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The JHS Bonsai is a brilliantly conceived overdrive that puts the entire Tube Screamer family tree under your feet, all in one beautifully built pedal. Featuring nine exact, component-accurate analog recreations of legendary circuits, it lets you explore subtle vintage nuance, mid-pushed classics, and higher-gain modern variants with a simple turn of the rotary knob. Each mode feels distinct, musical, and touch-responsive, making it easy to find the perfect drive for any guitar or amp. Thoughtfully engineered and endlessly useful, the Bonsai is both a creative powerhouse and a smart long-term investment for serious players.
In the late 1970's the overdrive pedal was arguably perfected when Japanese engineers designed the sound that we now know as the heart and soul of so many of our favorite artists, recordings and sounds. Players ranging from The Edge, Trey Anastasio, Buddy Guy, Kirk Hammett, John Mayer, SRV, Carlos Santana and thousands more from every possible genre have utilized and depended on this classic iconic green box. If a single effect pedal was chosen to board a Voyager 3 mission and be solely responsible for showing the universe the sound of overdrive, it would undoubtably be Tube Screamer. It is probably the most produced and sold pedal in the history of guitar pedals! The Bonsai is our tribute to one of the greatest pedals ever created.
Following in the steps of our Muffuletta (released 2015), the Bonsai utilizes a simple rotary knob to switch through nine classic, vintage, rare, or hard to find variations of the Screamer. Creating the Bonsai became an archeological dig of sorts that sent us deep into the history of this circuit by examining dozens of versions, variations and replications. At the end of it all, Josh chose nine of his personal and favorite units and we painstakingly replicated every nuance and aspect of each pedal. One of the most challenging parts of this project was accounting for component drift as many of these pedals were decades old and the internal components had strayed from their original values. Each pedal was individually replicated using our Audio Precision analyzer and various other methods that allowed us to perfectly replicate every aspect of the sound and feel of the unit. It's important to know that the Bonsai is not a "box of mods," it is exact replications of these nine units all housed in one box! The Bonsai is exact replication, not emulation. When you choose a mode on the Bonsai rotary, you are actually activating components specific to each mode and playing the unit that Josh chose along with all the quirks, drift, vintage mojo, and individuality that a vintage pedal has.
The Bonsai Modes
OD-1 - 1977
An overall brighter and slightly higher gain mode that does not utilize the Tone knob. This mode also inverts signal just like the original and has asymmetrical clipping. The OD-1 is magical at boosting other drives or amps into singing saturation.
TS-808 - 1979
The classic low gain with that signature pronounced mid range.
TS-9 - 1982
Nearly identical to the TS-808 but with a slightly more pushed low-mid range.
MSL, POWER OR L SERIES - 1985
Though metal is in the name, this sound doesn’t quite inspire the modern metal djent we think of. Still it has a higher gain sound with a more low end and an overall more gooey feel.
TS-10 - 1986
Made famous by John Mayer, this model is a slight upgrade from the TS9 for the late ’80s. Bluesy, crisp, more low end roll off and low gain.
EXAR OD-1 1989
The EXAR is a Polish made TS-style pedal that has a slightly different drive character with a little more gain than the classic screamers as well as a slightly more transparent feel.
TS-7 (+MODE) - 1999
The hot mode on this version gives you the highest gain sound in the Bonsai. More low end and dirt fill out the tone to have you shredding away.
KEELEY MOD PLUS - 2002
Robert Keeley’s classic mod tightens up the tone on the original giving you smoother mid range and high frequencies, and increased bass response.
JHS STRONG MOD - 2008
Our own mod we’ve been doing since 2008 is much cleaner and overall more powerful. The mode has more pronounced higher and low end drop offs.
With the JHS Pedals’ Bonsai you can get the classic sounds of nine Tubescreamers in one pedal. Let the Bonsai help you find your overdrive zen.
THIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 20 MA, AND MEASURES 2.6"X4.8"X1.6".
THE WORDS IBANEZ, BOSS, ROLAND, TUBESCREAMER, TS9, 808, EXAR, AND KEELEY, AUDIO PRECISION MAY BE REGISTERED TRADEMARKS. THE JHS PEDALS BONSAI IS IN NO WAY AFFILIATED OR ENDORSED BY IBANEZ, BOSS, ROLAND, TUBESCREAMER, TS9, 808, EXAR, KEELEY, AND AUDIO PRECISION.
2007
Sometime in early 2007, Josh fixes his BOSS BD-2 Blues Driver by replacing a footswitch that isn't activating properly. Because of this, he becomes super interested in how pedals work and in their circuitry.
Around April 2007, Josh begins to modify his friends' pedals and decides to start selling modified BOSS pedals under the name JHS Mods. These pedals are sold at his friend's local guitar shop, Fondren Guitar, in the Fondren area of Jackson, MS. The first modified pedals ever sold are the Lexi Drive (modified DS-1) and Blu Drive (modified Blues Driver). These early units have a simple black label with a green JHS Mods logo and are all modified in a small upstairs attic room on a folding card table.
2008
Josh begins learning to build his favorite pedals from scratch, leading to original JHS pedal ideas and designs. The earliest JHS releases include the Pulp 'N' Peel, the All American and the Morning Glory. The Morning Glory is created by reinventing his favorite Marshall Bluesbreaker pedal.
Sometime in mid-2008, the name JHS Mods is replaced by JHS Pedals to reflect the more diverse product line that now includes modifications and custom pedals.
Josh builds a DIY website, causing more online growth and providing a wider reach than his local customer base, which is also growing.
Every pedal from 2008 is still being built in Josh's spare room on a folding card table.
2009
In the summer of 2009, Josh relocates from Jackson, MS, to Tupelo, MS. He repurposes his brother-in-law's small backyard tool shed, transforming it into a functional work area. Almost immediately, he installs a window AC unit to combat the scorching 100+ degree Mississippi summer days. It is in this shed that the Double Barrel, Sweet Tea and numerous other designs take their initial form.
This becomes the focal point of Josh's first press interest when a newspaper article showcases the shop's distinctive pink walls, which are actually insulation sheets Josh and his dad used to retain cold air. Consequently, the shop earns the moniker "The Pink Palace" among friends and local guitarists who frequent the space.
During this period, Josh also introduces his original designs to the public by selling them at Mainstreet Music, a guitar shop in Tupelo. Furthermore, Josh collaborates with Drew Shirley of Switchfoot to launch the BunRunner fuzz pedal. This collaboration propels the company into a faster trajectory of growth and notoriety, attracting the support of many major artists.
In the fall of 2009, the JHS shop makes another move, this time to Josh's father-in-law's backyard workshop in Ecru, MS. It is from this location that the Mini Foot Fuzz, Pollinator and various other designs are first crafted and sold.
In December of 2009, Josh relocates to Kansas City, MO, driven by the escalating demand for his products. Recognizing the need for assistance, he brings in Nick Loux, the original JHS employee, and his lifelong friend Khaleed to join him in the endeavor of building guitar pedals.
The unfinished basement of their new Kansas City home undergoes a transformation into a fully equipped JHS shop, where up to six employees work side by side to craft pedals. As demands continue to grow, Josh and the team eventually make the transition to JHS’s first official commercial location, situated off Main Street in Grandview, MO.
2011
The Grassroots Dealer Campaign is initiated in the summer of 2011, marking JHS's proactive efforts to establish B2B dealer relationships. In a remarkable span of approximately thirty days, JHS experiences substantial growth, expanding from 5 to 50 retailers.
2012
Josh Scott embarks on a collaboration with the Chicago Music Exchange to create his own guitar pedal demos. This collaboration marks one of the pioneering instances of a pedal manufacturer partnering with a retailer to produce demo video series within the industry.
2013
JHS introduces a teaser video for the Moonshine Overdrive, marking the inception of the JHS Teaser Video Series and initiating a trend within the industry for this form of marketing.
In September 2013, JHS Pedals is selected for Premier Guitar magazine's Pedal Builder Profile, representing the most significant press coverage for JHS up to that point.
2014
JHS makes its debut at the Winter NAMM Show in Anaheim, CA, marking a significant milestone for the company. At the show, they unveil the Colour Box V1, a pedal that represents a groundbreaking innovation and a departure from the conventional pedal norms.
2015
Josh and Robert Keeley collaborate on a pedal and release the Steak and Eggs Overdrive/Compressor, marking an industry first for two competing boutique pedal companies to collaborate on a major scale.
The Muffuletta teaser video is recorded during a brief 2.5-hour trip to New Orleans, and the product is released on September 15, 2015. The Muffuletta format represents a first for JHS, establishing a multi-pedal format with perfect analog replication of vintage/rare pedals instead of digital emulation.
In November 2015, JHS partners with Andy Timmons on the AT "@” Artist Pedal, which is subsequently released.
2016
JHS makes a groundbreaking announcement by introducing possibly the two most requested nonexistent guitar pedals of all time, namely the Bulb and the See Saw. Witnessing it is a must to truly believe it!
Additionally, JHS ventures into the realm of pro audio with the debut of the JHS 500 Series.
2017
Josh and Nick Loux embark on a collaborative journey, creating multiple video series, including “Combos,” “That Sounds Neat” and “Hot Trax,” which serve as early precursors to The JHS Show. Some of the most intriguing and enjoyable content arises from experimenting with and promoting other pedal companies' pedals instead of their own JHS gear.
Simultaneously, Josh delves into teaching guitar history at public events, leading him to realize that he might derive more enjoyment from this than making pedals. The jury's still out on this intriguing revelation.
On September 8th, the BOSS JB-2 Angry Driver is released, a pedal resulting from a collaboration between JHS and Boss to celebrate Boss's 40th anniversary. This is a significant honor for JHS Pedals.
2018
Following the same format as the Muffuletta, the Bonsai makes its debut at the January 2018 NAMM Show and promptly becomes the most successful JHS release up to that point.
On May 31st, Josh and Nick release the first episode of The JHS Show, marking the beginning of a new venture for JHS in the realm of content creation.
2020 + COVID
In a collaboration with Paul Gilbert, JHS introduces the PG-14 Paul Gilbert Artist Signature Pedal at the January 2020 NAMM Show.
In March 2020, the COVID-19 pandemic emerges, prompting JHS to swiftly adapt to the "new normal" by implementing safety measures for builders to socially distance in the shop and encouraging as many employees as possible to work from home.
Despite the challenges posed by COVID-19, on May 15th, 2020, JHS releases the Legends of Fuzz pedal series.
On October 2nd, 2020, JHS launches the 3 Series of pedals, further expanding their product lineup.
Product Name: JHS Pedals Bonsai
Effect Type: Overdrive
Circuit Type: Exact Analog Replications (Not Emulation, Not Modelling)
Design Concept:
Tribute to the Tube Screamer circuit
Nine exact, component-accurate recreations of vintage and modified units
Rotary selector activates mode-specific components
Accounts for component drift and vintage variance
Developed using Audio Precision analysis
Number of Modes: 9
Mode Selection: Rotary Selector Knob
Bonsai Modes
OD-1 (1977):
Brighter, slightly higher gain
No Tone control
Inverted signal
Asymmetrical clipping
TS-808 (1979):
Low gain
Pronounced midrange
TS-9 (1982):
Similar to TS-808
Slightly more pushed low-mid range
MSL / Power / L Series (1985):
Higher gain
Increased low end
Gooey feel
TS-10 (1986):
Low gain
Bluesy and crisp
More low-end roll-off
EXAR OD-1 (1989):
Slightly higher gain
More transparent feel
TS-7 (+ Mode) (1999):
Highest gain mode
More low end and dirt
Keeley Mod Plus (2002):
Smoother mids and highs
Increased bass response
JHS Strong Mod (2008):
Cleaner
More powerful output
Pronounced high and low end roll-offs
Controls:
Rotary Mode Selector
Standard Tube Screamer-style controls (implied but not explicitly listed by name)
Power Requirements:
9V DC
Negative Center
Current Draw:
20 mA
Dimensions:
2.6" x 4.8" x 1.6"
Pedal Category:
Overdrive
Trademark Disclaimer:
Not affiliated with or endorsed by Ibanez, Boss, Roland, Tube Screamer, TS9, 808, EXAR, Keeley, or Audio Precision
Payments as low as $21/mo.