Tenor saxaphone solo into the TELEFUNKEN U47
Tenor saxaphone solo into the TELEFUNKEN U47 (view less)
|
||
Tube Condenser Microphone
1 similar version(s) available to choose from
Terry Anderson and The Olympic Ass Kicking Team (or The OAK Team for short) recorded their new song "Girls with Glasses" during a weekend session with Fletcher at Sound Pure Studios for TELEFUNKEN'S m...
Terry Anderson and The Olympic Ass Kicking Team (or The OAK Team for short) recorded their new song "Girls with Glasses" during a weekend session with Fletcher at Sound Pure Studios for TELEFUNKEN'S multitrack session mix contest. Girls with Glasses was recorded with all TFunk microphones including: M80, M81, M82 prototype, ELA M 260 with both omni and cardioid capsules, AR-51, AK-47 MkII, AR-70 Stereo mic, U48, and U47. Check out the full version of "Girls with Glasses" by watching our video of the session. The session was was engineered and mixed by Fletcher. If you have any questions about the gear used in this recording, call the engineers at Sound Pure today. Or, if you would like to enter T-Funk's mix contest, visit their website and download the multitrack files to mix the song yourself!
Terry Anderson and The Olympic Ass Kicking Team (or The OAK Team for short) recorded their new song "Girls with Glasses" during a weekend session with Fletcher at Sound Pure Studios for TELEFUNKEN'S m...
Terry Anderson and The Olympic Ass Kicking Team (or The OAK Team for short) recorded their new song "Girls with Glasses" during a weekend session with Fletcher at Sound Pure Studios for TELEFUNKEN'S multitrack session mix contest. Girls with Glasses was recorded with all TFunk microphones including: M80, M81, M82 prototype, ELA M 260 with both omni and cardioid capsules, AR-51, AK-47 MkII, AR-70 Stereo mic, U48, and U47. Check out the full version of "Girls with Glasses" by watching our video of the session. The session was was engineered and mixed by Fletcher. If you have any questions about the gear used in this recording, call the engineers at Sound Pure today. Or, if you would like to enter T-Funk's mix contest, visit their website and download the multitrack files to mix the song yourself!
The OAK Team came to Sound Pure for a recording session led by Fletcher. The "Girls With Glasses" session was sponsored by TELEFUNKEN ELEKTROAKUSTIK for their mix contest (go to TFunk's website to dow...
The OAK Team came to Sound Pure for a recording session led by Fletcher. The "Girls With Glasses" session was sponsored by TELEFUNKEN ELEKTROAKUSTIK for their mix contest (go to TFunk's website to download the tracks and enter the mix contest). The session was also sponsored by A Designs Audio, Avid Nolatone Ampworks, Phoenix Audio, Pork Pie Percussion, and Vintech Audio. Check out our other demo videos from this session to learn about the specific gear and equipment used. If you have any questions about specific recording chains, signal paths, or gear, please give us a call at 888.528.9703 or 919.682.5552. Thanks to the Olympic Ass Kicking Team - Terry Anderson (Drums/Vocals), Jack Cornell (Bass/Backup Vocals), Greg Rice (Keys), and Dave Bartholomew (Guitar/Percussion).
The OAK Team came to Sound Pure for a recording session led by Fletcher. The "Girls With Glasses" session was sponsored by TELEFUNKEN ELEKTROAKUSTIK for their mix contest (go to TFunk's website to dow...
The OAK Team came to Sound Pure for a recording session led by Fletcher. The "Girls With Glasses" session was sponsored by TELEFUNKEN ELEKTROAKUSTIK for their mix contest (go to TFunk's website to download the tracks and enter the mix contest). The session was also sponsored by A Designs Audio, Avid Nolatone Ampworks, Phoenix Audio, Pork Pie Percussion, and Vintech Audio. Check out our other demo videos from this session to learn about the specific gear and equipment used. If you have any questions about specific recording chains, signal paths, or gear, please give us a call at 888.528.9703 or 919.682.5552. Thanks to the Olympic Ass Kicking Team - Terry Anderson (Drums/Vocals), Jack Cornell (Bass/Backup Vocals), Greg Rice (Keys), and Dave Bartholomew (Guitar/Percussion).
Telefunken Elektroakustik Microphones explores their entire line at the NAMM 2010 show. The line consists of some extremely well built affordable microphones from their RFT series, as well as the out...
Telefunken Elektroakustik Microphones explores their entire line at the NAMM 2010 show. The line consists of some extremely well built affordable microphones from their RFT series, as well as the outstanding M80 dynamic microphone, and of course, their flagship line of museum-quality replicas of the most famous vintage microphones ever built, such as the Telefunken (Neumann and AKG) Vintage microphones the ELAM 251, U47, U48, C12, and many others. They go through the entire line in some detail at the NAMM 2010 show. Sound Pure proudly represents the entire line, and has numerous mics of theirs on demo, including all of the flagship staples in stock. Call Sound Pure to discuss your microphone needs, toll free, 888-528-9703
Tenor saxaphone solo into the TELEFUNKEN U47
Tenor saxaphone solo into the TELEFUNKEN U47 (view less)
10 years subsequent to the release of the ubiquitous U47, the U48 was released with one variation to the U47; it had "bi-directional" (figure 8) capability. While the head assembly from a U47 can be fitted to a U48 amplifier, the same does not work in reverse.
According to the book Recording the Beatles, the U48 was one of George Martin's favorite microphones when actually "recording the Beatles". The bi-directional capability can be very useful in more "ambient" recording environments where the engineer recording the sound does not want hear as much of the room ambience as might be recorded with an omni-directional or cardioid pick-up pattern.
A microphone's capsule is often made of two sides. The front diaphragm will produce a cardioid response, as will the rear. When the two diaphragms are polarized in the same polarity an "omni-directional" effect is achieved. When they are polarized in opposite polarity a figure 8 pattern is created.
This is not an acoustic pattern creation; it is an electronic pattern creation. All microphone capsules are omni-directional in the low frequency regions of their response. As you climb the frequency spectrum the capsule will have a more directional response.
When you have two identical diaphragms with identical voltage to those diaphragms you will have a smooth "omni-directional" response. When those voltages are reversed, an electronic cancellation of common information is achieved; the result is two "lobes", one on the front of the microphone, one on the rear of the microphone, with full frequency cancellation through the frequency range achieved through electronic cancellation.
Type: Condenser Pressure Gradient
Capsule: M7 - dual sided gold sputtered center terminated
Frequency Range: 20Hz / 20kHz
Polar Pattern: Cardioid and Figure 8
Sensitivity: approx 1.2 mvolts per dyne / cm sq
Impedance: 200 ohms stock / 50 ohms switchable
SPL: 138 dB
Non Linear Distortion: less than or equal to 0.5% at 100 dyne / cm sq
Equivalent Noise: 24 dB
Tube Type: TELEFUNKEN Elektroakustik VF14K metal tube
Power: Dedicated Power Supply
Weight: 22oz (624g)
Size: 9 3/4" (248mm) length x 2 1/4" (57mm) diameter
Extras: Locking Case, NG Style Power Supply, Shock Mount, Wooden Box
Retail: $10,495.00
$8,495.00
BUY NOW!
Call our experts using:
888-528-9703 (toll free)
919-682-5552 (local/international +1)