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The Titan is an analog compressor-limiter with a very large range of color and control choices with recall.
$1,899.00
The Titan's main audio path is a discrete class A design. Resetability is attained by using stepped controls and encoders that have their values displayed on Titian's color LCD display. Titian is a digitally controlled analog device in design with a very high speed dsp side chain that allows the design to push the limits beyond what is possible in the design of an analog side chain.
The compressor-limiter controls are the normal; Threshold, Attack, Release, Shape, Bypass-In-Link, Meter Select, and make up Gain. These controls have their settings displayed on a color LCD display. The Shape control shows the knee of the compressor. With the knee characteristic being graphically drawn on the LCD to allow the user to see the knee's shape. The graphical display updates with the changing of the Threshold and Shape controls. When stereo linked the unit selected as control master will control all functions on the second channel.
In addition there are controls that can provide color choices;
VCA COLOR
The VCA COLOR control provides a mix between a very clean PWM gain control device and a vintage gain control element. The vintage gain control element is a diode type compressor circuit. There are 16 steps in the cross fade-mix control for a wide range in choices
PARALLEL MIX
The PARALLEL MIX control blends the unprocessed audio with the compressed audio, a parallel compression function. There are 16 steps in the cross fade-mix control for a wide range in choices.
DYNAMIC COLOR
The DYNAMIC COLOR control is a control that provides harmonic content that is opposite in nature of the harmonic content that the vintage gain control element generates. The effect of the Dynamic Color control can be described as making the sound "bigger". This function has 16 steps to provide a wide range of sonic control.
FAT - AIR
The FAT - AIR switch that will add air or fatness to the compressed audio
Titan is a single rack space 100 to 240 Volt switchable 50, 60 Hz
Designer Dave Hill has always had an interest in electronics, and started designing and building devices at an early age. He was building synthesizers from scratch and started doing professional level sound recording and equipment maintenance at a local music store while still in school. After high school Dave decided to pursue a career in electronics and enrolled in a course at a local community college. After his first semester he was asked by the college to take over teaching the course. He taught for 8 years and continued his involvement in pro audio. To date Dave has been doing studio and film sound recording since 1972. He has also been involved in film post production. Early in the 1980's Dave was asked by a used equipment dealer if he could design a tube compressor that would have the sound of the older tube type devices and still be clean enough to compete with modern devices. The result of this request was the Summit Audio TLA-100. Due to the success of that design Dave Hill went on to design and set up the manufacture of all Summit Audio products until September of 1994 at which time Summit Audio was relocated the manufacturing to California. From 1984 to 1994 Summit Audio grew from a single product and one employee working out of the basement of Dave's home to a full product line and over a dozen fulltime employees. Beginning in August of 1995, several of those key members of the Summit production crew began working for Dave again in his new company called Crane Song. After the move of Summit Audio, Dave wanted to keep the production crew together and start a new company. First he designed a tube playback pre-amp for the ATR-102 tape machine called the HDV-2. This is now being manufactured for the ATR Service Company by Crane Song. Next Dave designed a two channel discrete class A compressor-limiter, called the STC-8. The Today the Crane Song family of products has grown to five; *HEDD (Harmonically Enhanced Digital Device), FLAMINGO stereo mic preamp, TRAKKER, single channel compressor, and the new SPIDER 8 channel mic preamp, mixer, A/D convertor which has recently joined the family. Crane Song Ltd. is able to provide the highest level of quality due to the many years of experience of both Dave and the people who have stayed with him. Some of these employees have worked with Dave since 1988 and continue to have an intense interest in developing the best audio devices possible. Crane Song's combination of innovative design and uncompromising attention have helped the company make its mark in the professional audio world.
Maximum input: +25dbu balanced
Maximum output: +25dbu balanced
Make Up Gain: 0 to 11.5db, 0.5 steps
Noise: -91dbu, 20 KHz BW
Frequency Response: 3Hz to175KHz
Distortion, clean mode @+25dbu: 0.018%
Power: 25 watts at 115 or 230 volts, 50 or 60 Hz.
Fuse size is slow acting fuze GMD 0.315A for 115 volts;
GMD 0.150A for 230 volts
for 100 - 120 volts set to 115V
for 220 - 240 volts set to 230v
Shipping Weight: 15 lbs (6.7kg)
Depth Behind Panel: 8.625 inches plus user input/output connectors