Sound Pure's Take
Condition: Used, Very Good
This banjo can certainly be a bit of a shapeshifter when you take the resonator off, and if you're a player who jumps between bluegrass and old time traditional music you'd be getting a VERY usable instrument that will be able to pull both off! This Deering John Hartford model has some nice upgrades done in collaboration with John before he passed and is sure to be a dependable, versatile banjo that gives you some options in your style/sound!
From Other (Miscellanous Used/Vintage/Consign)
People ask why we have a non standard inlay pattern on this banjo. It was once the standard pattern and fairly common to just have the inlays grouped right in the middle and out on the ends of the fingerboard. Some of the old banjos like the Farland, and some of those old banjos made before 1900 had this, so John asked us to do that. John was a licensed river boat captain and wanted us to put some sort of a riverboat theme into his banjo. And again, we were kind of stumped a little bit, not wanting to just put inlays of riverboats in the fingerboard. Then we had a really neat opportunity because when Chuck, our head craftsman and artist who has been with us over 30 years now, was growing up and learning to play music his main banjo hero was John Hartford. Chuck grew up in Minnesota and when John Hartford would come to town to play he would never miss a concert and he thought John Hartford was the coolest musician. The idea that he would someday be making a banjo for John Hartford was beyond his wildest dreams so I gave the job of designing the inlays to Chuck.
Chuck started studying riverboats and reading a lot. He went to the library and found all the books he could about riverboats. He discovered that there is a whole classic architecture of riverboats that's significantly different than the architecture that goes into houses. People think that the gingerbread on a riverboat is the same as on the house but it is actually distinctly and identifiably different. The ratio of the length to width and the style of the scrolls that go into the riverboat architecture are different than what is on a gingerbread house, a Victorian period house. So Chuck took the riverboat architecture and used that classic form to develop inlays for the Hartford banjo. It ended up having a very riverboat type of flavor because it uses that architecture and that art form without having to have pictures of riverboats on it. We accomplished a really classic design for John and Chuck was able to have a wonderful time working with John on the inlay.
When John Hartford passed away we changed the nameplate on the fingerboard from mother of pearl to abalone in the fingerboard. So if you find a Hartford with a white mother of pearl name plate it was built before he passed away. If it has abalone it was made after his passing.
NECK:
Curly Maple with Walnut Stain
Beautiful Steamboat Scroll Mother of Pearl Inlays
White Binding with Black/White Trim
Ebony Fingerboard
Slender Deering Neck Shape
22 Glued In Nickel Silver Frets
Adjustable Truss Rod
Bone Nut
Deering Planetary Tuners
Deering Geared 5th String Tuner
Vintage Satin Finish
POT:
Hartford Grenadillo Tone Ring
Deering Premium Violin Grade 3-ply Maple Rim
Brass Notched Tension Hoop
11” Frosted Top Banjo Head
24 Round Hooks with Hex Nuts
One Piece Cast Zinc Flange
Nickel Plated Hardware
Deering True Tone Tailpiece
5/8” Deering Smile™ Bridge
RESONATOR:
Curly Maple with Dark Walnut Stain
Resonator Sides Are Specially Tapered On the Inside For Projection of Tone
White Binding with Black/White Trim
Vintage Satin Finish
Optional Pop-On Resonator
Warranty
This item is sold without the Sound Pure 3-year warranty (used / B-stock / dealer-exempt). Coverage terms for items in this category live in Terms & Conditions, Section 27.
Returns
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Sound Pure Studios · Durham, NC
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