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JHS 3 Series Tape Delay Pedal  From JHS

A Character-Rich Tape Delay Pedal by JHS!

JHS Pedals

$99.00

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What We Think

The JHS 3 Series Tape Delay delivers classic echo textures with warmth, simplicity, and unmistakable vintage character. Inspired by iconic tape machines, it produces organic repeats that feel lively and musical, from short slapback to spacious, atmospheric echoes. The tape speed control adds natural movement, while the flutter switch introduces just the right amount of analog-style warble for added depth and charm. Straightforward controls make it easy to dial in inspiring sounds quickly, without distraction. Built in the USA with quality components, this pedal is a reliable, creative investment that brings timeless tape-style delay to any rig.

Manufacturer's Description from JHS

The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.

 

Tape delay was invented in the late 40s when Les Paul strung two Ampex Model 200A reel-to-reel tape recorders together. A little later, in 1953, Ray Butts invented the Echosonic, the first actual tape delay unit. This would be followed up by the Echoplex EP-1 in 1961 from Mike Battle and the Space Echo from Roland in 1974. The JHS Pedals 3 Series Tape Delay is a simplified and faithful throwback to these classic units. The Mix control lets you control how much clean signal is blended in with the wet (delayed) signal (on the original unit, this was called Echo Volume). Tape Speed acts as a simulation of the RE-201’s tape motor speeding up and slowing down and determines how short or long the delay effect is. The Repeats control goes from a single repeat to many, reminiscent of a sound being written onto the tape loop with loss of fidelity each time. Finally, when the Flutter toggle is turned on (up position), it replicates the wear & tear to the mechanical parts of a tape machine that happens over time. This causes mild modulation, warble, and flutter sounds in the echo path of the delay that so many players desire. 

 

CONTROLS

 

MIX - Controls how much clean signal is blended in with the wet (delayed) signal. Left is more dry signal. Right is more wet signal. 

 

TAPE SPEED - Controls the length of delay effect from 15ms to 950ms.

 

REPEATS - Controls how many repeats occur after you play. Left is less. Right is more. 

 

FLUTTER - Switch down is standard effect. Switch up introduces a mild modulation reminiscent of vintage units with mechanical wear. 

 

JACKS

 

INPUT - ¼” jack on the right side of the pedal. 

 

OUTPUT - ¼” jack on the left side of the pedal.

 

POWER - Requires 9VDC negative center power and consumes 65mA. Do not use more than 9VDC. You will void your warranty.

 

THIS PEDAL REQUIRES STANDARD 9VDC NEGATIVE POWER, CONSUMES 65mA, AND MEASURES 4.42” X 2.38” X 1.22”

JHS Pedals

About Manufacturer

2007

Sometime in early 2007, Josh fixes his BOSS BD-2 Blues Driver by replacing a footswitch that isn't activating properly. Because of this, he becomes super interested in how pedals work and in their circuitry.

Around April 2007, Josh begins to modify his friends' pedals and decides to start selling modified BOSS pedals under the name JHS Mods. These pedals are sold at his friend's local guitar shop, Fondren Guitar, in the Fondren area of Jackson, MS. The first modified pedals ever sold are the Lexi Drive (modified DS-1) and Blu Drive (modified Blues Driver). These early units have a simple black label with a green JHS Mods logo and are all modified in a small upstairs attic room on a folding card table.

2008

Josh begins learning to build his favorite pedals from scratch, leading to original JHS pedal ideas and designs. The earliest JHS releases include the Pulp 'N' Peel, the All American and the Morning Glory. The Morning Glory is created by reinventing his favorite Marshall Bluesbreaker pedal.

Sometime in mid-2008, the name JHS Mods is replaced by JHS Pedals to reflect the more diverse product line that now includes modifications and custom pedals.

Josh builds a DIY website, causing more online growth and providing a wider reach than his local customer base, which is also growing.

Every pedal from 2008 is still being built in Josh's spare room on a folding card table.

2009

In the summer of 2009, Josh relocates from Jackson, MS, to Tupelo, MS. He repurposes his brother-in-law's small backyard tool shed, transforming it into a functional work area. Almost immediately, he installs a window AC unit to combat the scorching 100+ degree Mississippi summer days. It is in this shed that the Double Barrel, Sweet Tea and numerous other designs take their initial form.

This becomes the focal point of Josh's first press interest when a newspaper article showcases the shop's distinctive pink walls, which are actually insulation sheets Josh and his dad used to retain cold air. Consequently, the shop earns the moniker "The Pink Palace" among friends and local guitarists who frequent the space.

During this period, Josh also introduces his original designs to the public by selling them at Mainstreet Music, a guitar shop in Tupelo. Furthermore, Josh collaborates with Drew Shirley of Switchfoot to launch the BunRunner fuzz pedal. This collaboration propels the company into a faster trajectory of growth and notoriety, attracting the support of many major artists.

In the fall of 2009, the JHS shop makes another move, this time to Josh's father-in-law's backyard workshop in Ecru, MS. It is from this location that the Mini Foot Fuzz, Pollinator and various other designs are first crafted and sold.

In December of 2009, Josh relocates to Kansas City, MO, driven by the escalating demand for his products. Recognizing the need for assistance, he brings in Nick Loux, the original JHS employee, and his lifelong friend Khaleed to join him in the endeavor of building guitar pedals.

The unfinished basement of their new Kansas City home undergoes a transformation into a fully equipped JHS shop, where up to six employees work side by side to craft pedals. As demands continue to grow, Josh and the team eventually make the transition to JHS’s first official commercial location, situated off Main Street in Grandview, MO.

2011

The Grassroots Dealer Campaign is initiated in the summer of 2011, marking JHS's proactive efforts to establish B2B dealer relationships. In a remarkable span of approximately thirty days, JHS experiences substantial growth, expanding from 5 to 50 retailers.

2012

Josh Scott embarks on a collaboration with the Chicago Music Exchange to create his own guitar pedal demos. This collaboration marks one of the pioneering instances of a pedal manufacturer partnering with a retailer to produce demo video series within the industry.

2013

JHS introduces a teaser video for the Moonshine Overdrive, marking the inception of the JHS Teaser Video Series and initiating a trend within the industry for this form of marketing.

In September 2013, JHS Pedals is selected for Premier Guitar magazine's Pedal Builder Profile, representing the most significant press coverage for JHS up to that point.

2014

JHS makes its debut at the Winter NAMM Show in Anaheim, CA, marking a significant milestone for the company. At the show, they unveil the Colour Box V1, a pedal that represents a groundbreaking innovation and a departure from the conventional pedal norms.

2015

Josh and Robert Keeley collaborate on a pedal and release the Steak and Eggs Overdrive/Compressor, marking an industry first for two competing boutique pedal companies to collaborate on a major scale.

The Muffuletta teaser video is recorded during a brief 2.5-hour trip to New Orleans, and the product is released on September 15, 2015. The Muffuletta format represents a first for JHS, establishing a multi-pedal format with perfect analog replication of vintage/rare pedals instead of digital emulation.

In November 2015, JHS partners with Andy Timmons on the AT "@” Artist Pedal, which is subsequently released.

2016

JHS makes a groundbreaking announcement by introducing possibly the two most requested nonexistent guitar pedals of all time, namely the Bulb and the See Saw. Witnessing it is a must to truly believe it!

Additionally, JHS ventures into the realm of pro audio with the debut of the JHS 500 Series.

2017

Josh and Nick Loux embark on a collaborative journey, creating multiple video series, including “Combos,” “That Sounds Neat” and “Hot Trax,” which serve as early precursors to The JHS Show. Some of the most intriguing and enjoyable content arises from experimenting with and promoting other pedal companies' pedals instead of their own JHS gear.

Simultaneously, Josh delves into teaching guitar history at public events, leading him to realize that he might derive more enjoyment from this than making pedals. The jury's still out on this intriguing revelation.

On September 8th, the BOSS JB-2 Angry Driver is released, a pedal resulting from a collaboration between JHS and Boss to celebrate Boss's 40th anniversary. This is a significant honor for JHS Pedals.

2018

Following the same format as the Muffuletta, the Bonsai makes its debut at the January 2018 NAMM Show and promptly becomes the most successful JHS release up to that point.

On May 31st, Josh and Nick release the first episode of The JHS Show, marking the beginning of a new venture for JHS in the realm of content creation.

2020 + COVID

In a collaboration with Paul Gilbert, JHS introduces the PG-14 Paul Gilbert Artist Signature Pedal at the January 2020 NAMM Show.

In March 2020, the COVID-19 pandemic emerges, prompting JHS to swiftly adapt to the "new normal" by implementing safety measures for builders to socially distance in the shop and encouraging as many employees as possible to work from home.

Despite the challenges posed by COVID-19, on May 15th, 2020, JHS releases the Legends of Fuzz pedal series.

On October 2nd, 2020, JHS launches the 3 Series of pedals, further expanding their product lineup.

Specifications

Product Line: JHS Pedals 3 Series

Model: 3 Series Tape Delay

Effect Type: Tape Delay (Tape-Style Echo)

 

Design Concept:

Simplified, faithful throwback to classic tape delay units

Inspired by Ampex Model 200A setups, Ray Butts Echosonic, Echoplex EP-1, and Roland Space Echo

 

Controls

Mix:

Controls blend of dry signal and wet (delayed) signal

Left = more dry

Right = more wet

 

Tape Speed:

Controls delay time

Simulates tape motor speeding up and slowing down

 

Delay Time Range: 15 ms – 950 ms

 

Repeats:

Controls number of delay repeats

Left = fewer repeats

Right = more repeats

 

Flutter (Toggle):

Down: Standard delay effect

Up: Mild modulation, warble, and flutter

Simulates mechanical wear of vintage tape machines

I/O

 

Input:

1/4" jack (right side)

 

Output:

1/4" jack (left side)

 

Power

Power Requirement:

9V DC

Negative Center

 

Current Draw:

65 mA

 

Construction & Series Info

Made in Kansas City, MO, USA

High-quality parts with quality control

Three controls and one toggle

Designed for beginners and professionals

 

Dimensions

4.42" × 2.38" × 1.22"