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Avid Pro Tools | HD Native TB + HD Omni  From Avid

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Sound Pure's dedication to pre-owned products is unprecedented in the industry. We are a small team of dedicated experts that buys, trades, and consigns. We are trusted by customers all over the world. Our curated collection, is thoroughly tested and inspected by some of the best in the business. Our inventory is constantly changing, ever-evolving, with some items sold before reaching the website. Looking for something specific? Have questions about this product's condition or history? Want more photos, or to simply chat with an expert who's had his hands on this actual piece? Contact us now.
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Manufacturer's Description from Avid

Hear what you've been missing

Achieve pristine-quality sound and clarity—without the bulk or expense. Pro Tools | HD OMNI is an all-in-one preamp, I/O, and monitoring interface designed for Pro Tools | HD systems that enables you to capture every detail and nuance of a performance. Capture high-resolution audio through premium mic preamps. Connect gear to a wide array of analog and digital I/O. And monitor sessions in up to 7.1 surround—all from a compact interface that takes up just a single rack space. Plus, with its new lower price, getting great sound is even easier than ever.

 

Get Incredible Sound

Capture high-quality sound—with complete transparency and clarity—through two premium mic/DI preamps and four line inputs. Plus, thanks to state-of-the-art A/D and D/A conversion, every sonic detail and nuance of your original sources can be heard.

 

Watch Your Levels

With switchable input and output metering conveniently displayed on the front panel, you can easily see what's hot, what's not, and make the necessary adjustments to achieve optimal levels.

 

Cue the Mix

Easily let the person you're recording hear what they're recording—without the need for a separate feed and headphone amp. Simply press the Cue button to bounce between adjusting the headphone cue mix to the control room mix—and back again—all right in their headphones.

 

Connect Your Gear

In addition to the inputs in front, you've got a variety of analog and digital I/O in back to connect everything from additional mics and instruments, to outboard hardware processors, speakers, and digital mixing consoles.

 

Track, mix, and monitor in one

With HD OMNI, you can do it all with a single rack space interface—whether you make music or create sound for picture. Capture high-quality instrument and vocal performances (with 4x8 analog or 8x8 digital support). Record overdubs, or track ADR and Foley for a soundtrack. Provide cue mixes for artists. Hear your own discrete mix. Monitor in stereo or up to 7.1 surround right from the front panel. And because there’s no need to route signals across multiple interfaces, you save both time and money.

 

Listen your way

Choose how you want to listen... Hear mixes in stereo or surround. Monitor through speakers or your cans. Create a personal mix for performers while listening to your own. Compare a mix on different speaker sets. And if you don't feel like launching Pro Tools, HD OMNI also functions as a persistent mixer, so you can monitor a keyboard, drum machine, or music player independently from your recording setup.

 

Optimize your sound

Connect your digital gear without the hassle, with built-in sample rate conversion offered on all digital inputs. Maximize your analog input signals, without any harsh clipping, with the soft clip feature. Plus, you'll be able to track hotter signals and smooth out inconsistent levels from incoming sources.

Avid

About Manufacturer

From award-winning producers, of music and film, to producers of personal at home productions, Avid creates technology that people use for their music to be heard or videos to be seen on any platform. The shows, commercials, and news programs you watch on TV. The entertaining video and film stories you see on the web and on the big screen.  The personal audio and video treasures that people make at home to preserve their favorite moments in life. Avid has a myriad of products to fill your production needs.

Specifications

SYSTEM REQUIREMENTS

 Pro Tools | HDX or Pro Tools | HD Native system

 

SPECIFICATIONS

HD OMNI Specifications 

Analog Inputs:4

Analog Outputs:8

Mic / Instrument Inputs:4 (2 simultaneous inputs at a time)

Mic Pre Gain:65 dB

Headphone Output:1

Monitoring Formats:7.1, 7.0, 6.1, 6.0, 5.1, 5.0, QUAD, LCRS, LCR, 2.1, Stereo, Mono

Speaker Selection:2 sets

Persistent Mixer:14 input channels to 2 multichannel monitoring paths, each with its own fold-down configuration

AES/EBU I/O:2 + 8

AES Single-Wire (192 kHz):Yes

S/PDIF I/O:2

ADAT I/O:8

S/MUX:S/MUX II and IV

SRC:S/PDIF I/O

Word Clock I/O:1 In + 1 Out

Loop Sync I/O:1 In + 1 Out

Curv:Yes

Soft Clip:Yes

Digital Interface:DigiLink Mini

Chassis:1U rack-mountable chassis

Mic Inputs

Frequency Response:20 Hz – 20 kHz (± .05 dB)

Gain Range:65 dB

EIN:-128 dB

THD+N:-107 dB (0.00045%)

CMRR:-93 dB

Line Inputs 

Frequency Response:20 Hz – 20 kHz (± .03 dB)

Dynamic Range:118 dB (A-weighted)

THD+N:-111 dB (0.00028%)

Line Outputs 

Frequency Response:20 Hz – 20 kHz (± .03 dB)

Dynamic Range:120 dB (A-weighted)

THD+N:-108 dB (0.00039%)

Line Output Level / Trim:+10 dBu or +24 dBu/-40dB to +10dB (0.1dB steps)

Headphone Outputs 

Frequency Response:20 Hz – 20 kHz (± .03 dB)

Dynamic Range:118 dB (A-weighted)

THD+N:-107 dB (0.00045%)

 

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