High-quality digital controlled analog mixer in compact desktop format.
$2,949.00
6.3" cube-size digitally controlled analog mixer that can be configured as 8X2, 16X2, 24X2 or 32X2
The Fredenstein MIX CUBE is a compact answer to the question of mixing in the box or mixing out of the box with a solution born of thinking outside of the box.
It features a front to back balanced audio path with a fully discrete output stage. The MIX CUBE can be thought of a remarkably compact, extreme performance, purist analog mixer for the digital age.
Each of the channels has gain control in ½ dB steps, pan, cut and solo. Any set of channels can be controlled by one of four fader groups. The master mix also has gain control, balance and cut. Presets can be easily saved and recalled.
The 4 Fader Groups provide a convenient way of controlling multiple channels. For example, one could assign 10 drum channels to Group 1, (indicated numerically below the channel and with a color change) and adjust the level or mute or solo just the drums. Also, in the Audio Menu, all channels can be increased or reduced by 3 dB or 10 dB steps. One can easily find the optimal level to drive the mix buss and outboard processors.
The MIX CUBE also has MIDI ports and a USB port to allow full remote control. For example, a low cost moving fader MIDI controller can provide a traditional tactile interface for the MIX CUBE. Alternatively, A DAW can control the MIX CUBE via MIDI or USB and provide a fully automated mix in the analog domain while the digital to analog converters operate at their optimum levels.
The MIX CUBE has a 4.3” 480x272 pixel full color TFT graphics display that clearly shows levels, pans, groups, etc. 3 Encoders and 3 buttons give the engineer quick access to any control.
The Mix Cube also has a built in peak output meter, with 64 segments from -44 to +20 dB. Naturally it is referenced to the professional +4 dBm standard, so the range is actually -40 to +24 dBu with an additional clip indicator at +28dBu.
Inputs are industry standard DSub 25's and the outputs are XLR3.
Think about what is sonically missing in today's audio equipment and how you could achieve better results in recording and mastering? Now, many go back to well proven classic pieces of audio gear to fight the shortcomings of digital recording. Could that be the ultimate solution? Did the improvements in technology during the last 50 years really don't apply to recording? Using technologies from vacuum tubes to Digital Signal Processors, often in the same product, Fredenstein products combine the strength of each technology and avoiding their weaknesses. In addition we strongly believe in Zero-Negative-Feedback, negative feedback is a technique to make amplifiers more linear, but at the same time making them sounding harsh. This is one of the reasons modern equipment sounds so similar. Omitting negative feedback and using an internally and externally balanced designs which are very linear by design will yield a natural sound on a different level, warm, not dull or muffled, instead with a rich silky top-end and an impulse response will simply blow you away. Don't get us wrong, we are not talking about 「esoteric designs」, we believe very strongly in a scientific engineering approach.
We also provide pieces of long neglected equipment like precision analog meters. Even if you are working mostly inside the 「box」, metering your analog signal before it hits your converters is still very important and a great foundation for good recording. Fredenstein's state-of-the-art audio technology will help you throughout your chain to achieve truly outstanding results.
In addition, Fredenstein believes recording engineers deserve to have a more user friendly, more convenient and efficient pieces of equipment making the studio life easier and generate a more comfortable working environment. By minimizing the number of buttons and switches without sacrificing the functionality we deploy a clean user interface allowing you to get instantaneously familiar with the products.
Fredenstein Professional Audio Products are designed for audio professional in recording and broadcast studios as well as independent engineers and producers in their own facilities.
Fredenstein is focused to make a difference in Professional Audio. You can expect superior sound and high-end built quality from each of our products
Maximum Input / Output +28 dBu
Frequency Response -0.5 dB 10 Hz – 80 kHz
THD & N .006%
S/N Ratio (8 channels installed, all unity gain) 110 dB
S/N Ratio (32 channels installed, all unity gain) 104 dB
Crosstalk (adjacent channels panned L & R) 100 dB @ 1kHz, 83 dB @ 10kHz
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Rating: 4.8
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