From Chameleon Labs
When designing the 7721, Chameleon’s engineers started with a clean sheet of paper and deeply evaluated the details associated with developing a bus compressor for the modern studio. Basing detection and voltage control on a voltage control amplifier (VCA) topology and designing a circuit that provides low noise and transparency the team created an acoustic “glue" that is capable of consistently delivering punch and loudness to the signal.
The 7721 provides a classic set of adjustable settings as well as controls only available on esoteric compressors, including:
- Soft Knee / Hard Knee – Allows you to change between a softer arriving compression effect and a faster arriving, limiting type effect.
- Peak / RMS – This control allows you to choose between the Peak and RMS detection schemes that are quite different. Peak detection engages the compressor by monitoring peak or instantaneous voltage signals. RMS engages by looking at the average energy in the signal and comparing it to the threshold setting. Very different modes of operation that provide great solutions for specific problems.
- High Pass Filter – Allows you to filter out low frequencies and avoid pumping effects. This is particularly helpful when using the sidechain to more precisely control which frequencies are being compressed.
- Classic Controls – Threshold / Attack / Release / Ratio – Low ratios provide a nice starting place for master transparency, 4:1 provides more color and higher ratios for a tougher sound full of character. We like to use Attack and Release controls to respond to tempo and feel of a track.
- Blend – This control allows you to blend, or mix, the original uncompressed signal with the compressed signal providing another tool you can use to obtain your desired objective.
- VU Meter - Monitor Input, Outputs and Gain Reduction levels.
- Compression
- Soft or Hard Knee compression type
- Detection
- Peak or RMS
- High Pass Filter
- 60, 90, 130 or 200 Hz high pass filter applied to Side Chain detection signal
- Threshold
- Applied between -15dB and +15dB
- Attack
- Attack time in milli seconds - .1 / .3 / 1 / 3 / 10 / 30
- Release
- Release time in seconds - .1 / .3 / .6 / 1.2 / 1.5
- Ratio
- Compression ratio selection 1.5 / 2 / 4 / 8 / 10
- Blend
- Full Dry equivalent to 0% compression, Full Wet equivalent to 100% compression
- Output Gain
- 60dB to +20dB Output Level control
- VU Meter controls (L&R)
- In - Input / Out - Output / GR - Gain Reduction
Input Connectors
- Input (Female XLR)
- 50 kΩ
- Side Chain Input (Female XLR)
- 50 kΩ
Output (Male XLR)
200 Ω
Audio Specifications
- Noise Specification
- <-100dBu Input Terminated with 600 Ω, compressor ON and Output Gain set to 0dB
- Frequency Response
- 20Hz - 20kHz +/- 0.25dB
- Headroom
- > 20dB output level
- Dynamic Range
- 100 dB per AES17 Standard
- Common Mode Rejection
- 100Hz - 10kHz >90dB
- Input and Output Impedance
- >10kΩ / <50 Ω
Indicators
- Red Input Gain
- Input Overload
- Red Output Gain
- Output Overload
Power Supply
- 100V - 240V (50/60Hz)
- Switch mode power supply, fully shielded 3 amp peak output capability, quiescent consumption 0.5 Watts
1RU Steel enclosure
Free 3-Year Warranty
Sound Pure stands behind our products. Free three-year warranty on this item. Coverage exclusions live in Terms & Conditions, Section 27.
Level of support and expertise that simply isn't available at big-box megastores. Read the warranty →
Returns
Try Before You Buy: 48-hour audition. Program details →
You may also like
Browse Compressors/Limiters →
Sound Pure Studios · Durham, NC
Come hear it in our control rooms.
Sound Pure is a working studio in Durham, NC — a 1,000 sq ft live room and two pro control rooms. Book a session to audition gear in a world-class acoustic space before you buy.