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$249.00
The JHS Flight Delay is a thoughtfully designed, no-nonsense delay pedal that delivers inspiring sounds without menus or distractions. With analog, digital, and reverse modes on tap, it covers everything from warm, memory-man style repeats to crisp modern echoes and atmospheric reverse textures. Intuitive controls make dialing in tones fast and musical, while tap tempo, subdivisions, and optional modulation add depth and movement when you want it. Compact, flexible, and easy to live with, the Flight Delay feels like a dependable creative partner and a smart long-term investment for players who value tone, simplicity, and inspiration.
The JHS Pedals Flight Delay was made with one goal in mind: to be everything you need in a delay and nothing you don’t. In a world full of complex effects pedals, we worked hard to bring you the opposite - a beautifully simple stompbox that combines the most essential delay types with the features that matter. With three modes (Analog, Reverse, and Digital) inspired by my all-time favorite delays - EHX Memory Man, Boss DD-5, and Line 6 DL4 “Reverse Mode” - the Flight Delay is familiar, inspiring, and versatile enough for players in any genre. If you are tired of delay pedals that require frustrating menu diving to find the sound you want, endless scrolling on option screens, and complicated user interfaces, look no further!
CONTROLS
MIX - Controls the mix of delay with your dry signal. All the way left is fully dry, all the way right is fully wet. Noon is a 50/50 blend.
REPEATS - Controls the amount of feedback or repeats in the delay signal. Left is less, right is more. Fully right will give infinite repeats. Be careful! This feature can quite literally spiral out of control.
EQ - Adjusts the tone or color of the repeats. Left is a darker, warmer delay tone. Right is brighter and crisper.
TIME - Controls the length of the delay from 50ms to 1 second. Left is shorter, right is longer.
MODES
ANALOG - A filtered analog-style BBD delay that harkens back to classic echo pedals like the
EHX Memory Man and BOSS DM-2.
REVERSE - Plays the delay signal backwards, inspired by effects like the Danelectro Back Talk and Line 6 DL4 Reverse mode.
DIGITAL - Crisp, digital-style delay that pays tribute to early DSP delays like the BOSS DD-5 and the Ibanez DE7.
**Note: when switching between modes, the delay time will default to the Time control setting.
SUBDIVISION TOGGLE
Sets the interval of delay repeats - quarter note, eighth note, or dotted eighth note in relation to your tapped tempo.
TRAILS BYPASS MODE
Allows the repeats to trail when the pedal is bypassed. To activate or deactivate, hold both footswitches for two seconds while the pedal is on. The left bypass LED will blink, and the setting will be retained.
MODULATION
The flight delay features a meticulously designed modulation path that affects the delayed signal. This can be used to perfectly emulate the modulation textures of a *Memory Man’s vibrato’d repeats or a vintage tape delay’s lo-fi warble warble and everything in between.
MODULATION TOGGLE - Sets delay modulation style to chorus, vibrato, or off.
MOD DEPTH - Controls the depth or level of the modulation effect. Left is less, right is more.
MOD RATE - Controls the rate of the modulation. Left is slower, right is faster.
TAP/EXPRESSION CONTROL FOR DELAY TIME
TAP - For external tap control, plug a mono TS cable into the TAP/EXP jack and connect to a switch or clocking device.
EXPRESSION - For control of the delay time with an expression pedal, plug a stereo TRS cable into the TAP/EXP jack and connect to an expression pedal with the polarity set to “Tip”. Heel down produces the fastest delay time, and toe down produces the slowest delay time.
LEFT FOOTSWITCH - Bypass switch, which turns the effect on and off.
RIGHT FOOTSWITCH - Tap tempo switch. Tap in your tempo with two or more presses to lock in your delay time. (This will reset to the Time control setting when changing modes.)
I/O & POWER
MONO INPUT - 1/4” jack on the top right side of the pedal.
MONO OUTPUT - 1/4” jack on the top left side of the pedal.
TAP/EXP JACK - 1/4” jack on the top between the input and DC jack.
POWER - Requires 9VDC negative center power and consumes 85mA. Do not use more than 9VDC, or you will void your warranty.
THE JHS PEDALS FLIGHT DELAY IS IN NO WAY AFFILIATED WITH OR ENDORSED BY IBANEZ, BOSS, DANELECTRO, ELECTRO-HARMONIX OR LINE 6.
2007
Sometime in early 2007, Josh fixes his BOSS BD-2 Blues Driver by replacing a footswitch that isn't activating properly. Because of this, he becomes super interested in how pedals work and in their circuitry.
Around April 2007, Josh begins to modify his friends' pedals and decides to start selling modified BOSS pedals under the name JHS Mods. These pedals are sold at his friend's local guitar shop, Fondren Guitar, in the Fondren area of Jackson, MS. The first modified pedals ever sold are the Lexi Drive (modified DS-1) and Blu Drive (modified Blues Driver). These early units have a simple black label with a green JHS Mods logo and are all modified in a small upstairs attic room on a folding card table.
2008
Josh begins learning to build his favorite pedals from scratch, leading to original JHS pedal ideas and designs. The earliest JHS releases include the Pulp 'N' Peel, the All American and the Morning Glory. The Morning Glory is created by reinventing his favorite Marshall Bluesbreaker pedal.
Sometime in mid-2008, the name JHS Mods is replaced by JHS Pedals to reflect the more diverse product line that now includes modifications and custom pedals.
Josh builds a DIY website, causing more online growth and providing a wider reach than his local customer base, which is also growing.
Every pedal from 2008 is still being built in Josh's spare room on a folding card table.
2009
In the summer of 2009, Josh relocates from Jackson, MS, to Tupelo, MS. He repurposes his brother-in-law's small backyard tool shed, transforming it into a functional work area. Almost immediately, he installs a window AC unit to combat the scorching 100+ degree Mississippi summer days. It is in this shed that the Double Barrel, Sweet Tea and numerous other designs take their initial form.
This becomes the focal point of Josh's first press interest when a newspaper article showcases the shop's distinctive pink walls, which are actually insulation sheets Josh and his dad used to retain cold air. Consequently, the shop earns the moniker "The Pink Palace" among friends and local guitarists who frequent the space.
During this period, Josh also introduces his original designs to the public by selling them at Mainstreet Music, a guitar shop in Tupelo. Furthermore, Josh collaborates with Drew Shirley of Switchfoot to launch the BunRunner fuzz pedal. This collaboration propels the company into a faster trajectory of growth and notoriety, attracting the support of many major artists.
In the fall of 2009, the JHS shop makes another move, this time to Josh's father-in-law's backyard workshop in Ecru, MS. It is from this location that the Mini Foot Fuzz, Pollinator and various other designs are first crafted and sold.
In December of 2009, Josh relocates to Kansas City, MO, driven by the escalating demand for his products. Recognizing the need for assistance, he brings in Nick Loux, the original JHS employee, and his lifelong friend Khaleed to join him in the endeavor of building guitar pedals.
The unfinished basement of their new Kansas City home undergoes a transformation into a fully equipped JHS shop, where up to six employees work side by side to craft pedals. As demands continue to grow, Josh and the team eventually make the transition to JHS’s first official commercial location, situated off Main Street in Grandview, MO.
2011
The Grassroots Dealer Campaign is initiated in the summer of 2011, marking JHS's proactive efforts to establish B2B dealer relationships. In a remarkable span of approximately thirty days, JHS experiences substantial growth, expanding from 5 to 50 retailers.
2012
Josh Scott embarks on a collaboration with the Chicago Music Exchange to create his own guitar pedal demos. This collaboration marks one of the pioneering instances of a pedal manufacturer partnering with a retailer to produce demo video series within the industry.
2013
JHS introduces a teaser video for the Moonshine Overdrive, marking the inception of the JHS Teaser Video Series and initiating a trend within the industry for this form of marketing.
In September 2013, JHS Pedals is selected for Premier Guitar magazine's Pedal Builder Profile, representing the most significant press coverage for JHS up to that point.
2014
JHS makes its debut at the Winter NAMM Show in Anaheim, CA, marking a significant milestone for the company. At the show, they unveil the Colour Box V1, a pedal that represents a groundbreaking innovation and a departure from the conventional pedal norms.
2015
Josh and Robert Keeley collaborate on a pedal and release the Steak and Eggs Overdrive/Compressor, marking an industry first for two competing boutique pedal companies to collaborate on a major scale.
The Muffuletta teaser video is recorded during a brief 2.5-hour trip to New Orleans, and the product is released on September 15, 2015. The Muffuletta format represents a first for JHS, establishing a multi-pedal format with perfect analog replication of vintage/rare pedals instead of digital emulation.
In November 2015, JHS partners with Andy Timmons on the AT "@” Artist Pedal, which is subsequently released.
2016
JHS makes a groundbreaking announcement by introducing possibly the two most requested nonexistent guitar pedals of all time, namely the Bulb and the See Saw. Witnessing it is a must to truly believe it!
Additionally, JHS ventures into the realm of pro audio with the debut of the JHS 500 Series.
2017
Josh and Nick Loux embark on a collaborative journey, creating multiple video series, including “Combos,” “That Sounds Neat” and “Hot Trax,” which serve as early precursors to The JHS Show. Some of the most intriguing and enjoyable content arises from experimenting with and promoting other pedal companies' pedals instead of their own JHS gear.
Simultaneously, Josh delves into teaching guitar history at public events, leading him to realize that he might derive more enjoyment from this than making pedals. The jury's still out on this intriguing revelation.
On September 8th, the BOSS JB-2 Angry Driver is released, a pedal resulting from a collaboration between JHS and Boss to celebrate Boss's 40th anniversary. This is a significant honor for JHS Pedals.
2018
Following the same format as the Muffuletta, the Bonsai makes its debut at the January 2018 NAMM Show and promptly becomes the most successful JHS release up to that point.
On May 31st, Josh and Nick release the first episode of The JHS Show, marking the beginning of a new venture for JHS in the realm of content creation.
2020 + COVID
In a collaboration with Paul Gilbert, JHS introduces the PG-14 Paul Gilbert Artist Signature Pedal at the January 2020 NAMM Show.
In March 2020, the COVID-19 pandemic emerges, prompting JHS to swiftly adapt to the "new normal" by implementing safety measures for builders to socially distance in the shop and encouraging as many employees as possible to work from home.
Despite the challenges posed by COVID-19, on May 15th, 2020, JHS releases the Legends of Fuzz pedal series.
On October 2nd, 2020, JHS launches the 3 Series of pedals, further expanding their product lineup.
Product Name: JHS Pedals Flight Delay
Effect Type: Delay
Design Goal: Simple, essential delay pedal (no menu diving)
Delay Modes:
Analog (filtered analog-style BBD)
Reverse
Digital
Mode Inspirations:
Analog: EHX Memory Man, Boss DM-2
Reverse: Danelectro Back Talk, Line 6 DL4 Reverse Mode
Digital: Boss DD-5, Ibanez DE7
Delay Time Range: 50 ms – 1 second
Controls:
Mix: Dry to fully wet (50/50 at noon)
Repeats: Feedback amount (infinite repeats fully clockwise)
EQ: Tone of repeats (dark/warm to bright/crisp)
Time: Delay length (50 ms to 1 second)
Subdivision Toggle:
Quarter Note
Eighth Note
Dotted Eighth Note
(Relative to tapped tempo)
Bypass Mode:
Trails Bypass Mode
Activated/Deactivated by holding both footswitches for 2 seconds
Setting is retained after power off
Modulation:
Modulation affects delayed signal only
Emulates Memory Man-style vibrato and vintage tape delay warble
Modulation Controls:
Modulation Toggle: Chorus / Vibrato / Off
Mod Depth: Modulation depth
Mod Rate: Modulation speed
Tap / Expression Control (Delay Time):
External Tap Tempo via mono TS cable
Expression Pedal Control via stereo TRS cable (Tip polarity)
Heel down: fastest delay
Toe down: slowest delay
Footswitches:
Left Footswitch: Bypass (on/off)
Right Footswitch: Tap Tempo
I/O:
Mono Input: 1/4"
Mono Output: 1/4"
Tap/Expression Jack: 1/4"
Power Requirements:
9V DC Negative Center
Current Draw: 85 mA
Do not exceed 9V DC
Disclaimer:
Not affiliated with or endorsed by Ibanez, Boss, Danelectro, Electro-Harmonix, or Line 6
Payments as low as $21/mo.