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Gretsch Chet Stereo Guitar #JT09073004 - Used  From Gretsch

A Gorgeous Limited Edition Gretsch Chet Stereo with Stereo Output and Mono Switching!

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Sound Pure's dedication to pre-owned products is unprecedented in the industry. We are a small team of dedicated experts that buys, trades, and consigns. We are trusted by customers all over the world. Our curated collection, is thoroughly tested and inspected by some of the best in the business. Our inventory is constantly changing, ever-evolving, with some items sold before reaching the website. Looking for something specific? Have questions about this product's condition or history? Want more photos, or to simply chat with an expert who's had his hands on this actual piece? Contact us now.
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Gretsch Guitars

$2,995.00

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No Sales Tax in 45 States. Learn More.

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Sales tax is only collected in the following states: FL, GA, IL, NC and VA. If your state is not listed, sales tax will not be collected on your order.
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What We Think

Condition: Used, Excellent

SP Luthier Notes: All of the frets were polished, recrowned and leveled. The truss rod and bridge were fully adjusted. The nut of the guitar was coming unglued, so our luthier re-glued and reseated it. No further work was required. 

This is a very special Gretsch, the highly sought-after G6120-CGP Limited Release, made in Japan in 2009. It’s a stunning, single-cutaway hollow body, graced with beautiful laminated maple and a classic Western Maple Stain. Beyond its vintage visuals, this guitar offers incredible tonal versatility thanks to its dual TV Jones pickups and unique stereo/mono switching, allowing you to split the signal for amazing sonic possibilities. Professionally tended to by our expert luthier, this rock-solid instrument is far from "as-is"—it's an absolute gem, fine-tuned for perfect playability. This is more than a guitar; it’s a tangible investment, a classic that will inspire you and hold its value. Capture that timeless Gretsch sound and feel with an instrument that truly stands out!

About Manufacturer

Over the span of four generations, the Gretsch Company developed what came to be known as “That Great Gretsch Sound.”

With its emphasis on hand-craftsmanship and commitment to quality over a storied 140 years and counting, Gretsch has pioneered new designs and manufacturing techniques, winning endorsements from some of the music industry’s most respected artists, including Chet Atkins, Eddie Cochran, Billy Duffy, Bono, Duane Eddy, George Harrison, Brian Setzer, Stephen Stills and Malcolm Young.

It all began in 1883, when 27-year-old Friedrich Gretsch, a German immigrant, founded his shop in Brooklyn, New York, and began to make banjos, drums and tambourines. Only 12 years later Friedrich died, leaving the fledgling company in the hands of his teenage son Fred.

While it may be an unlikely start for a century-plus long musical legacy, young Fred wasn't the typical teen. By 1916 he had built the company into one of America's leading importers and manufacturers of musical instruments, and the operations moved into a 10-story building at 60 Broadway in Brooklyn.

Fred knew that listening to what the public wanted was the key to growth, and the public wanted guitars. So, Gretsch began making guitars.

Initially, Gretsch offered acoustic archtops aimed at jazz musicians, and a handful of flat-tops for country-western performers.

Meanwhile, 1935 marked an important year for Gretsch — Charles “Duke” Kramer joined the team. Kramer went on to become a mainstay of the Gretsch Company, and remained a valued counsel and ambassador until his passing in 2005.

Fred Gretsch, Sr. retired from the company in 1942, leaving the day-to-day operations to his sons Fred Jr. and William.

Fred Gretsch, Jr. managed the company briefly, then left the company to serve with distinction as a commander in the Navy, and Bill Gretsch became president, serving the company until his death in 1948.

Command was again passed to Fred Gretsch, Jr. and the Navy veteran led the company into a new age of prosperity in the 1950s. Gretsch, being the first to use custom color finishes, and offering a wide variety of space age gizmos and gimmickry, was uniquely positioned to succeed in this “Atomic Age” era. During the ‘50s, they even outsold Leo Fender's wonderful new creations, with a boost in sales also credited to high-profile artists and endorsers like Chet Atkins, Eddie Cochran and Duane Eddy.

The 1960s brought a further boost to Gretsch when Beatles’ great George Harrison played a succession of Gretsch models.

In the late-'60s, Fred Gretsch retired and sold the company to Baldwin Manufacturing. Baldwin had difficulty understanding Gretsch's position in the market and failed to make a transition through the psychedelic '60s and hard-rock '70s. To make matters worse, Baldwin moved production to Arkansas, and Gretsch suffered through two disastrous fires. The Baldwin marriage was always an unhappy one, and eventually resulted in a shutdown in production in the early-80s.

But ever since the company had left the family, Fred W. Gretsch, the great-grandson of founder Friedrich Gretsch, had vowed it would return. In 1984, Fred W. Gretsch, along with his wife, Dinah, purchased Gretsch back from Baldwin, returning it to the family after a 17-year absence. Throughout the 1990s, Fred and Dinah brought Gretsch back into the limelight with a series of successful reissues and new models.

In late 2002 a deal was struck for Fender Musical Instruments Corp. to handle Gretsch Guitars manufacturing and distribution, allowing "That Great Gretsch Sound" to be heard in even more places around the world.

Specifications

Body and Construction:

 

Body Style: Single cutaway, hollow body

 

Body Material: Laminated maple top, back, and sides

 

Body Depth: 2.75 inches

 

Body Width: 16 inches

 

Finish: Western Maple Stain

 

Bracing: Waffle bracing

 

Unique Features:

 

Inlaid simulated "F" holes

 

"G" brand on the body

 

Neck and Fingerboard:

 

Neck Material: 2-Piece maple with center strip

 

Scale Length: 24.6 inches

 

Nut Width: 1-3/4 inches

 

Fingerboard: Bound rosewood

 

Radius: 12"

 

Frets: 22, medium jumbo

 

Inlays: Aged vintage wide-block pearloid position markers

 

Hardware and Electronics:

 

Pickups: 2x Special Design TV Jones 

 

Hardware: Gold/Nickel

 

Bridge: Rosewood-based Gold "Rocking" Bar Bridge

 

Tailpiece: Bigsby B6GBVWST Vibrato Tailpiece with wire handle

 

Tuning Machines: Gold-plated Grover V98G Sta-Tite Die-cast Tuners

 

Controls:

 

Volume 1 (Neck Pickup)

 

Volume 2 (Bridge Pickup)

 

Master Volume

 

3-Position Master Tone Switch

 

2-Position Toggle for Stereo/Mono Mode (Stereo mode for neck pickup only)

 

Output Jacks: Dual output jacks for mono and stereo operation modes.