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$1,295.00
The SR22 Dual Channel Compressor features two channels of API’s patented award-winning VCE compressor circuit in a rackmount unit with internal power supply. This same compressor circuit was originally designed into the legendary ATI Paragon analog live mixing console. Each channel includes the patented THRUST® circuit, which protects the sensitive high frequency content of the audio signal, even under the most vigorous of compression ratios. The perfect companion to the new SR24 Dual Channel EQ, the SR22 provides comprehensive, easy-to-use control along with classic analog VU meters for monitoring output and gain reduction. The two channels can also be linked for use as a stereo compressor with true RMS power summing of the left and right signals.
Patented THRUST circuit
Variable Threshold, Ratio, and Make-up gain controls
Classic analog VU meters
Switchable metering of output level and gain reduction
Peak threshold LED indication
Switchable Hard of Soft Knee compression
Linkable for stereo operation with true RMS power summing
Fully balanced XLR and ¼” inputs and outputs
API (Automated Processes, Inc.) is world famous for its all-discrete audio products: studio and broadcast mixing consoles, and a full line of rack mount mic preamps, equalizers and processors. It all began with a dream. It was 1968. The company: Automated Processes Inc., formed by men with a vision. Best known for their now legendary "2520 amplifier", this unique amp has been and will continue to be the heart of all API discrete products. It continues to provide reliability and sonic purity unmatched by the competition. The resulting console met the needs of the music, commercial and broadcast industry. API became the leading audio broadcast console manufacturer for radio and television networks and high profile stations. In addition, recording studios, large and small, began using API.....and receiving rave reviews from engineers and producers. There are over 700 API consoles across the nation and around the world, including the three major networks. Over thirty years later, many of these consoles are still in daily use in some of the most prestigious recording and broadcast facilities in the world because, to date, there are few, if any consoles of equal sound quality at a cost-effective price.