Edge, Dweezil Zappa, etc.), and Creative Director Jinna Kim, hailing from L.A.’s leading design studios, and who previously created the brand identity for Strymon.
Conversion 24 bit A/D and D/A
DSP 32 bit floating point
Sample Rate 48000 Hz
Input Impedance 1 Meg Ohm
SNR 115 dB Typical
Frequency Response 20Hz-20kHz
Max Input Level +9 dBu (instrument level setting)
+12.5 dBu (line/synth level setting)
Power 9V DC center-negative, 300mA, 2.1mm jack
Bypass Selectable True Bypass (Relay) or Analog Buffered Bypass
Dimensions 7.25” wide, 4.5” long, 2” tall. (Same depth and height as all other pedals.)
Weight 24 ounces